Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19thcentury sideshow, more than the contemporary art world. In her delicate drawings, Adaptando la Carta, layers of tracing paper reveal different hand positions, concealing and revealing a playing card hidden among the curves of the magician’s hand. The artist’s fixation on the hand is persistent throughout the works, as she considers the limits between reality and illusion.
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19th-century sideshow, more than the contemporary art world.
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...