The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.
Landscape for fire is a major work by Anthony McCall. The film recounts a performance where characters in white, light up fires in a very orchestrated choreography of lights in a vast flat landscape. The performance is carefully planned – the fires are lit and geometrically aligned in a precise temporal progression.
Drawing & Print (Drawing & Print)
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater.
In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up. As a result, the butterflies become hyper-real and animated in appearance. The manipulated footage is presented in a video wall of nine monitors, where the butterflies flit from screen to screen, in a room bathed in vivid orange light.
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium. Mounted on platforms suspended in space on metal stands, the video sculpture contemplates human relationships, expressed here by shouts and murmurs, the strange and the familiar.
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist. The first scene portrays Wolukau-Wanambwa in a close-up frontal view, dressed in black, standing silently against a worn white wall. Through subtitles, the artist recounts her experience of participating in a workshop on the top floor of the museum.
Drawing & Print (Drawing & Print)
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines. The artist uses abstract architectural elements that he reproduces on the wall in which he inserts drawings, elements from photographs and drawings of texts collected from art magazines. The repetition, control and imperfection of the movements create a tension, a particular vibration in his geometrical drawings and in the drawings of texts.
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.
The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures. Arranged in a grid, however, the monitors begin to resemble closed circuit security systems, evoking associations of surveillance and policing. More than just casual documents of the every day, Gao’s video works carry a subversively political charge and force viewers to reconsider their own relationship to media and perception.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo. The first three videos in the series were shot in a market place in Lubumbashi, the second largest city in the Congo, where several psychoanalysts explore mental health in the context of the Congolese public sphere. Throughout the video series, Woueté links this public health examination to memories of colonial history.
In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation.
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection. It is the overlapping of the beautiful with the impact of military ritual and pomp. The use of the sculptural props and again sound (the ideal presentation of this work is with surround sound) create a composition as visual as it is aural.
Turtle Walk is a video installation that documents two performers carrying large white disks on their backs as they walk through the urban environment of Seoul. The simple disks disrupt normal social behaviors in urban space, acting like parabolic antennae that cause the performers to interact and communicate unusually with their surroundings. The performance causes viewers to reflect on their expectations for normal behaviors within the social space of the city.
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel. The video is largely silent until violent crashes and female voices overwhelm the viewer, portraying the inner voice of a woman who is brutally gang raped. Malani addresses the fatal place of women in Indian society and the geo-politics of national identity.
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016. Chen’s project departs from a 19th century theory popular within Western biogeography that posited the existence of a “lost land” or ancient continent called Lemuria that had sunk beneath the Indian and Pacific Ocean due to cataclysmic geological change. As a result, its inhabitants, the Lemurians, found refuge in Mount Shasta, California.
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
Wang Xu’s video Summer Wind Before Rain was made during his residency last summer at Storm King, where he lived in a hut made of wood and gathered clay from the nearby forest. During his residency, he interacted only with the sculpture park’s gardener. In the eleven-minute video, we see the gardener ride a lawn mower the size of a golf cart, and we observe the artist slowly make a large, realistic bust of the gardener, bit by bit and layer of clay by layer.
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction). The young hip-hop artists respond with anger and defiance to their forced expulsion from Sulukule, a historic Roma settlement in Istanbul, due to a redevelopment project. Their lyrics address issues of gentrification and inequality, while their actions show the possibilities for both violent and artistic rebellion.
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement. ” Filmed at display homes in the suburbs of Manchester in the United Kingdom, the video features real-estate agents clad in bright-red blazers enthusiastically describing features of the ‘dream home’ as they walk through different rooms. A couple of additional elements, a couch and neutral soft carpet, recreate the domestic setting and immerse the viewer in the unfolding scenes.
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Meiro Koizumi is a Japanese video and performing artist, born in 1976...
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...
Dineo Seshee Bopape is known for her playful and experimental video works and installations of found objects...
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene...
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...
Huang Xiaopeng is a video and installation artist...
Wang is an artist working primarily with sound...
Miguel Calderón is a Mexican artist and writer...
Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...
Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...
Emma Wolukau-Wanambwa is an artist, researcher, and convenor of the collective the Africa Cluster of the Another Roadmap School, a project fostering conversations about art and education in Africa...
Through video, drawing, sculpture, sound, installation, and publications, Jesse Chun’s multidisciplinary practice critically engages with the politics of language...
Costa Rican artist Christian Salablanca Díaz has developed a body of work around the phenomenon and experience of violence and the ways in which it generates, determines, and conditions history, society, and politics...
Yuichiro Tamura works in a wide range of media including video, photography, installation and performance...
‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...
Video of Israeli Soldiers Handling Gaza Antiquities Raises Outrage Skip to content A photo of the École Biblique et Archéologique Française de Jerusalem's excavations warehouse in Gaza (image courtesy Jean-Baptiste Humbert) The Israel Antiquities Authority (IAA) drew criticism online on Sunday, January 21, after its Director-General Eli Eskozido posted an Instagram story depicting Israeli soldiers onsite at a storeroom in Gaza filled with apparent antiquities, as well as a photo of a small display of cultural objects in the Knesset (Israeli parliament)...
JJ Manford: Hayden Rowe Street at Derek Eller Gallery, NYC (Video) - ArteFuse Please like, comment, and subscribe to support our YouTube channel...
Aesthetica Magazine - 5 To Know: Installation Shows 5 To Know: Installation Shows The following installations, on view across the UK and USA, stimulate the senses...
Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...
Ojuelegba Comes Alive in Emeka Ogboh's Multisensory Installation - Artcentron Home » Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation ART Feb 3, 2024 Ξ Leave a comment Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation posted by ARTCENTRON Emeka Ogboh, Ojuelegba 2023...
Video: attitudes to nudity in art | Blog | Royal Academy of Arts Marina Abramović in the Main Galleries Video: attitudes to nudity in art Read more Become a Friend Video: attitudes to nudity in art Published 14 December 2023 Watch Marina Abramović discuss her performance ‘Imponderabillia’ first performed over 40 years ago...
Pipilotti Rist: Prickling Goosebumps and a Humming Horizon at Hauser & Wirth advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Pipilotti Rist: Prickling Goosebumps and a Humming Horizon at Hauser & Wirth Installation view 'Pipilotti Rist...
Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...
How peter campus Changed the Video Art Game Skip to content Still from peter campus, "Three Transitions" (1973), single-channel video with sound, 4:53 mins...
Highlights from Art Basel Miami Beach 2023 (Video and Favorite Works) - ArteFuse Art Basel Miami 2023 top 10 picked by writer and curator Nina Chkareuli-Mdivani Art Basel Miami felt strangely invigorating and fresh this year...
South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works | Artsy Skip to Main Content Advertisement Art South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works Mira Dayal Dec 8, 2023 2:46PM Jaye Rhee, Cherry Blossoms , 2012...
David Hockney lights up London with a festive art installation at Battersea Power Station...
Best of 2023: Top 10 Art Installations Featured on My Modern Met Home / Art / Installation Best of 2023: Top 10 Art Installations Featured on My Modern Met By Jessica Stewart on December 4, 2023 From incredible, immersive videos to thought-provoking sculptures, the year in art installations was certainly thrilling...
Pipilotti Rist, Anj Smith and Guillermo Kuitca at Hauser & Wirth, NYC (Video) - ArteFuse PIPILOTTI RIST PRICKLING GOOSEBUMPS & A HUMMING HORIZON 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET ANJ SMITH DRIFTING HABITATIONS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET GUILLERMO KUITCA PINTURA SIN MUROS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET...
TM Davy: Fae & Group show Extended at Company Gallery, NYC (Video) - ArteFuse Please subscribe, like, and share the video to support the channel 1- TM Davy: Fae (Click to see images and the Press Release) Through Jan 6, 2024 2- Group Show EXTENDED: a three-person exhibition featuring new works by Jean-Baptiste Boyer, Chris Lloyd and Marsha Pels...
Twilight Oddities, Real Nightmares, Queer Errands, and Other Daydreams: The Gothenburg Biennial | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Tania Pérez Córdova: Generalization / Marina Xenofontos: Practice / Julian Abraham: Togar at The Sculpture Center, NY (Video) - ArteFuse Please subscribe, like, and share the video to support the channel 1- Tania Pérez Córdova: Generalization (Click to see images and the Press Release) Sep 23–Dec 11, 2023 2- Marina Xenofontos: Practice (Click to see images and the Press Release) Sep 23 – Oct 23, 2023 3- Julian Abraham “Togar”: Too good to be OK (Click to see images and the Press Release) Sep 23–Dec 11, 2023...
Video: new posters on display | Blog | Royal Academy of Arts Poster Bar by José Video: new posters on display Read more Become a Friend Video: new posters on display Published 22 August 2023 Watch our team refresh our iconic Poster Bar for the first time since 2018, featuring 21 new posters from our past exhibitions...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Video: two-minute tour of the Summer Exhibition 2023 | Blog | Royal Academy of Arts Installation view of the Summer Exhibition 2023 at the Royal Academy of Arts, London, 13 June – 20 August 2023 Photo: © David Parry/ Royal Academy of Arts Video: two-minute tour of the Summer Exhibition 2023 Read more Become a Friend Video: two-minute tour of the Summer Exhibition 2023 Published 24 July 2023 Take a quick trip through more than 1,600 works on display in this year’s show...
Video: meet the artists of the Young Artists' Summer Show 2023 | Blog | Royal Academy of Arts Gallery view of the Young Artists’ Summer Show 2023 at the Royal Academy of Arts, London © Royal Academy of Arts / David Parry Video: meet the artists of the Young Artists’ Summer Show 2023 Read more Become a Friend Video: meet the artists of the Young Artists’ Summer Show 2023 Published 28 July 2023 Hear from some of the artists in this year’s Young Artists’ Summer Show as they tell us the stories behind their works selected for display at the RA...
Deep Ellum’s Video Bar Lives For a Night at the Kessler Theater - D Magazine Skip to content Menu Search One brand, four magazines...
The reality star insists that Chanel’s dance moves were only "making fun of a character from Bob's Burgers."...
What Does Drake Collect? The Singerâs New Music Video Lets Viewers See Inside His Art-Filled Mansion - via artnet news...
Designer and Patron Beatrice Bulgari Opens Up Her Home to Offer a Peek at Her Marvelous Art Collection - via artnet news...
Collector Julia Stoschek May Close Berlin Private Museum, Home to Ambitious Video Art Shows - via ARTnews...
The Working Processes of Artists: Tina Fung | ArtsEquator Skip to content Tina Fung is a set designer and installation artist who runs Space Objekt, a design studio based in Singapore...
Video: The ArtsEquator End-of-Year Dance Podcast 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 7, 2019 ArtsEquator held a live recording of its year-end dance podcast at Dance Nucleus SCOPE #4 on Sunday 2 December 2018, 7pm...
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Drawing & Print
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
Images is a two channel video work addressing the relationship between art and ritual...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Drawing & Print
The three Maiko s were included in Ron Terada’s 2008 exhibition, Voight–Kampf , at Catriona Jeffries gallery...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there...
Drawing & Print
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
Drawing & Print
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Drawing & Print
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
To make the video installation Soft Staycation (Gaze Track Edit) , the artist, playing the role of ‘job creator’, hired a group of unemployed and expat freelancers through Craigslist to watch a 30 minute compilation of national tourism ads...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina...
Drawing & Print
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
Categorized as low-level literature, a “Love Stories” book is a romantic popular fiction of proletariat China, read mainly by teenagers, students, and young workers...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
This still life falls apart, or rather floats apart as the composition is proved unstable and constantly morphing...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock...
The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky...
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep...
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident...
In the Soldier’s Head evokes the traumas of war through the prism of the hallucinations of a soldier...
Following her family’s political exile to Australia in 1990, Havini began to document her journey’s home to the north of Buka Island, in the Autonomous Region of Bougainville...
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...
Comprising two sculptures, one photograph and one video, the installation Malakas & Maganda (1986 – 2016) questions the mythological iconography of the Filipino conjugal dictators Ferdinand and Imelda Marcos and thus addresses the construction of propaganda representation and the role of art facing current events...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...
Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Maya Watanabe’s video installation Bullet unfolds within the context of the Peruvian justice and forensic systems...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
O (for various skies) by Jesse Chun is a two-channel video sculpture that decentralizes American colonial narratives about the moon through “unlanguaging”—a methodology that the artist has conceptualized for unfixing language...
Set some time in the future, Sofía Córdova’s multi-channel film installation GUILLOTINÆ Wanna Cry, Act Yellow: Break Room imagines a public that worships pop stars and revolutionary leaders equally...
Advanced Technology
The Wooden People is a 360º virtual reality film series comprising seven episodes...
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...
In the process of creating this deeply personal body of work, titled Recollecting Memories , artist Hitesh Vaidya repeatedly visited the site of his ancestral home that was destroyed during the devastating earthquakes in Nepal in 2015...