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Bimba y Delfin
© » KADIST

Pierre Gonnord

Photography (Photography)

Bimba y Delfin is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Pendulum
© » KADIST

Maya Watanabe

Film & Video (Film & Video)

Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera. They individually deliver sacred lines from the Torah, New Testament, and Qur’an in their representative languages: Old Hebrew, Greek, and Old Arabic. As the camera slowly rotates around the trio, the men begin to perform traditional manifestations of each religious cult: Torah Cantillations, Gregorian Chants, and tilawat of Al-Qur’an.

Tell me everything you saw, and what you think it means
© » KADIST

Sin Wai Kin

Film & Video (Film & Video)

The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Slow Sex
© » KADIST

Wong Ping

Drawing & Print (Drawing & Print)

This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.

A Chrysalis No. 2
© » KADIST

Yétúndé Olagbaju

Sculpture (Sculpture)

Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children. After being referred to as a Mammy during their undergraduate degree, Olagbaju began exploring the figure in 2016 as a means of healing. Olagbaju’s first presentation on this topic was a book called Black Collectibles: Mammy and Friends (1997) that sells tchotchkes—like salt and pepper shakers or figurines—of the racist mammy image taking different forms, from which Olagbaju exorcised the Mammy images by carefully cutting them out of the book with a razor blade.

The Interrogation
© » KADIST

Wang Tuo

Film & Video (Film & Video)

The Interrogation is a video constructed entirely from still film photography and photoshop collage — playing out as a photomontage along with a voiceover. By using still photography instead the moving images, Wang Tuo creates room for the audience’s imagination. The voiceover produces a rhythm to enhance the tensions in the work.

Projet d’attentat contre l'image (Acte 3)
© » KADIST

Sinzo Aanza

Installation (Installation)

Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms. This project stems from the artist’s interest in the syncretism that emerged after Congo’s independence in 1960.

The Shedding
© » KADIST

Anju Dodiya

Painting (Painting)

The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards. The imagery relates to other paintings in this body work that expresses the visceral and vulnerable side of creativity. The posture of the protagonist—a part-human, part-carapaced animal—is opening herself outwardly.

Fig. 33. 9 Your Love is a King
© » KADIST

Yeni Mao

Sculpture (Sculpture)

Fig. 33. 9 Your Love is a King by Yeni Mao is a sculpture made of blackened steel, brass, glazed ceramic, and leather.

Transparências de lar (Home Transparencies)
© » KADIST

Ilana Bar

Photography (Photography)

One of Ilana Bar’s best-known works is the series Transparências de lar (Home Transparencies) in which, for four years, the artist photographed her family’s rural home in Atibaia where her father lives with his two brothers and Ilana’s own brother, all three with Down Syndrome. Transparências de lar is the record of a serene, though certainly not a perfect, place. In this place Down Syndrome is not considered an alienable difference in the way that it is in Western culture, it is not problematic or a cause for social exclusion.

Smoke and Fire
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Smoke and Fire is the first chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

thanks for staying alive Fern.1994
© » KADIST

rafa esparza

Painting (Painting)

thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s. The work is based on the popularity of mid-90s era Star Shots photographs, which usually featured graphic backgrounds and highly glamorized subjects wearing heavy makeup, matching outfits, perfectly coiffed hair, and dramatic expressions. In Los Angeles, esparza remembers many Black and Brown youths going to the mall (where many Star Shots photo studios were located) to circulate the photos with personal messages written on the back.

Tungus
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Tungus is the third chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

Deferral Theatre
© » KADIST

siren eun young jung

Film & Video (Film & Video)

Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea. The radical and temporally border-crossing qualities of gender fluidity, and lineages of queer subversion within performative spaces, animate Deferral Theatre through a critical deconstruction of Korean history, tradition and gender norms. One particularly powerful scene depicts a young drag king performer tearing at their suit and tie as they lip-sync passionately to a song in English, while the frame lilts with an ecstatic languor, as if the operator of the camera were staggering feverishly.

The More You Want…, …The Less You Get
© » KADIST

Zach Reini

Painting (Painting)

Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol. Reflecting and recouping elements from American youth culture, Reini’s works question how we package, mark, and express ourselves through manufactured symbols of identity. Reini has also used images of Mickey Mouse—Disney’s anthropomorphic icon—in numerous works, including in this pair of works, The More You Want…, …The Less You Get .

90022 (Leonard Ave)
© » KADIST

Guadalupe Rosales

Sculpture (Sculpture)

90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice. The work features a vertical mirror onto which Rosales invited family and community members to etch the names of friends and relatives in a collective memorialization of those who have died or are absent. On the surface and the bespoke metal frame are hand-etched initials, names, symbols, and dates.

Kiss of the Rabbit God
© » KADIST

Andrew Thomas Huang

Film & Video (Film & Video)

Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos. This video work exemplifies a new, global wave of queering tradition, indigenous references and international pop/post-internet esthetics. In this short video, a Chinese-American restaurant worker falls in love with an 18th century Qing dynasty god of gay lovers who visits him at night and leads him on a journey of sexual awakening and self discovery.

Chimeric Antibodies 1 and 3
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.

Bugs Bunny Behind a Mesophile Bush
© » KADIST

Paloma Contreras Lomas

Drawing & Print (Drawing & Print)

Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice. For Contreras, drawing is a deeply personal and corporeal exercise that she relates to writing and narration. Her charcoal drawing Bugs Bunny Behind a Mesophile Bush features a gigantic hat providing shelter to the simultaneously identifiable and unidentifiable cartoon character hiding behind a wild bus.

Negro sobre Negro (Black on Black)
© » KADIST

Javier Castro

Film & Video (Film & Video)

In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black. Gradually, the face of a man becomes visible as he steps out of the darkness and closer to the camera. As suggested by Castro, the color of this man’s skin allows him to pass unnoticed perhaps literally, but also metaphorically as he alludes with certain humor to the iconic work Black Square by Suprematist artist Kazimir Malevich, often referred to as the “zero point of painting” in Western art-historical discourses.

Volga
© » KADIST

Aslan Goisum

Film & Video (Film & Video)

The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky. In the center of the frame is a white car of the eponymous Soviet make—standard-issue for the imperial administrative class during the USSR’s ‘Period of Stagnation.’ The vehicle is the only indication of cultural geography in the video; what unfolds must be somewhere in the former USSR. In a slow crescendo of activity and tension, small groups of men, women, and children, walk up to the car and squeeze into it.

Relation Between Black and blood
© » KADIST

Naresh Kumar

Drawing & Print (Drawing & Print)

“Relation between Black and blood” explores the connection between performance, installation and representation. The artist’s use of watercolour is inherited from Mughal miniature painters who migrated from Delhi to the East India Company on the Ganges for the opium trade. The Miniaturists used cheaply available transparent Mica to paint images of the water carrier, the cobbler, dancers, prostitutes, wanderers and god men.

Distorting Words
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Distorting Words is the second chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

Any Resemblance is Coincidental
© » KADIST

Chen Zhexiang

Film & Video (Film & Video)

In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them.

Humour and Law
© » KADIST

Karam Natour

Drawing & Print (Drawing & Print)

Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues.

Hole #1
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.

Hummingbird
© » KADIST

Brian Tripp

Sculpture (Sculpture)

For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.

Tarahi IV
© » KADIST

Haris Epaminonda

Film & Video (Film & Video)

Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)

Slow Graffiti
© » KADIST

Alex Da Corte

Film & Video (Film & Video)

Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017. The video is a shot-for-shot remake of the film “The Perfect Human” by Danish filmmaker Jørgen Leth (1967). The original is narrated in an anthropological manner, or as if listening to a guide at a zoo, but Da Corte’s version is stranger and more philosophical.

Wong Ping

Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works...

Karam Natour

Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Ian Cheng

The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Brian Tripp

Brian D...

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Baseera Khan

Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...

Karla Kaplun

Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Matthew Angelo Harrison

Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...

Lubaina Himid

Pierre Gonnord

Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Sheelasha Rajbhandari

Sheelasha Rajbhandari is a visual artist, cultural organizer, and co-founder of the artist collective Artree Nepal (founded in 2013) based in Kathmandu...

Sinzo Aanza

Sinzo Aanza is a visual artist, poet, and playwright...

Farah Al Qasimi

Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states...

Chto Delat

Chto Delat was founded in 2003 and consists of a group of artists, critics, philosophers, and writers from Petersburg, Moscow, and Nizhny Novgorod...

Aslan Goisum

Chechen artist Aslan Goisum’s work engages with memories–collective and personal, political and cultural–to unearth clues about colonial realities, how they have been endured, and how they might be undone...

Edie Fake

Edie Fake’s paintings start as self-portraits, referencing elements of the trans and non-binary body through pattern, color and architectural metaphor...

rafa esparza

rafa esparza is a multidisciplinary artist whose work reveals his interests in history, personal narratives, kinship, colonization, and the disrupted genealogies it produces...

Nazgol Ansarinia

Maryam Hoseini

Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...

siren eun young jung

With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...

Wu Tsang

Wu Tsang’s work is often framed in terms of her identity as a trans woman of color...

© » KADIST

about 51 months ago (02/26/2020)

© » KADIST

about 60 months ago (05/22/2019)

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about 62 months ago (04/12/2019)

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about 75 months ago (03/11/2018)

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about 99 months ago (03/11/2016)

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about 99 months ago (03/05/2016)

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about 100 months ago (02/27/2016)

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about 107 months ago (07/11/2015)

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about 111 months ago (03/18/2015)

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about 112 months ago (03/01/2015)

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about 116 months ago (10/21/2014)

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about 123 months ago (04/05/2014)

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about 129 months ago (10/11/2013)

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about 130 months ago (09/03/2013)

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about 138 months ago (01/03/2013)

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about 147 months ago (04/18/2012)

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about 150 months ago (01/14/2012)

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about 174 months ago (01/01/2010)

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about 199 months ago (12/20/2007)