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Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Deluminator
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

Brine Lake (A New Body)
© » KADIST

Shen Xin

Film & Video (Film & Video)

Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.

¡Qué triste estoy! (I’m So Sad)
© » KADIST

Fernanda Laguna

Painting (Painting)

¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina.

The subtle rules the dense
© » KADIST

Phoebe Collings-James

Sculpture (Sculpture)

The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.

Didn't Know I Died
© » KADIST

Manuel Correa

Film & Video (Film & Video)

Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.

Personal Business
© » KADIST

Edie Fake

Drawing & Print (Drawing & Print)

Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective. Fake notes, “More and more I’m trying to bring an anarchy into that architecture, or a fantasy and ecstasy of what queer space is and can be.” A beautiful building that’s defended by an imposing front. In this way, the architecture becomes a metaphor for the constructed layers of the self.

Samba em Paris
© » KADIST

Laís Amaral

Drawing & Print (Drawing & Print)

Laís Amaral abstract paintings dialogue with the feminine power. Just like the flow of a river, Laís produces her paintings as a flux that emerges from within, an inner force that relates to all the women in her life, family, and ones who know the medicinal powers of nature; who are part of this feminine force latent in the earth. In order to discover elements about herself, Laís Amaral understands painting as a gesture of leakage.

Llorar mucho (To Cry A Lot)
© » KADIST

Fernanda Laguna

Painting (Painting)

Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina. It also picks up the thread of earlier works, accentuating the use of cotton, and embracing an almost cornily sentimental tone.

Projet d’attentat contre l'image (Acte 3)
© » KADIST

Sinzo Aanza

Installation (Installation)

Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms. This project stems from the artist’s interest in the syncretism that emerged after Congo’s independence in 1960.

Jungle of Desire
© » KADIST

Wong Ping

Drawing & Print (Drawing & Print)

This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.

Agony of the New Bed
© » KADIST

Sheelasha Rajbhandari

Installation (Installation)

Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.

Chimeric Antibodies 1 and 3
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.

Off-White Tulips
© » KADIST

Aykan Safoglu

Film & Video (Film & Video)

Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu. The work is primarily structured around Magdalena J. Zaborowska’s scholarly reconstitution of Baldwin’s self-imposed exile in Istanbul, Ankara, and Bodrum between 1961 and 1971, as well as autobiographical notes and intimations gathered throughout the years. Safoglu produced Off-White Tulips early on in his career when he was in the process of acquiring permanent residency in Germany.

La manzana de Adán (La Palmera, Santiago)
© » KADIST

Paz Errázuriz

Photography (Photography)

La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago. The series, whose subjects were extremely subversive, as well as critically vulnerable to the repressive political regime, were finally shown in Chile shortly before the end of the dictatorship in 1990, and later compiled in a book of the same title with texts by Peruvian writer Claudia Donoso. This work portrays a scene at La Palmera brothel in Santiago.

The Individual Is a Mirage
© » KADIST

Erick Beltran

Drawing & Print (Drawing & Print)

In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal. In The Individual Is a Mirage (2010), Beltrán offers up a graphic chart mapping the myth of individual identity.

The Exhumation
© » KADIST

Jill Magid

In 1995, the personal and professional archives of the Mexican architect Luis Barragán were acquired (including the rights to the name and the work of the architect) by the Swiss furniture enterprise Vitra. Frederica Zanco, wife of the owner of Vitra, had received these archives as an engagement present, rather than a solitaire diamond. In this video, The Exhumation , the artist poses the question: how to navigate the laws that render Barragán in public space?

The Beautiful Beast
© » KADIST

Goddy Leye

Film & Video (Film & Video)

In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds. The sesame seeds look like pixels underneath the video, suggesting the texture of animation. The artist portrays a strange man who writhes on the ground like a beast against this ‘pixelated’ field.

Wailing Requiem
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Wailing Requiem is the fourth and final chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

Transparências de lar (Home Transparencies)
© » KADIST

Ilana Bar

Photography (Photography)

One of Ilana Bar’s best-known works is the series Transparências de lar (Home Transparencies) in which, for four years, the artist photographed her family’s rural home in Atibaia where her father lives with his two brothers and Ilana’s own brother, all three with Down Syndrome. Transparências de lar is the record of a serene, though certainly not a perfect, place. In this place Down Syndrome is not considered an alienable difference in the way that it is in Western culture, it is not problematic or a cause for social exclusion.

Girl Talk
© » KADIST

Wu Tsang

Film & Video (Film & Video)

Poet and writer Fred Moten gesticulates joyously during Girl Talk by artist Wu Tsang. Moten is dressed in light drag—a studded cloak hanging loosely over his body, his eyes and mouth adorned with makeup. Filmed in a sunlit garden, Moten whirls in slow motion to the trickle of a lion-headed water fixture and the acapella rendition of jazz standard Girl Talk by singer Josiah Wise.

Distorting Words
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Distorting Words is the second chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

Purple Heart (Psychedelic Prayer Rugs)
© » KADIST

Baseera Khan

Textile (Textile)

Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal. Visually seductive yet charged with political and symbolic associations, the rugs bridge elements of American popular culture with aspects of Islamic worship that may be misunderstood in contemporary secular contexts. Encouraged by Khan to take their shoes off and interact with the rugs, viewers participate in a decolonizing process as they meditate on their poetic allusions or perform the traditional salat, the daily prayers that constitute one of the five pillars of Islam, the others being faith, charity, fasting, and pilgrimage to Mecca.

Hole #1
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.

Untitled (Wave)
© » KADIST

Anne Imhof

Film & Video (Film & Video)

Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet.

Untitled
© » KADIST

Lubaina Himid

Drawing & Print (Drawing & Print)

In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017). What started out as a one-year project, in the year celebrating the bicentenary of the abolition of slavery in the UK, continued for a decade. Taking a page or a spread of The Guardian (the most liberal newspaper in the UK and her newspaper of choice), Himid sought to expose the unconscious bias manifested in a paper that prides itself on its non-discriminatory policies.

WA'AD
© » KADIST

YOUNG-HAE CHANG HEAVY INDUSTRIES

Film & Video (Film & Video)

The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES. The work’s premise is a confessional narrative emerging from a Palestinian astronaut on a desperate international flight mission to colonize Mars. That there is also an Israeli astronaut on the same mission plays into the complexities of the landed history of ethnic antagonism between Israel and Palestine, which has stretched on for centuries.

Thinking of You
© » KADIST

Karam Natour

Drawing & Print (Drawing & Print)

Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues.

Raybrook
© » KADIST

Jesse Krimes

Sculpture (Sculpture)

Raybrook by Jesse Krimes takes its name from The Federal Correctional Institution, Ray Brook (FCI Ray Brook), a medium-security United States federal prison for male inmates located in Essex County, NY. In addition to its indexical title, this quilt-work tapestry is made from personal clothing and other like articles the artist was given by currently, and formerly incarcerated persons. It is part of a larger series of works called the Elegy Quilts , which illustrate domestic scenes inspired by conversations the artist has had with the individuals these fabrics were acquired from.

Elysian
© » KADIST

D’Angelo Lovell Williams

Photography (Photography)

On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV. Only a handful of chosen family members knew up until the public announcement that coincided with the release of this body of work. According to the artist, “discovery” is key to this group of large photographs.

Wong Ping

Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works...

Karam Natour

Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Ian Cheng

The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Matthew Angelo Harrison

Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Baseera Khan

Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Pierre Gonnord

Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...

Brian Tripp

Brian D...

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Karla Kaplun

Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

Lubaina Himid

Walid Raad

Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Cally Spooner

The work of Cally Spooner (b...

Edie Fake

Edie Fake’s paintings start as self-portraits, referencing elements of the trans and non-binary body through pattern, color and architectural metaphor...

Yin-Ju Chen

Erick Beltran

Manuel Correa

Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...

Jesse Krimes

Jesse Krimes is an artist, curator, educator, former inmate, and activist whose work tackles and fights the US prison-industrial complex...

Amol k Patil

Interested in vernacular theater and performance, Amol k Patil works within family tradition: his grandfather was an interpreter and a poet (Powada Shahir, a troubadour telling epic stories as he went from one village to another), and his father was an avant-garde playwright, who addressed issues, such as the devastating effects of immigration and its traumas through absurd situations in his plays...

Mahmoud Khaled

Mahmoud Khaled works primarily with painting, installation, video, and text...

Phoebe Collings-James

Phoebe Collings-James’ work engages with experiences of hybridity, referring to the work of writer Sylvia Wynter as a route through which to decipher relations to Western ceramics as well as her own familial origins...

Mary Helena Clark

Mary Helena Clark is an artist working in film, video, and installation...

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about 64 months ago (03/30/2020)

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about 74 months ago (05/22/2019)

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about 76 months ago (04/12/2019)

© » KADIST

about 83 months ago (09/10/2018)

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about 83 months ago (09/08/2018)

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about 86 months ago (06/16/2018)

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about 87 months ago (05/14/2018)

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about 101 months ago (03/01/2017)

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about 114 months ago (02/28/2016)

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about 114 months ago (02/27/2016)

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about 114 months ago (02/26/2016)

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about 130 months ago (10/21/2014)

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about 144 months ago (09/03/2013)

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about 148 months ago (05/18/2013)

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about 151 months ago (02/02/2013)

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about 152 months ago (01/03/2013)

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about 164 months ago (01/14/2012)

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about 174 months ago (03/07/2011)

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about 189 months ago (01/01/2010)

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about 237 months ago (01/10/2006)