Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina.
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.
Drawing & Print (Drawing & Print)
Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective. Fake notes, “More and more I’m trying to bring an anarchy into that architecture, or a fantasy and ecstasy of what queer space is and can be.” A beautiful building that’s defended by an imposing front. In this way, the architecture becomes a metaphor for the constructed layers of the self.
Drawing & Print (Drawing & Print)
Laís Amaral abstract paintings dialogue with the feminine power. Just like the flow of a river, Laís produces her paintings as a flux that emerges from within, an inner force that relates to all the women in her life, family, and ones who know the medicinal powers of nature; who are part of this feminine force latent in the earth. In order to discover elements about herself, Laís Amaral understands painting as a gesture of leakage.
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina. It also picks up the thread of earlier works, accentuating the use of cotton, and embracing an almost cornily sentimental tone.
Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms. This project stems from the artist’s interest in the syncretism that emerged after Congo’s independence in 1960.
Drawing & Print (Drawing & Print)
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.
Drawing & Print (Drawing & Print)
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu. The work is primarily structured around Magdalena J. Zaborowska’s scholarly reconstitution of Baldwin’s self-imposed exile in Istanbul, Ankara, and Bodrum between 1961 and 1971, as well as autobiographical notes and intimations gathered throughout the years. Safoglu produced Off-White Tulips early on in his career when he was in the process of acquiring permanent residency in Germany.
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago. The series, whose subjects were extremely subversive, as well as critically vulnerable to the repressive political regime, were finally shown in Chile shortly before the end of the dictatorship in 1990, and later compiled in a book of the same title with texts by Peruvian writer Claudia Donoso. This work portrays a scene at La Palmera brothel in Santiago.
Drawing & Print (Drawing & Print)
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal. In The Individual Is a Mirage (2010), Beltrán offers up a graphic chart mapping the myth of individual identity.
In 1995, the personal and professional archives of the Mexican architect Luis Barragán were acquired (including the rights to the name and the work of the architect) by the Swiss furniture enterprise Vitra. Frederica Zanco, wife of the owner of Vitra, had received these archives as an engagement present, rather than a solitaire diamond. In this video, The Exhumation , the artist poses the question: how to navigate the laws that render Barragán in public space?
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds. The sesame seeds look like pixels underneath the video, suggesting the texture of animation. The artist portrays a strange man who writhes on the ground like a beast against this ‘pixelated’ field.
Wailing Requiem is the fourth and final chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.
One of Ilana Bar’s best-known works is the series Transparências de lar (Home Transparencies) in which, for four years, the artist photographed her family’s rural home in Atibaia where her father lives with his two brothers and Ilana’s own brother, all three with Down Syndrome. Transparências de lar is the record of a serene, though certainly not a perfect, place. In this place Down Syndrome is not considered an alienable difference in the way that it is in Western culture, it is not problematic or a cause for social exclusion.
Poet and writer Fred Moten gesticulates joyously during Girl Talk by artist Wu Tsang. Moten is dressed in light drag—a studded cloak hanging loosely over his body, his eyes and mouth adorned with makeup. Filmed in a sunlit garden, Moten whirls in slow motion to the trickle of a lion-headed water fixture and the acapella rendition of jazz standard Girl Talk by singer Josiah Wise.
Distorting Words is the second chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal. Visually seductive yet charged with political and symbolic associations, the rugs bridge elements of American popular culture with aspects of Islamic worship that may be misunderstood in contemporary secular contexts. Encouraged by Khan to take their shoes off and interact with the rugs, viewers participate in a decolonizing process as they meditate on their poetic allusions or perform the traditional salat, the daily prayers that constitute one of the five pillars of Islam, the others being faith, charity, fasting, and pilgrimage to Mecca.
In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet.
Drawing & Print (Drawing & Print)
In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017). What started out as a one-year project, in the year celebrating the bicentenary of the abolition of slavery in the UK, continued for a decade. Taking a page or a spread of The Guardian (the most liberal newspaper in the UK and her newspaper of choice), Himid sought to expose the unconscious bias manifested in a paper that prides itself on its non-discriminatory policies.
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES. The work’s premise is a confessional narrative emerging from a Palestinian astronaut on a desperate international flight mission to colonize Mars. That there is also an Israeli astronaut on the same mission plays into the complexities of the landed history of ethnic antagonism between Israel and Palestine, which has stretched on for centuries.
Drawing & Print (Drawing & Print)
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues.
Raybrook by Jesse Krimes takes its name from The Federal Correctional Institution, Ray Brook (FCI Ray Brook), a medium-security United States federal prison for male inmates located in Essex County, NY. In addition to its indexical title, this quilt-work tapestry is made from personal clothing and other like articles the artist was given by currently, and formerly incarcerated persons. It is part of a larger series of works called the Elegy Quilts , which illustrate domestic scenes inspired by conversations the artist has had with the individuals these fabrics were acquired from.
On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV. Only a handful of chosen family members knew up until the public announcement that coincided with the release of this body of work. According to the artist, “discovery” is key to this group of large photographs.
Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works...
Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...
Harit Srikhao perceives photography as a culturally determined medium...
Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...
Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Carolyn Drake works on long term photo-based projects that involve travel and collaboration...
Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...
Brian D...
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...
Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...
The work of Cally Spooner (b...
Edie Fake’s paintings start as self-portraits, referencing elements of the trans and non-binary body through pattern, color and architectural metaphor...
Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...
Jesse Krimes is an artist, curator, educator, former inmate, and activist whose work tackles and fights the US prison-industrial complex...
Interested in vernacular theater and performance, Amol k Patil works within family tradition: his grandfather was an interpreter and a poet (Powada Shahir, a troubadour telling epic stories as he went from one village to another), and his father was an avant-garde playwright, who addressed issues, such as the devastating effects of immigration and its traumas through absurd situations in his plays...
Mahmoud Khaled works primarily with painting, installation, video, and text...
Phoebe Collings-James’ work engages with experiences of hybridity, referring to the work of writer Sylvia Wynter as a route through which to decipher relations to Western ceramics as well as her own familial origins...
Mary Helena Clark is an artist working in film, video, and installation...
On New Year’s Eve in 1965, Lisette Carmi met and photographed a group of transgender people living and working on the Via del Campo in Genoa–the main street for prostitution in the city, located in the former Jewish ghetto...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
“Maqe II” is at first glance a romantic image of three diaphanous angels hovering in the luminous sky over a South African township...
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
Drawing & Print
Head in Hands by Joe Biel is part of a larger series of drawings made in connection with the book of short stories Navigating Ghosts by Annie Buckley...
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds...
CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation...
Drawing & Print
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Drawing & Print
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Drawing & Print
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations...
In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each...
Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
The title of the performance video work Impression by Amol k Patil refers to an Indian tradition...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Set in the infamous Tenderloin district of San Francisco, Factotum of the City is a documentary film by Javid Soriano that delves into the life of a former world-class opera singer turned self-styled street hustler...
The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo ...
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces...
In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
Drawing & Print
Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective...
In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....
The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky...
Acts of Appearance is an ongoing series by Gauri Gill consisting of lush, large-scale color portraits of the residents of a village in Maharashtra, in Western India, which is known for making Adivasi masks...
Drawing & Print
“Relation between Black and blood” explores the connection between performance, installation and representation...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
In 1995, the personal and professional archives of the Mexican architect Luis Barragán were acquired (including the rights to the name and the work of the architect) by the Swiss furniture enterprise Vitra...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Drawing & Print
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
The installation Self Tracking (the five stages of grief) was realized from a performance that is to be re-activated...
Drawing & Print
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil...
Drawing & Print
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms...
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Drawing & Print
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017...
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Megan and Hazel Sue at Creekmore House by Carolyn Drake is from a series of works titled Knit Club ...
The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
You have given the world your songs by Francisca Benítez is a poem in American Sign Language (ASL)...
The Lion’s Hunt by Matthew Lutz-Kinoy is a large format painting that recalls Delacroix’s paintings and tapestries from the 19th century, where the painterly surface became a garden invaded by wild beasts...
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
Drawing & Print
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Drawing & Print
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Raybrook by Jesse Krimes takes its name from The Federal Correctional Institution, Ray Brook (FCI Ray Brook), a medium-security United States federal prison for male inmates located in Essex County, NY...
Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei...
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance...
In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction...
Drawing & Print
Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...
Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
The short video Inside the Studio by Neïl Beloufa follows a humorous Toy Story -esque conversation between the artworks inside the artist’s studio...
The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
Drawing & Print
Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
Dindga McCannon created the radiant portrait Ima: Real Estate Mogul from the Harlem Women’s Series by first stitching material together with a sewing machine and then using more traditional painting techniques to render a portrait of Ima, a woman from Harlem who was a real estate developer from the 20th century...
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Drawing & Print
Laís Amaral abstract paintings dialogue with the feminine power...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...
Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension...
90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...