Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl. It was the name given to medicine men and women who carried the bones of Huitzilopochtli—the god of war, sun, and human sacrifice in ancient Mexico, and the national deity of the Aztecs. Of the many legends featuring Huitzilopochtli, the origin story of Tenochtitlan (present day Mexico City) is perhaps one of the most well-known.
Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic. The painting is part of Lamassinne’s Homenaje a Cali [Homage to Cali] series, developed by the artist in 1989 in a nostalgic attempt to immortalize Cali at a time in which violence from drug trafficking had rendered it unlivable, and the generation that Lamassone had lived it up with had all but dispersed. Lamassone had formally established in Cali around the middle of the decade at a time in which the hangover from the 1971 Pan-American Games and an artistic effervescence had transformed it from a provincial sleepy town into a newly discovered urban (and sexual) labyrinth, one that was fit for the artist’s own explorations around its representation.
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.
Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background. He has one eye open, which stares intensely at the viewer. The image relates to a theme recurrent in the artist’s practice: the figure lying awake at night.
Drawing & Print (Drawing & Print)
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate. The form used for this drawing details a weekly menu for the prisoners. Hough’s drawing depicts three grimacing figures, riding atop the back of a larger, female figure on all fours.
Drawing & Print (Drawing & Print)
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) . Taking the form of a fitness training program, this work critically explores issues of cultural appropriation, focusing on the traditional “Conchero” Aztec dance. The Concheros dance—also known as the Chichimecas, Aztecas and Mexicas—is an important traditional dance and ceremony which has been performed in Mexico since early in the country’s colonial period.
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room. Prada slowly becomes visible as she crawls into the bed and affectionately positioning her body next to the sleeping figure. Prada then proceeds to undress the woman’s chest and ‘feed’ from her breast.
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons. Looking over the static bodies, the standing figures place their spoons in-between the women’s legs and begin moving them in circular, rowing-like motion, like the oars of a boat. The psycho-sexually charged nature of Movement is illustrative of Prada’s dream-like works, which often relate to the subconscious and other internal processes with which we express desires, tensions, and latent emotions.
Drawing & Print (Drawing & Print)
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse. Hence the title of this work, Tissue II , is a spare and elegant work, in which the artist combines hand sculpted paper with embossment and frottage for the first time in his practice. The effect recalls African weaving and skin embellishment, but also reflects the influence of his former job as an intensive-care nurse, seeking to heal the most damaged.
The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit. Yet rather than provide us with the layers of information found in her wall reliefs, the sculptures exclusively frame space. In place of the tactile surfaces that can be carved into and drawn on, the sculptures’ outlines provide multiple perspectives on to their surroundings, and additionally unto themselves.
Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla. Hoseini’s compositions are visually inspired by the illustrations accompanying the Khamsa of Nizami , a manuscript of five poems, including Layla and Majnun , produced by the Persian poet Nizami in the 1590s. Unlike the original tale, Hoseini’s paintings focus entirely on Layla, any male characters are purposefully erased from this narrative.
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter. In the work, the artist uses perspiration as a medium on the surface, combing the man-made and the organic. The pink of the surface reflects the artist’s interest in reframing the way we understand the permeability of human skin.
Drawing & Print (Drawing & Print)
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate. This drawing uses a pink form on which an inmate can list telephone contacts for approval. The drawing depicts two uniformed figures, with backwards feet, berating a figure on a toilet.
The sculpture shores shored (Working Title) makes reference to the human form. The two sides of the sculpture are distinctively different, with the rear showing an anamorphic-corrugated structure, the front suggesting the human form, making perhaps an unconscious reference to Giacometti or Barnett Newman. But whereas their work suggests immanence, Michael Dean refuses any notion of transcendence, remaining rooted in presentness .
Ofrenda [Offering] by Elyla includes a single-channel video and the mask used in the performance. The video is a recorded action of the artist, who appears removing a sieve mask that was pinned to the skin of their face, leaving a trail of blood that falls on their naked, mud-covered body. Worn in El Baile de las Negras , a colorful dance performed by men dressed as women, the mask originates from Indigenous celebrations in Monimbó, Nicaragua.
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity). Caupolicán was elected military leader by the Mapuche people of Chile after successfully completing the challenge of holding a log on his shoulders for two days. Caupolicán led the Mapuche army in the first uprising against the Spanish conquistadors from 1553 to 1558.
Drawing & Print (Drawing & Print)
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015. It was developed in collaboration with a group of teenage athletes who have experienced injury as a result of their respective sporting activities. Through radical pedagogical practice, a process that attempts to de-individualize feelings of failure, the artist and the athletes recorded their experiences, discussing the meaning and trappings of competition — and in particular, from where desires for success stem.
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else. This action, walking abnormally slowly, questions the place of the individual within the space of a city with regards to social habits. Kovanda places himself slightly outside the regulated rhythm of the city walking.
Drawing & Print (Drawing & Print)
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand. The performance is a reference to the film by Robert Bresson, “Pickpocket”, where a group of pickpocketers play with their victims. The artwork, through the actions of the hands, is an interrogation into space and time, questioning the relationship between public and private space, the establishment of communication through the body and visual exchange and gestures between aggression and sensuality.
Lengüitas sagradas (Blessed Little Tongues) by Juliana Góngora is the result of a careful creative job between Juliana Góngora and the Koreguaje community and their workshop Masipai. During several months, the artist and the community leaders Juven Piranga and Yinela Piranga kept an essential communication to materialize one hundred miniature bags, knitted with cumare and containing tiger chocho and rattle seeds inside. Each ‘little tongue’ has been knitted using the colors that identify the clans that form the artisans of the Masipai group (wise people).
Drawing & Print (Drawing & Print)
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion.
Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field. Her bare arms gesture outwards and forwards, as if her movements are influencing the wild flowers billowing in the foreground. Alternating between the artist’s body and imagery of leaves, flowers, cats, and caterpillars, Prouvost speaks directly to the viewer, stating: “The world behind that field would be here, the world would enter through here”.
With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...
Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...
Laure Prouvost is a multi-disciplinary artist best known for her films and immersive large-scale multi-media installations, in which she plays with words and their meanings in non-linear ways...
As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...
Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...
Based between his native Tunis and Paris, Nidhal Chamekh’s work is an investigation into history as a point of access to our contemporary times...
Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
The work of Shahryar Nashat (b...
Seba Calfuqueo is an artist of Mapuche origin whose work critically reflects on the social, cultural, and political status of the Mapuche people in contemporary Chilean society...
Tenzing Rigdol is a contemporary Tibetan artist whose work ranges from painting, sculpture, drawing and collage, to digital, video installation, performance art and site-specific pieces...
Ashmina Ranjit is Nepal’s leading figure in the conceptual and performance fields, as well as an emblematic voice in South Asian feminist art making and activism...
Wynnie Mynerva is a non-binary artist based in Lima whose pictorial and performative practice is developed in close collaboration with the transgender and queer communities where they belong...
Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...
Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...
Ruth Patir works with video and performances that complicate facile separations of public and private spheres...
Before American photographer Peter Hujar passed away from AIDS in 1987, he was a part of a group of New York-based artists, writers, and musicians who defined the downtown scene in the 1970s...
Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...
Caroline Saquel was born in Chile and now lives and works in Paris...
Raised in rural south-eastern China in the 1990s, Li Shuang grew up consuming popular media such as YouTube, MySpace, knock off Nintendo consoles, pirated video games, and dakou CDs...
Alicia Smith is a Xicana artist and activist whose work thoughtfully engages with the subjects of indigeneity, colonialism, the environment, and the female body...
Lenora de Barros studied linguistics and started her artistic career in the 1970s...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
In the mid-1990s, Belli started to create soft sculptures that allowed her to reconnect with manual labor and sewing learned from her seamstress mother...
Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
In keeping with her mythological proclivity, Minotaur (2009) casts a new light on an old narrative...
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds...
The short two-channel video Pause/Tanmpo takes its cue from a coincidental encounter artist Bili Bidjocka had in Dakar...
Drawing & Print
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Drawing & Print
This work exemplifies George Pfau’s interest in zombies and liminal embodiment...
Drawing & Print
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Drawing & Print
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations...
In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance...
Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...
The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti...
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...
Drawing & Print
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
In the video Unit/y we see Amapola Prada in the center of the screen wearing an oversized, worn out sweatshirt, socks and flip-flops—standing motionless on a dimly lit street in her native Lima, Peru...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
In the painting called “The Consciousness of Memory, Time, and Guilt” as in many of her recent works, the body is fragmented...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
Drawing & Print
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit...
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
Drawing & Print
As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
Drawing & Print
Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Drawing & Print
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Drawing & Print
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
The installation Self Tracking (the five stages of grief) was realized from a performance that is to be re-activated...
In Linda, Lee & Dorsey, Louis (1988~, 2018) Marcel Pardo Ariza draws on Bay Area queer histories that have been uncovered from local archives and queer organizations, and connects them to people currently living in the Bay, where Ariza is also based...
Drawing & Print
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
Drawing & Print
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
Drawing & Print
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity)...
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography...
Drawing & Print
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...
The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl...
Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Drawing & Print
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Drawing & Print
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Lightning Dance by Cecilia Bengolea is a black and white video that considers the relationship between extreme weather and the body...
You have given the world your songs by Francisca Benítez is a poem in American Sign Language (ASL)...
Drawing & Print
Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Drawing & Print
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
Drawing & Print
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work...
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision...
Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background...
Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
Lengüitas sagradas (Blessed Little Tongues) by Juliana Góngora is the result of a careful creative job between Juliana Góngora and the Koreguaje community and their workshop Masipai...
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China...
While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences...
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Drawing & Print
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
Advanced Technology
The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth...
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
Sylbee Kim’s Unindebted Life is a single-channel video, commissioned and premiered at the 13th Gwangju Biennale (2021)...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension...
Drawing & Print
davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter...