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artist: Jane Jin Kaisen and Guston Sondin-Kung
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The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced. Gradually, their voices accumulate into a cacophony of pure sonic intensity against an extreme slow-motioned image of a woman survivor of Japan’s military sexual slavery who, in the absence of words to accurately account for her suffering, gets up and walks into the center of a war crimes tribunal court room and gestures wildly before she faints. This work by Jane Jin Kasen and Guston Sondin-Kung explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted.
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.
Unfollow is a music video by Yung Jake featuring a man haunted by the shadows of a former relationship. With the omnipresence of social media in our daily lives, breaking up in the physical world no longer suffices: posts by his ex-lover still appear in his newsfeed, reminding him of her presence and thus making it harder from him to let go of his relationship. As the ‘unfollow’ button on social media appears to be the only way to break up completely, Unfollow underlines the barrier between our online and offline identities and the difficulty to separate them.
I don’t remember is a video by Yung Jake that combines his passion for both music and the visual arts. As per several of his works the video borrows from the vernacular of rap and relies on the aesthetic and stylistic qualities of music videos. A humorous interpretation of the rap and hip hop genres, the video combines scenes from urban settings and snapshots of a party as the artist raps in a drowsy monotone about having forgotten the wild night.
As the video Datamosh begins to play, Yung Jake emerges out of a colorful, smoke-like background and breaks into rap. Malfunctioning green screens and pixelated digital mash-ups bleed into each other in a parody of the music video trope and specifically of the trend of ‘datamoshing’—a digital technique commonly used across this genre. The song’s lyrics distinctly borrow from the lexicon of rap, combining mentions of clubs, money and fame, with self-referential and humorous lines that literally describe the way in which the artist subverts the medium.
Drawing & Print (Drawing & Print)
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.
Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
Advanced Technology (Advanced Technology)
Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019. Estimated to run for the next 10 years, the series of NFT artworks speaks to the volatility of the bitcoin market and the political, social, and financial events that led to it. Every day, a new composition is generated autonomously using a data feed of Bitcoin’s last 24 hours of price action.
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45. Though largely unknown, their protagonists, Jeep and Peep, embody the ethos of “Golden Age” comic books in which magically empowered heroes triumph over evils to boost patriotic enthusiasm.
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China. The artist’s research began in 2016 when he encountered articles, and some dystopian images, about a “retired sex doll”, a spooky, deformed dummy with big breasts, that stood in an agricultural field backdrop of a high-rise apartment complex in Chengdu, China. Jung’s work explores the factory scene, the (mostly female) workers and their labor, the doll’s artificiality, and human-like eccentricities.
Drawing & Print (Drawing & Print)
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work. Inkjet printed on canvas is a duplicate flame motif overlaid with a stripe pattern. This work originated in Guyton’s interest in collecting various editions of the novel Firestarter by the popular horror and science fiction author Stephen King.
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy. Future Gestalt is not a video of a performance, rather, it is a documentation of the last of four unscripted sessions of guided participation led by the artist. Through the title and form, the sessions suggest Gestalt therapy, promoted as a form of personal transformation in California at the Esalen Institute.
In Fiction on Auction , the site of the auction is used to stage a fiction where the right to appear as character in Looking for Headless is offered to the highest bidder: the name of the successful biddder as registered for the auction will form the name or identity of the character appearing in the novel. Looking for Headless is written by the fictitious author K. D and tells the story of two artists Simon Goldin and Jakob Senneby who collaborate with an author, John Barlow. Goldin and Senneby investigate an offshore company on the Bahamas called Headless Ltd whilst Barlow writes a docu-fictional murder-mystery, also called Headless, based on these investigations.
In this installation, you are standing at the heart of a bicephalous space reflecting Goldin+Senneby’s main research led during their residency in Paris. Here, two historical events from the late 1930’s and early 50’s are confronted. In one of these spaces, you find yourself reading a map of the Marly forest where Georges Bataille’s secret society, « Acéphale », was meeting around 1937 and notably celebrating Louis XVI’s regicide.
In Erin Jane Nelson’s 2019 body of work Av, panels are covered in collaged images and shellacked with resin or epoxy: photographs of plants intermingle with pictures of men and women engaging in various spiritual activities, cartoons of mothers and their children, or black and white images of window panes. The panels and ceramics act as backdrops upon which Nelson attempts to establish connections between the natural world and the various cultural and religious orders we impose upon it. She incorporates Jewish symbolism and archival photographs alongside her ongoing photographic practice documenting the environmental collapse of her home region.
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.
Maori barkcloth making is the central artistic form in the Pacific, and still at the core of cultural expression in many Pacific countries. However, Maori barkcloth making ceased to be practiced in the nineteenth century, at the same time as the arrival of European colonists. Completed barkcloth works often represent another complex Pacific Indigenous accomplishment, the sophisticated system of celestial mapping used in the cross-Pacific navigation that led to the expansion of a vivid pan-Pacific civilisation, thriving before colonial disruption.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco. The photograph is a documentation of a Golden Gate Bridge performance that makes palpable the tensions between people and the military, the individual and the group, danger and ordinary life. Lin recalls: “Fighter planes repetitively flew over my head.
For his action, Safely Maneuvering across Lin He Road , Lin built a brick wall on one side of a busy main street in the city of Guangzhou. He then took bricks from the sidewalk end of the wall and moved them to the street side, slowly extending the wall into the street. Repeating the same gesture for hours, he leapfrogged the whole wall across the street.
In this four-channel 10 min video installation different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which cannot be put into words. On the one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure.
With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Yung Jake is a visual artist and YouTube rapper based in Los Angeles whose work fuses new media, music, and art...
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making...
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
Young Min Moon is a Korean American artist, curator, critic, and art historian, who migrated to the United States from South Korea as a teenager...
Since 2004, the artists Goldin+Senneby, comprised of Simon Goldin and Jakob Senneby, have been working on an ongoing performative and rhizomatic project...
Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...
Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...
There is a palpable urgency in the work of Taiwan-based Peng Hung-Chih, who uses video, sculpture, installation, and painting as means to criticize society...
Jon Rafman’s practice over the past decade has been marked by in-depth explorations of digital culture...
The Propeller Group was established in 2006 as a cross-disciplinary structure...
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
Wade Guyton, Galerie Matthiesen, Ausstellung, Edouard Manet, 1928, 6...
Korean Collector Lyu Jihye Hopes More Local Artists Will Be Discovered During Friezeâs Seoul Launch - via artnet news...
En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
In Beyond Guilt the two artists create a portrait of our generation in three parts...
Drawing & Print
Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin...
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
In Excerpts from the Analects of Confucius , Peng Hung-Chih explores the relationship between Confucianism and religion...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Salomania sees choreographer and filmmaker Yvonne Rainer and artist Wu Tsang rehearse scenes from Valda’s Solo , a chapter of a film Rainer made in 1972 after having seen women perform the dance of the seven veils in Alla Nazimova’s 1923 silent film Salomé ...
Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision...
Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
In this installation, you are standing at the heart of a bicephalous space reflecting Goldin+Senneby’s main research led during their residency in Paris...
Drawing & Print
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
Drawing & Print
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
In Extra Curriculum Political Science Class 7/1972 , a group of women walk bare-foot and single file towards Dat Mui Mangrove in Ca Mau Province to attend ‘political science class’...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Drawing & Print
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
Drawing & Print
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Drawing & Print
Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world...
Drawing & Print
Lam Tung Pang created Sketches from train ride Chicago to San Francisco during his travels through the United States researching American curatorial strategies for representing traditional Chinese painting in museums and cultural institutions...
Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–)...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Drawing & Print
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
For the work Wigan Pit-Brow Women: Intersections with the Caribbean (mobile) , Candice Lin studied English Victorian Arthur Munby’s racialized and masculinized drawings of working-class white female miners...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Drawing & Print
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages...
Developed especially for the KADIST-KHOJ collaborative exhibition, Frozen World of the Familiar Stranger , Radar Level is set in the world’s last geological minutes, in two ancient landscapes...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
Drawing & Print
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
Drawing & Print
In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan...
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
Drawing & Print
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
Drawing & Print
Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...
Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
Advanced Technology
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive...
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Advanced Technology
Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...
In Erin Jane Nelson’s 2019 body of work Av, panels are covered in collaged images and shellacked with resin or epoxy: photographs of plants intermingle with pictures of men and women engaging in various spiritual activities, cartoons of mothers and their children, or black and white images of window panes...
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world...
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Drawing & Print
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Maori barkcloth making is the central artistic form in the Pacific, and still at the core of cultural expression in many Pacific countries...
Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza...
Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa ...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...