Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.
Kristen Morgin works with clay to create objects that resemble relics from past eras. Drawing on 1940s and 1950s American pop culture, her themes range from patriotic comic super heroes, childhood toys, cartoon books, to more intimate daily items, such as teaspoons or cups. Although they appear to be highly realistic in terms of scale, shape, and texture, these objects are layered with narrative implicit in their materiality. Seemingly meant to preserve and memorialize the past, these recreations of unfired clay are equally tenuous and fragile.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
His series, The Golden State, harkens back to his early career and his photographic training...
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
His series, The Golden State, harkens back to his early career and his photographic training...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Discover the full program Nouf Aljowaysir, Carlos Amorales, Eric Baudelaire, Sofia Crespo, Mathew Dryhurst, Mashinka Firunts Hakopian, Holly Herndon, Ho Rui An, Agnieszka Kurant, Juan Obando The Centre Pompidou and KADIST are launching a three-year collaboration to explore artificial intelligence and text-to-image technologies, and how they will impact the field of artistic creation and production...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
Foreigners Everywhere is a series of neon signs in several different languages...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump...
Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Cuban American artist Edel Rodriguez, labelled a “worm” for fleeing Cold War Cuba in 1980, tells story of his progress from impoverished boyhood to creating alarming covers for Time magazine David D'Arcy 9 February 2024 Share The front cover of Worm © 2023 Edel Rodriguez On the cover of the graphic memoir Worm: A Cuban American Odyssey , which follows the artist and illustrator Edel Rodriguez from 1970s Cuba to the US, the author draws himself as a boy wearing the red scarf of the José Martí Pioneer Organization and a beret with a star high on his head—the attribute of no less than Ernesto “Che” Guevara...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...