Retired pilar
2010
Jin Shan
Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
Jin Shan is an installation artist who uses humor, satire, and play to comment upon social and political power dynamics within contemporary China. He bases many of his works upon cultural symbols revered as the masterpieces of civilization from the Classical and Renaissance eras in order to deconstruct their ideals and expose the dynamics of power, ethics, and belief they maintain.
Colors:
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Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
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Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
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© » KADIST
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
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Podcast 73: Spacebar Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Lee Shu Yu January 14, 2020 Duration: 21 min In our latest episode of our Fresh Blood podcast, Nabilah Said speaks to Lee Shu Yu and Eugene Koh of Spacebar Theatre about their latest production, The Utama Spaceship , which imagines what happens when Singaporeans are sent into outer space to chope, or ehem , colonise a planet in the nearest star system...
Related artist(s) to: Jin Shan » Chen Wei, » Cao Fei, » Ding Yi, » Duan Jianyu, » Gong Jian, » Heman Chong, » Hu Fang, » Hu Jieming, » Hu Xiangqian, » Hu Xiaoyuan
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Heman Chong
2009With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
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Heman Chong
2012The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
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Geof Oppenheimer
2011Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
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Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
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Sahej Rahal
2015Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...