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"Representation of Everyday Objects"

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Untitled (Blue Chapel)
© » KADIST

Robert Therrien

Painting (Painting)

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.

White Discharge (Built-up Objects #38)
© » KADIST

Teppei Kaneuji

Sculpture (Sculpture)

In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing. White Discharge (Built-Up Objects #38) (2014) appears playful, like a lost landscape from a whimsical Dr. Seuss story awaiting a charmingly wacky inhabitant. But in drawing its source materials from prefabricated and mass-produced objects, Kaneuji’s work also suggests more trenchant anxieties consumer culture and the rapid and wasteful accumulation that becomes “built-up” in all of our lives.

Untitled 6/10 i-xxii
© » KADIST

Nathaniel Dorsky

Photography (Photography)

Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films. Here, the still images function in the same way as his cinematographic work: Highly aesthetic, they allow for the appearance of intricate visual patterns and layers of meaning that take scenes of everyday life as its source material. Both Dorsky’s cinematic and photographic works follow a stream of consciousness that rejects representation or fixed narrative structure.

Body of Objects
© » KADIST

Dale Harding

Installation (Installation)

Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland. Mouth-blown with ochre on sandstone, these extraordinary stencilled images depict weaponry, domestic tools, and ceremonial objects that are specific to the region and that relate to Harding’s own ancestry. In response to these enduring indexes of Indigenous material culture, Harding produced a suite of cast objects using the stencilled imagery as a guide, along with objects that relate to his family history: boomerangs, spears, clubs, and whips are all part of the display.

Stowe
© » KADIST

James Welling

Photography (Photography)

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.

ÆTHER (Poor Objects)
© » KADIST

Li Shuang

Film & Video (Film & Video)

ÆTHER (Poor Objects) by Li Shuang builds on the artist’s consideration of the interplay between physical and digital spaces. Through a kaleidoscopic video collage, Li examines the complexities of personal subjectivity within an increasingly immersive and omnipresent online culture. Among disparate imagery that includes extra-terrestrial simulations, dizzying hordes of birds, animated figures trapped in dystopian virtual spaces, and real-life abandoned places, the video references the Chinese creation myth of Nuwa, a goddess who uses her own body to repair the sky.

Untitled (Boom Box, Double-Sided)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.

Untitled (Diptych)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements. The left-side painting is a cacaphonous all over composition of brushstrokes layered in the artist’s signature primary colors. In the same color scheme, the right-side painting portrays a still life with an arrangement of flowers as its focal point, with marks and splatter spilling from the left-side composition into the right.

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

Photography (Photography)

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) . These works are dedicated to the collection and investigation of similarities and singularities. Some focus on things that are supposed or expected to be identical, but end up being slightly different.

Days of Our Lives: Reading
© » KADIST

Wong Hoy Cheong

Photography (Photography)

Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist. It marks a new dimension of his ongoing effort to negotiate with the postcolonial reality across the world, with a unique interventional strategy to deal with the French society. Named after a soap opera in U. S. which has been running practically everyday for over 40 years, Days Of Our Lives is a series of six photographs which explores this new Europeaness.

Origin of Afro-Esotericism
© » KADIST

Awol Erizku

Photography (Photography)

Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color. In the image are five faces each with varying modes of representation. One of them is “Aunt Jemima” (recently renamed Pearl Milling Company), a brand that appropriated a character from a late 19th century minstrel show.

Wind
© » KADIST

Antonio Pichillá

Sculpture (Sculpture)

Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition. It is woven in the four colors of each of the cardinal points which, together, symbolize the entire universe. It is woven mostly with knots that the artist refers to as a “bond between two or more systems that also represents a closure […] the knot in the throat that submerges the voice.” This piece, like other works in Pichillá’s practice, is an attempt to reconcile the Maya Tz’utujil symbolic tradition with Western art historical categories and practices.

Process of Blowing Flour
© » KADIST

Koki Tanaka

Photography (Photography)

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

Sculpture (Sculpture)

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

Sculpture (Sculpture)

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.

New Landmark No. 1
© » KADIST

Tsang Eason Ka Wai

Photography (Photography)

New Landmark No. 1 is part of the series New Landmark . In this series, Tsang reversed the direction of his camera lens, and capture images of skyscrapers from an upshot angle.

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

Sculpture (Sculpture)

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.

Acts of Appearance
© » KADIST

Gauri Gill

Photography (Photography)

Acts of Appearance is an ongoing series by Gauri Gill consisting of lush, large-scale color portraits of the residents of a village in Maharashtra, in Western India, which is known for making Adivasi masks. Adivasi people are part of the tribal groups population of South Asia. Instead of requesting the likenesses of gods and demons, Gill asked the residents—including the master mask-makers Subhas and Bhagavan Dharam Kadu, their families, and fellow volunteers—to make masks that portray their own lives.

Days of Our Lives: Playing for Dying Mother
© » KADIST

Wong Hoy Cheong

Photography (Photography)

Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society. Named after an American daytime soap opera that been running for over forty years, Days of Our Lives is a series of six photographs that explore contemporary Europeaness. Here, domestic, everyday scenes drawn from French paintings in the Museum of Fine Arts in Lyon——preparing food, relaxing, reading and playing music, giving charity to the poor, being evicted from home, or going off to War—are reenacted by Muslim Nigerians, Iranians, Turkish, and Buddhist Burmese minorities.

Untitled (Details from fictional realities)
© » KADIST

Matt Mullican

Drawing & Print (Drawing & Print)

Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation. Glen is a simple silhouette, genderless and inspired by a found photo of a crime scene, in whom we recognize the generic sign of the universal symbol of a self-portrait. Mullican continually projects himself, sometimes physically, into the silhouette that he has created, allowing the artist to pass from one reality to another.

Museum of the Foreigner
© » KADIST

Ícaro Lira

Installation (Installation)

Icaro Lira has been developing the project “Museum of the Foreigner” since 2015, in which he recounts the trajectories of populations inside Brazil, from the north to the big cities of the south. The artist is himself Nordestin and moved to Rio to study cinema before enrolling at art school. The term “museum” is ironic, it evokes the institution and with it, the official history that the artist seeks to deconstruct by creating multiple stories that intertwine.

Walking Through
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.

Ballad of the Unabomber Part I
© » KADIST

Orion Shepherd

Drawing & Print (Drawing & Print)

Ballad of the Unabomber Part I is a painting by Orion Shepherd that features several manila folders stacked in order according to their size, resting atop a grainy hardwood pattern. The painting refers to Theodore John Kaczynski, most commonly known as the Unabomber, and depicts the seemingly innocuous manila envelopes, which through his hands became fatal explosive weapons. Despite the deplorable actions that earned Kaczynski a life sentence, the manifesto that he demanded to be published has been regarded by many as a sane and highly intelligent work, correct in several of his ideas.

The Ballad of Special Ops Cody
© » KADIST

Michael Rakowitz

Film & Video (Film & Video)

The Ballad of Special Ops Cody by Michael Rakowitz is a serio-comic stop motion animated film in which an everyday African-American G. I. character, personified through an action figure that comes to life. The protagonist breaks into Chicago’s Oriental Institute to “liberate” Mesopotamian votive statues, who are likewise animated through voice-over narration, from their imprisonment in the museum’s vitrines. This set-up allows for meditations on various war and colonial histories; as a barbed twist on the Bush-era rhetoric of promoting “democracy” in the Middle East through regime change, the G. I. cannot understand why the statues wish to remain in the museum and not return to their (currently war torn) “homelands”.

Evenings of water and dense forest
© » KADIST

Noara Quintana

Installation (Installation)

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil. The so-called Amazon Rubber Boom, 1879 to 1912, was an important part of the economic and social history of the country and Amazonian regions of neighboring countries, related to the extraction and commercialization of latex. Centered in the Amazon river basin, the boom resulted in a large expansion of European colonization in the area, causing cultural and social transformations that wreaked havoc upon Indigenous societies and immense environmental damage.

Untitled
© » KADIST

Francisco Herrero Peñuela

Painting (Painting)

Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces. Practicing a form of marquetry common in 15th century Italy—intarsia—Peñuela pieces together fragments of wood to create abstract images in warm tones of gold, brown, and black. While original Italian intarsia would have been representational, embedding landscapes, objects, and narrative scenes directly into walls, Peñuela’s compositions hedge away from direct representation, with shapes and pattern emerging organically out of his carefully arranged wooden pieces.

Gente Serpiente (Serpent People)
© » KADIST

Mazenett Quiroga

Sculpture (Sculpture)

Gente Serpiente (Serpent People) is a piece made with the wheels of bikes, twisted, intertwined and painted like skins of tropical poisonous snakes. This sculpture, as well as other pieces by Mazenett and Quiroga, seeks to reveal and re-inscribe everyday and ordinary objects within a mythological tradition, to reconnect them with an origin in order to recognize their hidden life and meaning. These objects represent the life cycle and the animal, as well as cultural and geological time: long ago they were marine organisms and through the action of sand, sediment and mud, in oil, then in wheels they are transformed.

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.

Anatomy of Landscape - Jos 16
© » KADIST

Abraham Oghobase

Photography (Photography)

This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.

Yee I-Lann

Taiyo Kimura

Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...

Koki Tanaka

Wong Hoy Cheong

John Wood and Paul Harrison

John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...

Mateo Lopez

Carla Zaccagnini

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Elad Lassry

Allora & Calzadilla

Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...

Pak Sheung Chuen

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Zhou Tao

Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...

Mikhael Subotzky

Mikhael Subotzky’s (b...

Maria Taniguchi

Throughout her paintings, sculptures, and videos, Maria Taniguchi unpacks knowledge and experience—connecting material culture, technology, and natural evolution—and investigates space and time, along with social and historical contexts...

Hans-Peter Feldmann

Nicholas Buffon

Working in paint, performance, and small, diorama-like wall sculptures, Seattle transplant Nicholas Buffon responds to his context through intimate gestures, examinations, and recreations...

Barbara Bloom

Collector Barbara Bloom mixes autobiographical details, fictional narratives, and literary quotes...

Zhu Changquan

Zhu Changquan engages in artistic activities through analyzing everyday life...

Kan Xuan

Mike Cloud

Artist Mike Cloud builds irregularly shaped canvases and frames into unique sculptural objects...

Gareth Moore

Pablo Accinelli

Mike Kelley

Marcelo Cidade

Taysir Batniji

The work of Taysir Batniji, a Palestinian artist born in Gaza shortly before the 1967 war and the Israeli occupation, is tainted with manifestations of impermanence and itinerancy, belonging and uprooting, personal memories and historical events...

Wimo Ambala Bayang

Working in photography and video, the Indonesian artist Wimo Ambala Bayang embraces the conceptual possibilities of digital image manipulation...

Noara Quintana

Noara Quintana’s research-based practice focuses on the materiality of everyday objects and their interconnection with sociopolitical and historical processes in the Global South...

Edith Dekyndt

Edith Dekyndt’s work observes, identifies, and transforms the performative phenomenology of ordinary materials, objects, and gestures...

© » SOUTH CHINA MORNING POST

about 11 months ago (02/12/2024)

‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...

© » APERTURE

about 11 months ago (02/09/2024)

Home to more than a million objects, the museum’s library shelves are full of surprises....

© » DAZED DIGITAL

about 11 months ago (02/09/2024)

How cute became the defining aesthetic of the internet age | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Life & Culture Feature From emojis to coquettes and Hello Kitty, cute’s transformative potential is shaping how we see ourselves both on and off-screen Text Günseli Yalcinkaya 9 February 2024 Cute (2024) 13 When Tim Berners-Lee, the inventor of the World Wide Web, was asked in 2014 to name one use of the internet that he didn’t anticipate, he answered with a single word: kittens...

© » CONTEMPORARYAND

about 11 months ago (02/07/2024)

Henrique J...

© » FAD MAGAZINE

about 11 months ago (02/02/2024)

Maximillian William now represents Emii Alrai - FAD Magazine Skip to content By Mark Westall • 2 February 2024 Share — Portrait Emii Alrai Maximillian William has announced the representation of Emii Alrai (b...

© » ARTSY

about 12 months ago (01/24/2024)

Pace Gallery announces global representation of Paul Thek’s estate...

© » ARTLYST

about 12 months ago (01/10/2024)

In recent months, UK Museum collections have come under intense scrutiny, with headlines echoing the 'alleged' thefts of up to 2000 objects.....

© » SLASH PARIS

about 12 months ago (01/10/2024)

Pepo Salazar Lacruz — Bag of Bags — Centre d’art contemporain Passages — Exhibition — Slash Paris Login Newsletter Twitter Facebook Pepo Salazar Lacruz — Bag of Bags — Centre d’art contemporain Passages — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Pepo Salazar Lacruz — Bag of Bags Exhibition Mixed media Affiche de l’exposition © Centre d’art contemporain Passages, Troyes — Identité visuelle : Marie-Mam Sai Bellier & Clara Pasteau Pepo Salazar Lacruz Bag of Bags Ends in about 2 months: January 27 → March 30, 2024 BAG OF BAGS We look forward to seeing you on Friday, January 26, 2024 from 6:00 pm for the opening of the exhibition by Pepo Salazar Lacruz Bag of Bags...

© » APERTURE

about 12 months ago (01/03/2024)

At a moment when women are increasingly losing control over their own bodies, can self-representation become a form of resistance?...

© » AESTHETICA

about 13 months ago (12/18/2023)

Aesthetica Magazine - Poetry of the Everyday Poetry of the Everyday Chinese artist Li Feng works in his studios in Shanghai and Los Angeles, where he is inspired by the everyday: people, language and the poetic ironies of life...

© » WHITEHOT

about 13 months ago (12/18/2023)

Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...

© » MUTUALART

about 13 months ago (12/18/2023)

John Seed’s More Disruption offers some highlights but is largely a representation of groveling artistic superficiality...

© » HYPERALLERGIC

about 13 months ago (12/15/2023)

Yuan Goang-Ming to Represent Taiwan at the 60th Venice Biennale With “Everyday War” Skip to content Yuan Goang-Ming, “Everyday War” (expected in 2024), still frame from video (© Yuan Goang-Ming, image courtesy the artist) The Taipei Fine Arts Museum (TFAM) , artist Yuan Goang-Ming, and curator Abby Chen are pleased to announce Everyday War , the exhibition representing Taiwan at the 60th Venice Biennale in 2024...

© » COLOSSAL

about 13 months ago (12/15/2023)

Through densely embroidered still lifes and portraits, Cécile Davidovici stitches together a dialogue between time, objects, and nostalgia...

© » APERTURE

about 13 months ago (12/14/2023)

The photographer’s collages chronicle friends, family, and community in New York....

© » ART & OBJECT

about 13 months ago (12/12/2023)

5 Objects That Show the Evolution of Women’s Work | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » KQED

about 13 months ago (12/11/2023)

SF Composer Andy Guthrie Finds Poetry in the Everyday | KQED Skip to Nav Skip to Main Skip to Footer The Do List With a Field Recorder and French Horn, Andy Guthrie Finds Poetry in Everyday Surroundings Daniel Bromfield Dec 11 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Andy Guthrie performs in Paris in March 2023...

© » ARTNEWS MARKET

about 13 months ago (11/28/2023)

Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...

© » ARTSY

about 14 months ago (11/21/2023)

Jessica Silverman announces representation of Beverly Fishman, painter of geometric forms...

© » IGNANT

about 16 months ago (09/21/2023)

Milena Kling: Designer Of Processes, Curator Of Atmospheres - IGNANT Name Milena Kling Images Clemens Poloczek Words Marie-Louise Schmidlin Milena Kling ‘s practice seamlessly blends the work of a designer, a researcher, a scientist, and a curator...

© » D MAGAZINE

about 16 months ago (09/19/2023)

At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday - D Magazine Skip to content Menu Search One brand, four magazines...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

See Inside Lora Reynolds’s Custom-Designed Austin Home, Where Top-Flight Art Coexists With Pets, Kids, and Everyday Life - via artnet news...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

The interior designer and Museum of Arts and Design trustee treated craft objects as art to live with....

© » LARRY'S LIST

about 27 months ago (10/05/2022)

What Art Does Demi Lovato Collect? Here Are 8 Artists and Designers the ‘Happy Ending’ Singer Owns and Is Inspired By - via artnet news...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...

© » ARTS EQUATOR

about 46 months ago (03/27/2021)

So Lit: The Bottled City of mini objects travelling through Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 27, 2021 From now till 25 April, a truck carrying precious cargo will travel around Singapore, hoping to enchant you with its treasures and stories...

© » HIGH FRUCTOSE

about 62 months ago (12/11/2019)

Micha Huigen’s illustrations dissect and reassemble everyday objects into surreal machines...

© » HIGH FRUCTOSE

about 62 months ago (12/07/2019)

In Amy Brener's "Omni-Kit" sculpture series, everyday objects and imagery are reprocessed into totem-like sculptures that speak to ritual and memory...

© » HIGH FRUCTOSE

about 62 months ago (11/26/2019)

Lee Jinju's riveting scenes, with cascading planes and perspectives, offer both intimate symbology and an invitation to draw your own associations...

© » ARTS EQUATOR

about 77 months ago (09/20/2018)

Reflections on the Sight/Unseen Asian Drama Conference | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Che-Min Hsieh September 20, 2018 By Benedict Leong (1700 words, 10-minute read) The Sight/Unseen Asian Drama Conference was a two-day event on 26 – 27 April 2018 at Goldsmiths, University of London, and Tara Arts ...