This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) . These works are dedicated to the collection and investigation of similarities and singularities. Some focus on things that are supposed or expected to be identical, but end up being slightly different. Others focus on things that ought to be different but somehow obey similar principles. The photographs examine these issues on a temporal basis, for instance depicting groups of houses that were built to be the same but have been changed over the years according to the tastes, needs, and capabilities of their inhabitants. A playful, poetic quality underlies these displacements and juxtapositions, signifying subtle transformations of the everyday.
Carla Zaccagnini combines historical research with a variety of media and techniques. From drawing to installation, performance, text, video, exhibition curating, and written criticism, Zaccagnini investigates cultural exchange and social displacement, as well as the transformation of the symbolic value of images in contemporary culture. Zaccagnini views these multiple activities as mutually constitutive forms of inquiry that overlap to form a holistic, conceptually driven art practice. Often working by recontextualizing existing objects and ideas, she prompts viewers to question the limitations of language and representation, the fallibility of perception, and the construction of knowledge. Zaccagnini is part of a generation of Latin American artists that have addressed the political history of the continent and, more specifically but not exclusively, the history of Brazil. Having delved into the history of slavery, the influence of European aesthetics in Brazilian art, and its assimilation by indigenous cultures, Zaccagnini uses art as a conceptual instrument to undo the construction of history and the production of knowledge.
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum - France 24 Skip to main content The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum Issued on: 27/06/2023 - 17:31 Modified: 27/06/2023 - 17:38 02:24 Video by: Catherine VIETTE Follow The Louvre museum is hosting masterpieces from the Capodimonte museum in Naples, offering the world's largest exhibition devoted to the Italian Renaissance for six months, along with its own collections...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
[Online Course] ArtsEquator Introduction to Reviewing Books | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 13, 2020 INTRODUCTION TO REVIEWING BOOKS by Kathy Rowland Course Synopsis: This introductory course will teach you how to think critically and review a book, by drawing on both techniques of literary analysis and criticism writing...
De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...
In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Drinks at 6pm, talk at 7pm What is the mirror effect between landscape and technology, and how do different perspectives and approaches affect our mental images of landscapes? On the occasion of the collaborative exhibition Landscape: the virtual, the actual, the possible? at YBCA, co-curators Betti-Sue Hertz, Ruijun Shen, and Xiaoyu Weng invite some of the artists in the exhibition to reflect on their individual relationships with and conceptions of landscape....