Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement. Each waveform represents a syllable of the sentence “Primero estaba el mar.” This sentence is the first verse of the Kogui poem of creation. For the Koguis, an indigenous community from the Sierra Nevada de Santa Marta on the Colombian Caribbean coast, water was the absolute presence before the creation of the universe.
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated. One basic illustration of entropy is to imagine white and black sand: once mixed together, it is highly unlikely that the contrasting grains of sand can be separated and restored to their original distinct color groups. Arturo’s Trópico Entrópico ( Entropic Tropics , 2012) considers the colonization of the American continent as a similarly irreversible process of cultural entropy.
Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez. In the video, Suarez returns home from prison and survives a massacre that takes place at his home in Bolivia. Told in four chapters, the story is inspired by John Ford’s American Western classic film The Searchers (1956), this work similarly focuses on the politicized atmosphere of Bolivian history, searching for cues of race and alienation.
Drawing & Print (Drawing & Print)
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions. Her drawings, sculptures, and photography are active investigations into our often-fallible notions of history. Stone Deaf (2009) is a direct intervention into Karl Marx’s gravesite, for which the artist literally traced the history of Marx’s grave.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.
Drawing & Print (Drawing & Print)
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head.
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839.
Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work.
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure. Copper pipes run through the perforated ceramics, evoking the design of an oil purifier. The work is a direct reference to the history of the Peruvian coastal town of Lobitos.
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.
Drawing & Print (Drawing & Print)
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.
Drawing & Print (Drawing & Print)
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images.
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War. In Bandasak’s unpretentious, animist portrait of the ruins, what is remarkable is the absence of the embodied observer, instead, it is the technical parsing of the digital video camera that enlivens these prodigiously still, mute and enduring objects, through a chanceless sequence of static shots, dissolving measure and revealing gradual modulations of light. The piece evokes a spectral landscape energised by the undead and the nonhuman, opening up contemporary philosophical questions via seemingly ageless and inert artifacts.
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism. The work is divided into four short stories: About Afghanistan and heroin , About Exposition Colonial and cow , About Jardin d’acclimatation and potato , and About Vietnam . The series of 14 painted panels draw upon the aesthetic of ex-votos, a genre of traditional religious folk painting that acts as a tribute for divine intervention in response to personal tragedy.
Wheat Mollah ( 2011) is one of Slavs and Tatars composite object. The title Wheat Mollah has various interpretations, from “master” or spiritual authority for Shiites and “friend” for Sunnis. The turban is also worn in a diversity of cultures and religions in Africa, Asia and India.
Drawing & Print (Drawing & Print)
East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’. This region, in conflict since spring 2014, is where most of the charcoal is extracted. It is with this same coal that artist Nikita Kadan realizes this drawing in 2018, representing a field on which is juxtaposed a small photograph.
Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events. Each date and region is marked with a needle, a reference to the traditional Chinese medicine method for treating ailments, used to mark the regions and dates of major uprisings and mass protests as a means of encouraging dialogue and to start the recovery process. Millions of Tibetans have died in those protests.
His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness.
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela. Historically, these mines bankrolled Spanish imperial coinage; the Spanish began excavating the site for silver in 1545 in what is now Bolivia. The mines themselves are situated at great altitude in the Andes, and are inhospitable to animal labor.
Drawing & Print (Drawing & Print)
A rich and isolated region, El Catatumbo is located near the border with Venezuela. Different groups fight over its gold and oil, while narcotic plantations have exploited the region over the years, provoking massacres, displacement, and migrations amongst its native populations. Nohemí Pérez’s skillful and eloquent watercolors, titled Apuntes para panorama Catatumbo , testifies to this aspect of Colombia’s history that has been veiled by other equally pressing political issues.
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Claudia Andujar was born in Switzerland in 1931, and then moved to Oradea, on the border between Romania and Hungary, where her paternal family, of Jewish origin, lived...
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...
Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...
Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...
Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...
Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...
Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...
Artist, poet, writer and theoretician...
Subash Thebe Limbu considers his works to be science fiction through an Indigenous lens, rooted in the language, script, songs, and symbols of the Yakthung (Limbu) peoples...
Spanning painting, drawing, and sculpture, Troy Chew’s practice reflects on the legacy of the African diaspora through the lens of urban culture...
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Sancintya Mohini Simpson is an artist, writer, and researcher whose work addresses the impact of colonization on the historical and lived experiences of her family and broader diasporic communities...
Mercedes Dorame is a photographer and member of the Tongva tribe in Los Angeles...
Kwan Sheung Chi obtained a third honor B.A...
Visual artist and photographer Phan Quang stages nuanced compositions that illustrate the relationship between global historical events and the personal histories of families and communities in Vietnam...
Fehras Publishing Practices is a collective founded by Sami Rustom, Omar Nicolas and Kenan Darwich that was established in 2015...
Working with a variety of media such as drawing, painting and photography Fredi Casco frequently incorporates original documents and archives as a medium and support of his work in order to bring to light specific episodes of Paraguayan political history, particularly events that took place during the time of Alfredo Stroessner’s long dictatorship (1954 to 1989)...
Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...
Through drawing, installation, painting, photography, and video, Erbossyn Meldibekov’s practice examines architecture, monumentality, and value systems in the public domain...
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Tate Modern announce new partnership with Asymmetry Art Foundation - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Tate Modern © Tate Photography Tate Modern has announced today a new partnership with Asymmetry Art Foundation enabling Alvin Li to be appointed to the role of Curator, International Art and Hera Chan to be appointed Adjunct Curator, Asia-Pacific ...
Mrinalini Mukherjee – ARTOMITY 藝源 mould the wing to match the photograph / Asia Art Archive / Sep 20, 2023 – Feb 29, 2024 / Humans use knots to keep records, create decor, bind one another and fasten objects...
The historic village of Bat Trang in northern Vietnam has been a hub for ceramic production since the 11th century...
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Romain Best — Coulissements par frictions Exhibition Installation, sculpture, mixed media Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Ends in 27 days: November 9, 2023 → January 7, 2024 The Project Room is the Frac’s new prospective and experimental space, located in the last room of the Plateau...
Outi Pieski | Tate St Ives Discover visual artist Outi Pieski’s exploration of identity, culture and environment Outi Pieski is a Sámi visual artist based in Ohcejohka (Utsjoki), Finland...
As the Cheech Marin Center for Chicano Art and Culture debuts, its founder hopes to inspire a renaissance in a region of California lacking public arts funding....
A Soon-to-Open Private Museum in Chinaâs Shunde District Could Offer a New Model for Arts Spaces in the Country - via ARTnews...
BEIRUT: Since the outbreak of the COVID-19 pandemic, museums, galleries and art fairs around the world have launched sophisticated virtual tours, often paired with the hashtags #MuseumFromHome and #ClosedButOpen, to offer a much-needed path to calm, reflection and enlightenment...
The Donum Estate, the award-winning Pinot Noir producer featuring a monumental sculpture collection located in the acclaimed wine region of Sonoma County, has commissioned award-winning Danish architect and designer David Thulstrup to transform Donum Home...
Can the arts solve community issues in the region? The SEA*5 think so...
Meeting Point 2021: The cultural worker in a time of social change | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mekong Cultural Hub June 7, 2021 By Wennie Yang (2,000 words, 8-minute read) Laptop fully charged, professional Zoom background selected – Meeting Point 2021 organised by Mekong Cultural Hub and its partners took place virtually between 20 to 22 May 2021...
Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
What to expect from the Repertory Philippines stage in 2019 (via Rappler) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Steph Arnaldo/Rappler December 27, 2018 MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019...
Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 10, 2018 Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage...
ENCATC International Study Tour in Tokyo - Key Observations (via culture360...
Plans for the inaugural edition of ART SG, a new significant fair for Singapore and the Southeast Asia region continue to be put into place...
Ombak Potehi: the Malaysian group reviving traditional Hokkien puppetry (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 7, 2018 In the performance room of Penang House of Music, a museum dedicated to the musical history of this Unesco-listed Malaysian island, a crowd claps excitedly...
26th ENCATC Congress – Key Reflections (via culture360...
Arts Apart: Where Are Sabah and Sarawak in the Malaysian Arts? (via BFM) Thinking and Talking about Arts and Culture in Southeast Asia Articles October 19, 2018 With Malaysia Day just around the corner, there is a lot of conversation happening about East Malaysia...
Cartoonist Zunar on his sedition charges & fight for political reform (via Star2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 25, 2018 It’s a Saturday afternoon at a major bookstore in the Gardens Mall in Kuala Lumpur...
AExGTF Chats: Charlie Lim and .gif in George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 20, 2018 On the closing weekend of the George Town Festival, ArtsEquator interviewed Singaporean musician Charlie Lim and indie-electronic music duo .gif who were in Penang to perform at China House, along with other Singaporean musical acts including Tabitha Nauser and Yung Raja...
Biennale seen posing challenges for artists (via The Nation) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 18, 2018 The Bangkok Art Biennale beginning on October 19 will have as its theme “Beyond Bliss”...
On The Level with Theatre Students of Taiwan and Thailand (via The Nation) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 19, 2018 A new Taiwan-Thailand drama school collaboration is as delectable as pineapple tarts...
Getting schooled on the arts (via The Star) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 14, 2018 From surprise visits to schools, replacing white shoes with black, and referencing the Finnish education system as a possible one to emulate, the new Education Minister Dr Maszlee Malik has made waves with his fresh approach...
Book Review: "Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 By Reaksmey Yean (950 words, five-minute read) A result of a research collaboration organised by the University of Sydney’s Power Institute in partnership with the Institut Teknologi Bandung and National Gallery Singapore, Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 is a recently published volume of ten collected essays...
Cambodian FB users rage over dance ownership (via The Nation) | ArtsEquator Skip to content August 31, 2018 18:20 United Nations’ cultural agency Unesco’s Facebook page has hosted a heated debate between Cambodians and Thais over Bangkok’s proposal for the inclusion of “khon” masked dance on the agency’s Intangible Cultural Heritage list...
AExGTF Chats: Prof Tan Sooi Beng of Ombak Potehi at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles https://artsequator.com/wp-content/uploads/2018/08/Ombak-potehi_1.mp4 August 30, 2018 Potehi puppet theatre is a traditional Hokkien art form brought to Southeast Asia by immigrants from southern China several centuries ago...
Vietnamese artist wins prestigious Signature Art Prize (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 15, 2018 In a dark room, two suspended video screens play images of rice paddies and derelict schoolrooms in rural Vietnam...
27 Artists Grapple with the Fractious Politics of Malaysia (via Hyperallergic) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 26, 2018 KUALA LUMPUR, Malaysia — Petani Semasa is a significant exhibition on contemporary art about the Patani region of Southern Thailand, that privileges local artists...
According to Viktor Kochetov, Meeting with the awaited guest / Yellow Bows is the first hand-colored print he ever made...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...
Drawing & Print
Aktionsplan is a map of the field by Kyevy Gorky...
His series, The Golden State, harkens back to his early career and his photographic training...
Drawing & Print
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Drawing & Print
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Drawing & Print
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
Drawing & Print
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Drawing & Print
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Following her family’s political exile to Australia in 1990, Havini began to document her journey’s home to the north of Buka Island, in the Autonomous Region of Bougainville...
Drawing & Print
The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
Drawing & Print
A rich and isolated region, El Catatumbo is located near the border with Venezuela...
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Drawing & Print
Cristóbal Lehyt has conducted thorough research on the historical and cultural complexity of the northern region of Chile where the Atacama Desert is located...
Drawing & Print
Mesoamericana (Economic activities) is part of a larger project titled Mesoamerica: The Hurricane Effect, which includes a video as well as series of hand drawn maps -based on historical cartography- that examine the effects of foreign power in Mexico today...
The various distinct but connected lineages of Himalayan painting remain thriving languages employed by artists from across the region to express their unique perspective in our shared contemporary world...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Drawing & Print
Pascua Dolorosa (Painful Easter) by Fredi Casco is a series of drawings made on old worksheets documenting land surfaces in Caapucú, a forest exploitation area where one of the most violent episodes of the repression of Stroessner’s dictatorship took place in 1976, and during which peasants accused of belonging to insurgent movements were kidnapped, tortured and many of them killed...
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Unconformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Drawing & Print
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Drawing & Print
East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
Drawing & Print
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Drawing & Print
Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Drawing & Print
Study of History V by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah ...
Drawing & Print
In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
escenario chacana by Claudia Martínez Garay is a sculptural work composed of a frame-like structure that contains a series of ceramic pieces...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
Drawing & Print
And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...
In Erin Jane Nelson’s 2019 body of work Av, panels are covered in collaged images and shellacked with resin or epoxy: photographs of plants intermingle with pictures of men and women engaging in various spiritual activities, cartoons of mothers and their children, or black and white images of window panes...
Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Drawing & Print
Study of History VI by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
Drawing & Print
Masiniya Matawali by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...