The Rebellion of the Roots (France)

In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...

Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Juan Uslé — Viento sur Exhibition Painting Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...

Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Juan Uslé — Viento sur Exposition Peinture Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...

Artist Transforms Persian Carpets Into His Canvas Home / Art / Painting Artist Repurposes Persian Carpets as a Canvas for Evocative Portraits of Women By Jessica Stewart on February 7, 2024 French artist Mateo Humano uses a unique canvas for his haunting portraits of women...

Some Southeast Asian picks from the Busan International Film Festival (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level? For one, they both have been hit by a tsunami — Aceh in the massive tragedy that struck many parts of Southeast Asia in 2004 and Japan in 2011...

In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...

Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...

After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...

Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Daniel Boyd’s work WTEIA3 is part of a series of paintings that reference the stick charts used by indigenous communities on the Marshall Islands...

The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...

Mooi indie (which translates to “Beautiful Indies”) is a term used to depict the beauty of nature in the East Indies during the period of Dutch colonialism in Indonesia...

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...