9.45H x 13.39W inches
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head.
Bernardo Ortiz charts time as if it was a constellation, pulling from the accumulation of his life to create structures. Notes, notepads, ephemera, and thoughts become the inspiration for his works, manifesting themselves through installations, signs, and drawings. Language plays a dynamic role, especially in Ortiz’s drawings of enigmatic slogans or ideas.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...
Sebastian Winkler, WE'RE NO COMPUTERS, SEBASTIAN, WE'RE PHYSICAL - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Sebastian Winkler Sebastian Winkler, WE’RE NO COMPUTERS, SEBASTIAN, WE’RE PHYSICAL September 2, 2022 Opening day of the exhibition: September 2nd, 2022 from 6 pm Duration: Sat...
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...