Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures. Tanaka’s visceral and physical reactions to various circumstances within the video reflect the artist’s own perceptual relationship to that space.
Koki Tanaka is part of a generation of Japanese artists whose work responded to the economic recession and limited opportunities that beset their country in the early 2000s. Instead of creating monuments, these artists focused on everyday life, transforming the ordinary into the extraordinary by stimulating moments of perceptual awakening. Their social critique was enacted through the spectacular and unexpected combination of materials, humor, and simple actions. Working primarily with found objects and video, Tanaka’s practice reveals hidden links between object and action.
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Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
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Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
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Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
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Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...