2011.5.1 Yonesaki-cho

- Photography (Photography)

Naoya Hatakeyama

location: Iwate, Nihon
year born: 1958
gender: male
nationality: Japanese

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma. Hatakeyama’s photographs, however, emerged from a painful and personal grief: the series focuses on the near-destruction of the artist’s hometown, an event which resulted in both his mother’s death and the deaths of many friends and neighbors. Rikuzentakata bears the ethical weight and responsibility of photojournalism even as its genesis comes out of a deeply felt loss and the ambiguity of survivor’s guilt. It is difficult to view the flood-submerged house in 2011.5.1 Yonesaki-cho (2011), for example, without drawing associations with destroyed domestic spaces and dystopian metaphors of a “drowned world.”


Naoya Hatakeyama is one of Japan’s leading contemporary photographers. His work frequently explores the relationship between natural and built environments, and he is particularly invested in examining how urbanization produces violent effects in surrounding landscapes. In 2012, Hatakeyama was the subject of a mid-career retrospective at SFMOMA titled Naoya Hatakeyama: Natural Stories, an exhibition of large-scale photographs centered around themes of nature, destruction, and human will. His photographs have been acquired by many international collections such as the National Museum of Modern Art, Osaka; the National Museum of Modern Art, Tokyo; Tokyo Metropolitan Museum of Photography; the Museum of Fine Arts, Houston; Yale University Art Gallery, New Haven; the Swiss Foundation for Photography, Winterthur; la Maison Européenne de la Photographie, Paris; and the Victoria & Albert Museum, London.


Colors:



Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

2013

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...

Edinburgh Castle on the Bin Bag
© » KADIST

Takahiro Iwasaki

2008

Edinburgh Castle on the Bin Bag features a model of the Edinburgh castle constructed by using shiny black cards placed on top of an open, full black plastic trash bag...

Process of Blowing Flour
© » KADIST

Koki Tanaka

2010

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...

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Japanese House Series
© » KADIST

Tomoko Yoneda

2010

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...

Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

Hako
© » KADIST

Hiraki Sawa

2006

Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...

Process of Blowing Flour
© » KADIST

Koki Tanaka

2010

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...

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2012.3.24 Kesen-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

Japanese House Series
© » KADIST

Tomoko Yoneda

2010

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...

Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

Process of Blowing Flour
© » KADIST

Koki Tanaka

2010

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...

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Real-Estate Mogul Jorge Pérez on Which Artists He’s Lucky to Have Bought Early - via artnet news
© » LARRY'S LIST

Art collector and real estate giant Jorge Pérez shares what he buys and why, including works by Pamela Phastimo Suntrum and Jaume Plensa....

In the Trenches: Artists Encounter the Los Angeles River, Part 1
© » ART AND CAKE

In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...

the amana collection Exhibit 05 – Daisuke Yokota
© » IMA

the amana collection Exhibit 05 – Daisuke Yokota | Exhibition | IMA ONLINE the amana collection Exhibit 05 – Daisuke Yokota 14 December 2019 - 20 January 2020 IMA gallery TAGS IMA gallery Daisuke Yokota Share © Daisuke Yokota_untitled_from Color Photographs Where does the photographic process begin and where does it end? Often the making of a photograph is considered to be a momentary event: the instant when the shutter is released and a photosensitive element is exposed thereby recording the physicality of reality...

Hypertransform Sculpture
© » KADIST

Rudolf Polanszky

2005

Polanszky’s sculpture is made from raw, found materials that have the patina of age...

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2012.3.24 Kesen-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

2013.10.20 Kesen-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

2012.11.4 Takata-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

2011.4.4 Kesen-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

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Joachim Koester Part 2
© » KADIST

Joachim Koester talks about “Variations of Incomplete Open Cubes” (2011) and “Morning of the Magicians” (2005)....

Dear Monster
© » KADIST

Gozo Yoshimasu

2014

Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...

A Variation on Powers of Ten
© » KADIST

Futurefarmers

2012

In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...