158 x 104 cm
The figure in Armless tapers away. Muscular legs turned upright spin down into a disintegrating torso. Lines, that in another drawing would sketch out contours and volume, here seem to be strands of flesh. They hang down from full feet and flutter into nothingness as the form becomes less and less present. The armlessness is named but the lack of a head, which one can possibly make out becoming strewn lines, suggests a top-to-bottom dissolution.
Chloe Piene’s work often depicts the body and its skeleton. Her drawings spindle extremities into thin loops of line and her sculptures stack skulls on slabs of clay. The fragile twisting of the body is executed in luxuriously rich materials, which underscore the virtuosity of Piene’s hand and vision. Skeletons on vellum make physical mortality transcendently transparent, and beautiful charcoal lines mark out the uncanny grins of skull-faces.
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
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The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes...