2013.10.20 Kesen-cho
- Photography (Photography)
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma. Hatakeyama’s photographs, however, emerged from a painful and personal grief: the series focuses on the near-destruction of the artist’s hometown, an event which resulted in both his mother’s death and the deaths of many friends and neighbors. Rikuzentakata bears the ethical weight and responsibility of photojournalism even as its genesis comes out of a deeply felt loss and the ambiguity of survivor’s guilt. But for every desolate landscape on view in Rikuzentakata , Hatakeyama also offers glimpses of possible regeneration and hope: in 2013.10.20 Kesen-cho (2013), a forest of evergreen trees suggests the possibility for new growth amongst an overturned and muddied hillside, while a faint rainbow streaking across the sky in 2012.3.24 Kesen-cho (2013) offers a familiar but poetic gesture towards a better future. Hatakeyama suggests that what’s lost can never be fully recovered, but that with time, those wounds can slowly heal and life can begin again.
Naoya Hatakeyama is one of Japan’s leading contemporary photographers. His work frequently explores the relationship between natural and built environments, and he is particularly invested in examining how urbanization produces violent effects in surrounding landscapes. In 2012, Hatakeyama was the subject of a mid-career retrospective at SFMOMA titled Naoya Hatakeyama: Natural Stories, an exhibition of large-scale photographs centered around themes of nature, destruction, and human will. His photographs have been acquired by many international collections such as the National Museum of Modern Art, Osaka; the National Museum of Modern Art, Tokyo; Tokyo Metropolitan Museum of Photography; the Museum of Fine Arts, Houston; Yale University Art Gallery, New Haven; the Swiss Foundation for Photography, Winterthur; la Maison Européenne de la Photographie, Paris; and the Victoria & Albert Museum, London.
Colors:
Related works of genres: » japanese contemporary artists, » japanese photographers
» see more
© » KADIST
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
© » KADIST
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
© » KADIST
Takahiro Iwasaki
2010Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk...
© » KADIST
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Related works featuring themes of: » Japanese
» see more
© » KADIST
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
© » KADIST
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
© » KADIST
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
© » KADIST
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Other related works, blended automatically
» see more
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
© » KADIST
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
© » KADIST
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Related works sharing similar palette
» see more
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Vietnam's new costume institute; Is Penang's art scene dead? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Jitti Chompee October 22, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » LONDONIST
How To Spend Christmas 2023 In London | Londonist Christmas In London 2023: A Guide To Festive Events, Food And Drink In The Capital This Winter By Londonist Londonist Christmas In London 2023: A Guide To Festive Events, Food And Drink In The Capital This Winter The 2023 Oxford Street Christmas lights...
© » KQED
Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ | KQED Skip to Nav Skip to Main Skip to Footer The Do List Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ Listen Samantha Balaban Dec 4 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link ‘How Does Santa Go Down the Chimney?’ (Text © 2023 by Mac Barnett...
© » SLASH PARIS
Matthieu Laurette — Une rétrospective dérivée (1993-2023) — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Matthieu Laurette — Une rétrospective dérivée (1993-2023) — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Matthieu Laurette — Une rétrospective dérivée (1993-2023) Exposition Techniques mixtes Matthieu Laurette, Self-Portrait, 2014/2023...
Other works by: » Naoya Hatakeyama
» see more
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Related works found in the same semantic group
» see more
© » KADIST
Guy Woueté
2019The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
© » KADIST
Nidhal Chamekh
2016Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
