The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect. The abstract quality of the expressive fragmented pictures and narrative text provide the viewer with an imaginative space that is broader than the one they would experience in a traditional linear narrative. The problem of reality becomes abstract, arousing reflection in the mind and heart. The video’s literary style gives the viewer a sense of reading. Although the questions are silent, the text increases the impact on the mind. By probing reality with poetic metaphor, Chen Xiaoyun’s works present a fragmented landscape that is produced through resistance against the systems of reality.
Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...