Vanishing Point
2014 - Film & Video (Film & Video)
Xiaoyun Chen
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect. The abstract quality of the expressive fragmented pictures and narrative text provide the viewer with an imaginative space that is broader than the one they would experience in a traditional linear narrative. The problem of reality becomes abstract, arousing reflection in the mind and heart. The video’s literary style gives the viewer a sense of reading. Although the questions are silent, the text increases the impact on the mind. By probing reality with poetic metaphor, Chen Xiaoyun’s works present a fragmented landscape that is produced through resistance against the systems of reality.
Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.
Colors:
Related works featuring themes of: » China, » Conflict, » Contemporary Surrealistic, » Film/Video, » Chinese
© » KADIST
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
© » KADIST
Adrian Wong
2012Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
© » KADIST
Claudia Joskowicz
2007The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
© » KADIST
Claudia Joskowicz
2014Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
© » KADIST
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
© » KADIST
Hiraki Sawa
2006Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
© » KADIST
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
© » KADIST
Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
© » KADIST
Claudia Joskowicz
2015Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
© » KADIST
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...