The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment. Crawling up from the bottom of the wall are black, worm-like texts that comment on class struggle, revolutionary riots, labor and production, human existence, and social justice. Without a clear beginning or end, the work suggests a cycle and the non-linear nature of history, and, by extension, life and death.
Navigating relationships among words, images, and languages, Tsang Kin-Wah’s text-based work span various media: wall prints, silkscreen, and digital video projections. His wallpaper prints usually feature beautiful floral patterns that recall the swirls of nineteenth-century decorative wallpapers. However, upon closer inspection, details reveal the patterns to be composed of text in both English and Chinese characters. Their provocative and sometimes offensive meanings mock art, the art market, the artist and his Chinese ethnicity, as well as other broader culture issues. In 2009, Tsang began experimenting with new media and produced The Seven Seals , an ongoing series of digital video installation works that takes its name from the New Testament’s Book of Revelation. Tsang’s practice allows a range of interpretations and encourages viewers to search the relationship between image and text, between pictographic and phonetic writing systems.
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Five curators join Whitney Biennial team for the 2024 edition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Appointments & departures news Five curators join Whitney Biennial team for the 2024 edition The additional staff will programme sound art, film and performance events Theo Belci 9 December 2023 Share The Whitney Museum of American Art Photo: Ajay Suresh (CC BY 2.0) New York’s Whitney Museum of American Art has announced the expansion of its biennial in 2024, including five additional curators in sound art, film and performance...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...
Guardian and Observer photographs of 2023 – own a fine art print | gallery | Art and design | The Guardian Skip to main content Guardian Print Shop Guardian and Observer photographs of 2023 – own a fine art print Fans watch Elton John’s set on the Pyramid stage at Glastonbury festival in Somerset on 25 June...