© » KADIST
Chen Chieh-Jen
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc. (2010), which takes as its point of departure the political context of the 1950s and the Cold War, when American interests in Taiwan overlapped with the Chinese civil war. Cooperating with the Chinese Kuomintang, the American CIA established something called Western Enterprises, an agency whose main tasks included training an anti-Communist National Salvation Army (NSA) for a surprise attack on Communists in mainland China and establishing Taiwan as a base for anti-Communist operations in Southeast Asia. Narrated from the point of the view of the artist’s father, once a member of the NSA, the project interweaves personal experience with historical events.
© » KADIST
Chen Chieh-Jen
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc. (2010), which takes as its point of departure the political context of the 1950s and the Cold War, when American interests in Taiwan overlapped with the Chinese civil war. Cooperating with the Chinese Kuomintang, the American CIA established something called Western Enterprises, an agency whose main tasks included training an anti-Communist National Salvation Army (NSA) for a surprise attack on Communists in mainland China and establishing Taiwan as a base for anti-Communist operations in Southeast Asia. Narrated from the point of the view of the artist’s father, once a member of the NSA, the project interweaves personal experience with historical events.
© » KADIST
Yang Zhenzhong
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
© » KADIST
Zhang Peili
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
© » KADIST
Xiaoyun Chen
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Jianwei Wang
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.
© » KADIST
Hu Yun
This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas.
© » KADIST
Tsang Kin-Wah
The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.
© » KADIST
Xiaoyun Chen
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.
© » KADIST
Xiaoyun Chen
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.
© » KADIST
Xiaoyun Chen
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.
© » KADIST
Xiaoyun Chen
In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope.
© » KADIST
Li Ran
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
© » KADIST
Qing Zhang
603 Football Field presents a soccer game played inside a small student apartment in Shanghai. Installed like monitors fed by surveillance cameras, the videos present a voyeuristic entry into a private space, where two teams of men are scurrying around a bed, a desk, and some shelves in to score a goal, represented by a kitchen at one end and bathroom at the other. The game is furnished with complete uniforms, a referee, and a midfield line.
© » KADIST
Li Ming
In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.
© » KADIST
Jiang Zhi
5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration. The main video features two dancers intertwining, caressing in trancelike movements, with intimacy eventually leading to scarring and bleeding. Towards the end, the trace of bodily movements and fluids crescendo in an image of a skull in a synthesis of performance, painting and theater.
© » KADIST
Jiang Pengyi
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.
© » KADIST
Cao Fei
Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces. Although the damage is obvious, as the camera navigates across the elaborate, handmade dioramas, the inhabitants of La Town carry on with their activities and the normality of everyday life pervades. As the film progresses, the latent chaos and violence begin to emanate from every corner of the miniature city: a bloody briefcase left on the ground, a kidnapping scene, an axe murderer on the loose, a ferocious man-eating octopus—all rendering the darkness of this new post-apocalyptic world order.
© » KADIST
Li Liao
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
© » KADIST
Lu Chunsheng
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory. Using long shots and atypical settings, Lu Chunsheng enigmatically refers to a distant history while conveying the sense of dislocation wrought by successive stages of modernization. The combination of elaborate landscape shots from the suburbs of Shanghai and Lu’s signature style of spare and minimally crafted acting offers a surreal view of human behavior in spaces marked by the hulking remnants of China’s extraordinary development.
© » KADIST
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
© » KADIST
Pak Sheung Chuen
Drawing & Print (Drawing & Print)
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement. These drawings were created during the trial of political activists pursued by the government that the artist would regularly attend. During the tribunal, the artist would let his pen slide freely across his notebook, replicating the automatic drawing techniques of the surrealists.
© » KADIST
Cao Fei
Diversionist is part of the Cosplayers Series from 2004. In Cosplayers Cao Fei depicts the popularity among Asian youths of “cosplay” in which daily life is merged with images of video games and popular films. For many, this virtual reality is an outlet to “transcend” the paradox of a developing society in which the pleasures of consumption and depression of alienation go hand-in-hand.
© » KADIST
Pak Sheung Chuen
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials. One of the nine parts of this work is Page 22 (Half Folded Library) , a site-specific installation for which Pak covertly folded dog-ears on page 22 of every second book (a total of approximately 15,500 books) in the 58th Street Branch Library in Manhattan. By claiming it as a “solo exhibition,” Pak intentionally turned a public institution into a private and personal museum where his works are more or less a “permanent collection.” Being open-ended as far as further interpretation (or not) by readers who encounter the folded pages, the project tests the political and social potential of personal gestures in the public realm.
© » KADIST
Kan Xuan
In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups. These highly polished and aestheticized images create a poetic visual flow. However, in front of each object lies a coin of different value—two yuan, one pound, one euro, one dollar—that silently reveals the material value of the household supplies.
© » KADIST
Sun Xun
Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards.
© » KADIST
Lin Yilin
All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments.
Gan Chin Lee
Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Xiaoyun Chen
- location: Hangzhou, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Zhang Kechun
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Chen Chieh-Jen
- location: Taipei, Taiwan
- year born: 1960
- gender: male
- nationality: Chinese
- home town: Taoyuan, Taiwan
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Sergio De La Torre
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
Li Ran
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
Pu Yingwei
Working as an artist, writer and curator, Pu Yingwei’s practice addresses key issues of our contemporary world linked to collective memory, personal history, utopia, identity, and geopolitics...
Risham Syed
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Hung-Chin Peng
There is a palpable urgency in the work of Taiwan-based Peng Hung-Chih, who uses video, sculpture, installation, and painting as means to criticize society...
Huang Xiaopeng
Huang Xiaopeng is a video and installation artist...
Oliver Laric
- location: Berlin, Germany
- year born: 1981
- gender: male
- nationality: Austrian
- home town: Innsbruck, Austria
Mimian Hsu Chen
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities...
Lam Tung Pang
Lam Tung Pang uses both traditional and non-traditional Chinese ink techniques and materials for his landscapes, referencing notions of collective memory that relate to specific sites...
Yangjiang Group
Zheng Guogu founded the artistic group Yangjiang Group in 2002 with Chen Zaiyan (b...
Tomoko Yoneda
- location: London, United Kingdom
- year born: 1965
- gender: male
- nationality: Japanese
- home town: Akashi-city, Japan
Hao Liang
The work of Hao Liang reimagines and explores the sublime of contemporary ecological landscapes...
Wang Taocheng
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Musquiqui Chihying
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Luka Yuanyuan Yang
Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...
Virlani Hallberg
Virlani Hallberg is a video and photographic artist living and working in Berlin...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/11/2024)
Chinese woman, unhappy over 30-year arranged marriage, writes viral poems of love and resignation | South China Morning Post Advertisement Advertisement China society + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more 13:58 Love, freedom and resignation: the chronicles of a Chinese village poet Love, freedom and resignation: the chronicles of a Chinese village poet Lifestyle Family & Relationships Video | Chinese woman, unhappy over 30-year arranged marriage, writes viral poems of love and resignation Han Shimei, who lives in a rural community in China’s Henan province, has been trapped in an unhappy marriage for 30 years Her poems about life and longing for love became a sensation after posting them on video-sharing app Kuaishou China society + FOLLOW Thomas Yau in Shanghai + FOLLOW Published: 11:00am, 11 Feb, 2024 Why you can trust SCMP Han Shimei is a 52-year-old woman living in a rural community in China’s central province of Henan...
© » THE GUARDIAN
about 11 months ago (02/11/2024)
The big picture: Bert Hardy’s portrait of striking Chinese seamen in 1940s Liverpool | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation A group of men in a Chinese hostel in Liverpool, May 1942...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/11/2024)
Private Chinese art museum makes a comeback, 2 years after sponsor’s pull-out left it on life support | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A preview of the auction for Guangdong Times Museum in January, held to raise funds for its relaunch...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/09/2024)
Chinese New Year red packets: everything you need to know about giving and receiving lai see, from who and when to how much | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The Lunar New Year tradition of giving red packets (lai see in Cantonese) dates back centuries, and was originally meant to ward off evil spirits...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/08/2024)
Different Mahjong versions, from the classical Chinese game to American mahjong, with its joker tiles, and Japanese riichi | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more There are many variations of mahjong played around the world, with different rules and scoring systems and in some, unique tiles...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/07/2024)
Ma Yansong is arguably China’s most globally prominent architect, with his studio, MAD Architects, behind many eye-catching projects...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/07/2024)
All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/06/2024)
Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career | South China Morning Post Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career Profile Nick Tsao talks about the Foster + Partners internship that led to him becoming an architect, learning the art of paper cutting and promoting Hong Kong culture Kate Whitehead + FOLLOW Published: 7:15am, 7 Feb, 2024 Why you can trust SCMP My parents were both born in Hong Kong and went to boarding school in the UK, where they met while at university...
© » SOUTH CHINA MORNING POST
about 11 months ago (02/01/2024)
Opinion | This Chinese ballet pushing Communist propaganda may seem ironic – but it’s incredible | South China Morning Post Advertisement Advertisement Dancers from the National Ballet of China perform “The Red Detachment of Women” at the Hong Kong Cultural Centre in January...
© » SOUTH CHINA MORNING POST
about 11 months ago (01/29/2024)
Pianist Lang Lang’s concert at Hong Kong Disneyland ‘a dream come true’ for Chinese keyboard virtuoso | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Pianist Lang Lang performs on the stage of the Castle of Magical Dreams at Hong Kong Disneyland on January 27, 2024...
© » SOUTH CHINA MORNING POST
about 11 months ago (01/29/2024)
She photographs him naked or scantily clad in submissive poses...
© » SOUTH CHINA MORNING POST
about 11 months ago (01/25/2024)
Malaysia-born, Grammy Award-winning jazz bassist Linda May Han Oh talks about the influence of the Red Hot Chili Peppers, using her Chinese name professionally and touring with her son....
© » LONDONIST
about 12 months ago (01/10/2024)
Where To Celebrate Lunar New Year And Chinese New Year 2024 In London | Londonist Where To Celebrate Lunar New Year And Chinese New Year 2024 In London By Londonist Londonist Where To Celebrate Lunar New Year And Chinese New Year 2024 In London The Chinese New Year Parade wends through the streets of central London on 11 February 2024...
© » 1854 PHOTOGRAPHY
about 13 months ago (12/18/2023)
The Jimei × Arles festival is a feast – will it boost Chinese photography for good? - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Operating room party (Grand), 2022, from the series Baby’s Baby © Wu MeiChi Now in its ninth year, the festival brings works from Les Rencontres d’Arles alongside its own cutting-edge programme...
© » SOUTH CHINA MORNING POST
about 13 months ago (12/15/2023)
Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...
© » SOUTH CHINA MORNING POST
about 13 months ago (12/07/2023)
Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...
© » SOUTH CHINA MORNING POST
about 14 months ago (11/19/2023)
More contemporary Korean books are being translated into Chinese as novels deal with social issues that chime with fiction fans in China...
© » SOUTH CHINA MORNING POST
about 14 months ago (11/19/2023)
China lacked a national flag until the Qing dynasty launched its Yellow Dragon standard...
© » KUMI CONTEMPORARY JAPANESE ART
about 24 months ago (01/20/2023)
We would like to wish all those celebrating the New Year a wonderful time and to mark this occasion we are offering 10% off all red Flower Balls...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
We spoke with collector Jason Li about the David Shrigley that never fails to cheer him up, and the artists on his radar....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Swiss businessman Uli Sigg is the most important collector of Chinese contemporary art...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Shanghai is mainland China’s biggest art hub, and the new branch of the UCCA Centre for Contemporary Art, UCCA Edge, will celebrate the evolution of the city’s role....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
New study, released today, covers 40-year history of the country's market and reveals many private art museums run at a loss...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Che Xuanqiao, vice-president of the furniture and shopping mall empire her father founded, is a dedicated art collector...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The collection, which includes works by Zhang Xiaogang, Fang Lijun, and Liu Wei are part of an upcoming private sale at Sotheby’s Hong Kong auctions....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Collector Qiao Zhibing's Tank Shanghai Museum Opens on West Bund Waterfront - via The Art Newspaper...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Swiss Collector Uli Sigg on Why Even a Less Free Hong Kong Remains the Best Home for His Peerless Chinese Art Collection - via artnet news...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Chinese Collector Yan Du on Her Mission to Support the Greater Asian Art Ecosystem, and the Young Artists Sheâs Watching Now - via artnet news...
© » RANDIAN ART MARKET
about 50 months ago (11/14/2020)
British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper...
-
-
2000-2009
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Xiaoyun Chen
2006State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Qing Zhang
2006603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Andrei Monastyrski
2006The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines...
Ruijun Shen
2006In Seven Deadly Sins (2006), Shen utilizes abstraction to produce complex topographies of color that evoke associations with violently tumultuous landscapes...
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Jiang Pengyi
2008Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Sergio De La Torre
2008Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Christian Jankowski
2008In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
Hung-Chin Peng
2008In Excerpts from the Analects of Confucius , Peng Hung-Chih explores the relationship between Confucianism and religion...
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
-
2010-2019
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Euan Macdonald
2010The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Sergio De La Torre
2011This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Huang Xiaopeng
2011Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Zhang Kechun
2011Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Yangjiang Group
Drawing & Print
2012(Drawing & Print) One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal...
Virlani Hallberg
2012In collaboration with psychoanalyst and cultural theorist Leon Tan, Receding Triangular Square explores traditional Chinese and Taiwanese modalities of psychological healing as alternatives to dominant Western psychiatric and therapeutic practices...
Oliver Laric
2012Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Chia-Wei Hsu
2012Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan...
Zhang Kechun
2012Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Lam Tung Pang
Drawing & Print
2013(Drawing & Print) Lam Tung Pang created Sketches from train ride Chicago to San Francisco during his travels through the United States researching American curatorial strategies for representing traditional Chinese painting in museums and cultural institutions...
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Mimian Hsu Chen
2014In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Tomoko Kikuchi
2014The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Liu Chuang
2014Categorized as low-level literature, a “Love Stories” book is a romantic popular fiction of proletariat China, read mainly by teenagers, students, and young workers...
Samson Young
2014In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year...
Li Binyuan
2014Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...
Miao Ying
2016As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Wingyee Wu, Lap-See Lam
2018Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Gan Chin Lee
Drawing & Print
2019(Drawing & Print) In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Tenzing Rigdol
2019Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
Musquiqui Chihying
2019The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
Andrew Thomas Huang
2019Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...
Musquiqui Chihying and Gregor Kasper
2019Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
Luka Yuanyuan Yang
2019Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian...
Hana Miletic
2019Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
He Xiangyu
2019He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
-
2020-2029
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
Zhang Kechun
2020Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Risham Syed
2022Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Köken Ergun and Tashi Lama
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
