Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible . Other well known works by Ramirez feature the movement and endless symbolism of the sea—like the simultaneous engagement and retreat of the tide—but La Memoria Verde takes the land, plant life, and its human inhabitants as its subject. The film begins with a soft, green, algae-like image that waxes and wanes in focus, then gives way to swaying treetops blowing in a soft wind.
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation. In a contemporary Indian society beholden by strongmen, Abidi uses Sutar’s studio to fictionalize a sculptor producing commemorative works for populist, preening figures, surrounded by the likenesses of idolized politicians of the post-colony. Abidi’s video presents one such aspirational bureaucrat, trailed by a cadre of lackeys who fawn over the varying statues that are laboriously carted out for his approval.
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez. In the video, Suarez returns home from prison and survives a massacre that takes place at his home in Bolivia. Told in four chapters, the story is inspired by John Ford’s American Western classic film The Searchers (1956), this work similarly focuses on the politicized atmosphere of Bolivian history, searching for cues of race and alienation.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Drawing & Print (Drawing & Print)
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail. These works epitomize the idea of perpetual movement and migration while carrying a deep personal meaning in the creative process, as the artist’s father himself, still living in Chile, mends and sends the sails to his son, living in Europe. The reversed position of the sail recalls both the shape of South America itself and the Eurocentric view that in the Southern Hemisphere, everything is “upside-down.” The stitches themselves create an illusion of an alternative political geography, and the framed-cuts impose a cartographic grid.
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris. If Yto Barrada was initially interested in the architectural heritage of the city, today the core of her research focuses on risks around landscape and its heritage. The iris, found bordering the city, carries the name of the city, and is an emblem of Tangier.
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.
The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears. These images suggest that seemingly mobilized societies can actually produce more fear and myths, and that no real freedom is ensured. Instead of facilitating the free circulation of ideas, “advanced” political and technological systems often generate more cultural clichés, wars, and terror.
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe. They become like abstract paintings that recall Modernist formal experimentation. They are somehow symptomatic of the circulation of goods and people that is made to sound so abstract.
In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall. Its severed tip dangles from the end of the blade by a string, floating just above the gallery floor.
Drawing & Print (Drawing & Print)
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place. Shot in Uyuni, Bolivia, the film depcits world’s largest salt flat, a site that sits in a mountainous region at over twelve thousand feet above sea level. Ramirez’s work is deeply invested in the loss of regional identity, and the anachronistic dress of his “modern-day shaman” in the film is meant to reconcile the historical and cultural gaps between tribal traditions of a specific time and place and the all-too-prevalent homogeneity brought on by advanced capitalism.
In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope.
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.
Drawing & Print (Drawing & Print)
If Only God Had Invented Coca Cola Sooner! Or, The Death of My Pet Monkey
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution.
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality.
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...
The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...
Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Prabhakar Kamble is an artist, curator, and cultural activist...
Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...
Kaoru Arima experiments with painting in order to discover new expressive forms...
Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Maayan Amir and Ruti Sela, two young Israeli women artists work collaboratively or individually by project...
Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...
Benvenuto Chavajay’s body of work includes sculpture, interventions into objects, installation, performance, and painting...
Ha Tae-Bum (b...
Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...
Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...
Artist Erin Jane Nelson’s practice is grounded in photography sourced from her personal archive of found and original images...
Karan Shrestha’s practice portrays the social tensions and historical complexities embodied in the social fabric of Nepal...
On Sung Hwa Kim: Today’s Yesterday, Yesterday’s Tomorrow at Harper's Chelsea 512 advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 On Sung Hwa Kim: Today’s Yesterday, Yesterday’s Tomorrow at Harper's Chelsea 512 Installation view...
Nikita Teryoshin goes into the backroom of war - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from the series Nothing Personal – The Back Office of War by Nikita Teryoshin Shot in arms fairs around the world over the last eight years, Nikita Teryoshin’s Nothing Personal reveals the chilling business of conflict In a conflict-ridden world, weapons are instruments of both war and politics...
8 Art Books to Read This February Skip to content Image from Søren Solkær's Black Sun series in Starling (2023) (image courtesy Edition Circle) This month, we’re turning to books that spark questions and crack open new possibilities, with digital culture on our minds as always, and photography looming large as a tool for both oppression and self-determination...
Russia to Sit Out Sixtieth Venice Biennale – Artforum Read Next: FRIEZE ANNOUNCES PARTICIPANTS IN 2024 NEW YORK EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Following football fans on the streets of Bamako - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Émile-Samory Fofana Émile-Samory Fofana’s Champions League Koulikoro traces the influence of European clubs on African fans – and their own aspirations beyond the pitch In 2018, French-Malian photographer Émile-Samory Fofana could be found on a roof in Bamako, camera in hand...
In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...
Ancient Saint Hilarion Monastry in the Gaza Strip gains enhanced protection from Unesco Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Ancient Saint Hilarion Monastry in the Gaza Strip gains enhanced protection from Unesco The archaelogical site, which dates back to the fourth century, has reportedly sustained damage during the ongoing Israel-Hamas war Sarvy Geranpayeh 18 December 2023 Share A view of Saint Hilarion Monastery before the damage caused by the current conflict Photo: Ahmed Zakot / SOPA Images/Sipa USA Unesco has granted provisional enhanced protection to Saint Hilarion Monastery in the Gaza Strip following reports that it has sustained damage during the ongoing Israel-Hamas war...
Yuan Goang-Ming to Represent Taiwan at the 60th Venice Biennale With “Everyday War” Skip to content Yuan Goang-Ming, “Everyday War” (expected in 2024), still frame from video (© Yuan Goang-Ming, image courtesy the artist) The Taipei Fine Arts Museum (TFAM) , artist Yuan Goang-Ming, and curator Abby Chen are pleased to announce Everyday War , the exhibition representing Taiwan at the 60th Venice Biennale in 2024...
Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights The action, staged on International Human Rights Day, lasted 64 minutes in observance of the 64 days since the Israel-Hamas war began Hadani Ditmars 13 December 2023 Share The 10 December protest at the Canadian Museum for Human Rights Listen from Queers for Palestine - Winnipeg Palestinian solidarity groups, activists and community members marked International Human Rights Day on Sunday (10 December) by calling for an immediate ceasefire in Gaza and staging a mass “die-in”for 64 minutes at the Canadian Museum for Human Rights (CMHR) in Winnipeg...
Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Louvre To Hike Admission Price Ahead of 2024 Summer Olympics – ARTnews.com Skip to main content By Tessa Solomon Plus Icon Tessa Solomon Reporter, ARTnews View All December 11, 2023 2:57pm Tourists walk past the Louvre Pyramid, designed by Chinese architect Ieoh Ming Pei at the Louvre museum in central Paris on September 21, 2023...
Displaced by War, Sudanese Artists Fight to Keep Making Work Skip to content Without access to her digital camera, artist Arwa Ahmed uses her phone to keep a visual diary, documenting the war that has displaced her and her family from Khartoum...
Activists Call for Ceasefire in Gaza in Art Basel Miami Beach Protest – ARTnews.com Skip to main content By Alexandra Martinez Plus Icon Alexandra Martinez View All December 9, 2023 11:15am Protestors from the South Florida Coalition for Palestine demonstrate for a ceasefire in the Israel-Hamas conflict at Art Basel Miami Beach at the Miami Beach Convention Center...
Profit, power and TV personalities: Photographing the community in conflict with Trump - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Construction and damming of Blairton Burn causing course to collapse between third green and fourth tee; January 2013...
Aesthetica Magazine - Layers of Detail Layers of Detail Photographer An-My Lê (b...
Nevada lithium mine threatens cultural sites Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Nevada lithium mine threatens cultural sites The US federal government’s manoeuvres to boost domestic lithium extraction are raising fears from tribal communities about archaeological and environmental impacts Gabriella Angeleti 8 December 2023 Share Members of the Fort McDermitt Paiute-Shoshone tribe gather to oppose the Thacker Pass lithium mine Photo: Carolyn Cole/Los Angeles Times via Getty Images The construction of an open-pit lithium mine in northern Nevada, which is scheduled to begin full-fledged operation in 2026, will have irreversible effects on the environment and cultural heritage sites in the region, according to archaeologists, environmentalists and Native American communities who oppose the project...
Cold feet? Why fewer investors are guaranteeing art at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Market Eye comment Cold feet? Why fewer investors are guaranteeing art at auction According to a recent report, guarantees are down—what's happened?...
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...
Arctic Dreams - Photographs by Mario Heller | Essay by Erik Vroons | LensCulture Feature Arctic Dreams A photo essay about the small community living in the isolated town of Barentsburg on a Norwegian island in the far north — a location so remote it can only be reached by helicopter, snowmobile or ship...
Frick Pittsburgh museum quietly postpones Islamic art exhibition as Israel-Hamas war continues | TribLIVE.com Israel-Palestine Frick Pittsburgh museum quietly postpones Islamic art exhibition as Israel-Hamas war continues Ryan Deto Sunday, Oct...
Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...
Opposition: Cycles of love, forces of change | ArtsEquator Skip to content Faezah Zulkifli dissects Opposition - a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit...
Art | The Independent Latest features and reviews Features John Lurie: ‘I want to teach people about living in the moment’ As the musician and artist’s cult TV series ‘Painting With John’ returns, he tells Kevin E G Perry about going viral in Russia, New York in the Eighties and how he hopes to inspire his viewers with his unorthodox art show Reviews Francis Bacon’s Man and Beast feels raw and challenging Culture Mark Hudson Life Between Islands is joyous and thought-provoking Culture Mark Hudson Dark energy meets technical mastery in Royal Academy’s Constable show Reviews Anicka Yi’s In Love With The World has overweening intentions Culture Mark Hudson Poussin and the Dance shows a youthful look at the painter Reviews Turner Prize: Art comes second to the happy-clappy spirit of lockdown Features Big Bird tweeting about his Covid vaccine isn’t propaganda Reviews Adrien Brody left the Roys in dire straits in episode 4 of Succession Reviews Mixing It Up: Painting Today is a big, punchy show with an upbeat vibe Long Reads Kevin Childs What can the Sleeping Hermaphroditus teach us about love? Features ‘Traces of this tumult’: The precious artworks looted by the Nazis News News ‘Imagine how proud I am’: Madonna shares son Rocco’s art on Instagram News The artists taking a stand against Russia in the Ukraine conflict News Robbie Williams sells two Banksy pieces for millions at auction News National Portrait Gallery and BP end 30-year partnership News Bryan Cranston says he has confronted his ‘white blindness’ News Ai Weiwei says ‘it’s obvious’ Covid didn’t come ‘from an animal’ News Remembering Brian Aris’s iconic photo of David Bowie in a Mugler suit...
No More No Less | Exhibition | IMA ONLINE No More No Less 13 February 2020 - 21 March 2020 IMA gallery TAGS IMA gallery Kensuke Koike Thomas Sauvin Share In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student...
Critics Live: A Post-Show Response to Displaced Persons' Welcome Dinner | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Checkpoint Theatre May 25, 2019 Below is a summary of Critics Live! for Displaced Persons’ Welcome Dinner by Checkpoint Theatre...
Weekly Picks: Malaysia (22-28 Apr 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 For events in Penang this week, go to the Penang Free Sheet ...
27 Artists Grapple with the Fractious Politics of Malaysia (via Hyperallergic) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 26, 2018 KUALA LUMPUR, Malaysia — Petani Semasa is a significant exhibition on contemporary art about the Patani region of Southern Thailand, that privileges local artists...
Peter van Agtmael | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • [ share: facebook | twitter | linkedin | email ] RELATED ARTICLES WAR, and the Declaration of Human Rights 75 year Anniversary Matthew Hong / December 10, 2023 Recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family.....
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
According to Viktor Kochetov, Meeting with the awaited guest / Yellow Bows is the first hand-colored print he ever made...
O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...
In Beyond Guilt the two artists create a portrait of our generation in three parts...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
A young settler girl, dressed in a bridal outfit for Purim, stands in a street in Hebron waiting, perhaps for her parents or other children to join her...
The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Drawing & Print
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Bad innovation in the name of protection is not a ready-made, but was made entirely by the artist, representing a stroller...
Typical Weapons is a series of sculptural interventions where Alejandro Marre transforms traditional Guatemalan craft objects usually sold as souvenirs into weapons...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
This work presents the image of an immolated monk engraved on a baseball bat...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter...
Jardín (2013) refers to environmental destruction, specifically the preponderance of disposable plastics, as well as Medellín’s long history of dangerous conflict; it was once considered the most violent city in the world because of the drug trafficking there...
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Drawing & Print
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Drawing & Print
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder...
Following her family’s political exile to Australia in 1990, Havini began to document her journey’s home to the north of Buka Island, in the Autonomous Region of Bougainville...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
This selection of untitled photographs taken between 2014 and 2019 focus on Joanna Piotrowska’s long-term preoccupation with issues of domesticity and containment...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Shot a few months before the USA and Cuba restored diplomatic relations in 2015, The New Man and My Father looks into the quiet aftermath of one family’s individual experience of the Cuban Revolution (1953-1959)...
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Drawing & Print
A rich and isolated region, El Catatumbo is located near the border with Venezuela...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...
Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms...
Drawing & Print
East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
La Forma del Presente (The Shape of Now) by Manuel Correa follows a group of survivors of Colombia’s 50-year long armed conflict facing the impossible task of agreeing on a shared past...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession...
In Erin Jane Nelson’s 2019 body of work Av, panels are covered in collaged images and shellacked with resin or epoxy: photographs of plants intermingle with pictures of men and women engaging in various spiritual activities, cartoons of mothers and their children, or black and white images of window panes...
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei...
Manuel Correa’s documentary Four Hundred Unquiet Graves is a powerful and vulnerable visual essay about the descendants of those who were disappeared during the Spanish Civil War from 1936–1939...
Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist...
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES...
Maya Watanabe’s video installation Bullet unfolds within the context of the Peruvian justice and forensic systems...
The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...