40 min
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention. The mirror used to build the model of the mountain is highly symbolic and often appears in the work of the artist. In literature and art, it represents the transition between reality and the dream world composed of projections and desires. Chang’s work focuses on the reality and fiction inherent in an existing space in both its concrete embodiment and its myth. She explores the idea of a real journey to an imaginary place. This work exposes contradictions: the search for a city’s roots and traditions leads to a falsification of its history, and cultural conflicts inside of touristic and financial goals.
When she arrived in New York in the mid 1990s, Patty Chang became involved in the performance scene. Staging her own body in intensely difficult situations enables her to denounce problems she observes in contemporary society such as various excessive behaviors like eating disorders, as well as the sex trade, gender and cultural stereotypes, identity issues. Soon, she also used video and photography (like the Contortion series 2000-2002) to document her actions and extend her practice. By appropriating cinematic conventions, popular culture, pornography, literature and translation, Chang ceaselessly explores and subverts historical and current relations between East and West. Patty Chang was born in San Leandro, California, in 1972. She lives and works in New York.
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...