Materia en Reposo II (Brasil)

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

"8888 Uprising": Thirty Years Later | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 1, 2018 By Sharaad Kuttan (650 words, four-minute read) Despite the flash of contemporary retail – some garish, some tasteful – Yangon’s old-world charms prevail...

Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Seven Views of "Seven Views of Redhill" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of The Arts House September 23, 2019 By Nabilah Said (1,670 words, 7-minute read) We are in a rehearsal for Seven Views of Redhill ...

One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal...

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...