Collectors’ Favorites
1994 - Film & Video (Film & Video)
Jennifer Bornstein
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.
Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.
Colors:
Related works featuring themes of: » Bedrooms and Bathrooms, » Color Photography, » Contemporary Conceptualism, » Contemporary Participation, » American
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Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
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Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
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Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
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Jao Chia-En
200930 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...
![de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands]](https://kadist.org/wp-content/uploads/2022/08/pivo_montanhas_estatico01_AF3-scaled.jpg)
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de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands] , curated by Yina Jiménez Suriel With Juno B + Jonas Van, biarittzzz, Dineo Seshee Bopape, Elena Damiani, Vanessa da Silva, Dalissa Montes De Oca, Jes Fan, Duto Hardono, Taloi Havini, Nadia Huggins, Julius Koller, LeoRD, Laryssa Machada, Arquivo Mangue, loren minzú, Beatriz Santiago Muñoz, António Ole, Karthik Pandian, Gilson Plano, Noara Quintana, Madeline Jiménez Santil, Cauleen Smith, Kiran Subbaiah, Thaís Espaillat Ureña This group exhibition at Pivô presents works from the KADIST collection and works by artists coming from different contexts in the American continent and Brazil that reflect on the processes of emancipation for human beings’ perceptual systems...
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Colter Jacobsen
2010The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Related artist(s) to: Jennifer Bornstein » Loris Gréaud, » San Francisco, » Andrea Bowers, » Ann Hatch, » Bill Timken, » California College, » Dan Fox, » John Baldessari, » Keren Cytter, » Lara Favaretto
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Loris Gréaud
2004This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...
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Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
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John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
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Cyprien Tokoudagba
In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...
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Miguel Angel Rojas
2011In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....