5 minutes
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine. Punctuated by staccato sounds and fast camerawork, the protagonists’ exaggerated expressions and emphatic gestures create a high level of tension. For the artist, repetitions in the video do not attempt to level notion of “difference.” Rather repetition is antithetical to the notion of novelty within the discourse of reality, modernity, and media. As such, Same Old Crowd recalls the artists’ earlier video Beyond Geography and can also be seen as a type of anthropological theater intersecting with performance studies.
Li Ran produces video, installation, and performance-based works that examine various states of parody and simulacra in the digital world. Through performative narrative, reproduction, mimicry, and satire, Li Ran’s work straddles the line between fact and fiction in playful explorations of the meaning and making of truth. Li describes his own artwork with the language of architecture: that if an artwork is like a room, its meaning should be open and porous, not forced against a unilateral interpretation. This virtual-minded analogy is fitting, as Li’s practice increasingly hinges on the exploration of the non-reality within reality.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...