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Resurgimiento [Resurgence]
© » KADIST

Wynnie Mynerva Mendoza Ortiz

Painting (Painting)

Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension. Their paintings are thresholds where body parts proliferate beyond names and labels, dissolving and intermingling gender marks, organs, and prostheses. Resurgimiento [Resurgence] was produced in the aftermath of their fifth solo show Closing to Open (Galería Ginsberg, Lima, 2021), in which Mynerva addressed their experience of going through a vaginal surgical procedure to help them feel more aligned with their gender identity.

Dancing Free I
© » KADIST

Jarrett Key

Painting (Painting)

Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.

A Chrysalis No. 2
© » KADIST

Yétúndé Olagbaju

Sculpture (Sculpture)

Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children. After being referred to as a Mammy during their undergraduate degree, Olagbaju began exploring the figure in 2016 as a means of healing. Olagbaju’s first presentation on this topic was a book called Black Collectibles: Mammy and Friends (1997) that sells tchotchkes—like salt and pepper shakers or figurines—of the racist mammy image taking different forms, from which Olagbaju exorcised the Mammy images by carefully cutting them out of the book with a razor blade.

Bodily Study of Unthinking Groups
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil. Harrison’s forged archeological artifact compresses two cultural contexts together: that of Africa, represented by the bleached zebra skull; and that of Detroit, the birthplace of the American car. Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others.

Megan and Hazel Sue at Creekmore House
© » KADIST

Carolyn Drake

Photography (Photography)

Megan and Hazel Sue at Creekmore House by Carolyn Drake is from a series of works titled Knit Club . For this project, Drake collaborated with an enigmatic group of women in Mississippi who loosely call themselves “Knit Club”. The subject matter of this photograph centers on the relationship between the girl and doll in the painting, and the woman and girl in the photograph.

Breathspace
© » KADIST

Eduardo Navarro

Installation (Installation)

The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK. In lockdown, Navarro started drawing every day and this practice “relocated the studio to inside his head”. This meditative activity was inspired by quantum physics, according to which information in the universe cannot be created nor ever destroyed.

Pink Cloud Awaits
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

Inside the Studio
© » KADIST

Neïl Beloufa

Film & Video (Film & Video)

The short video Inside the Studio by Neïl Beloufa follows a humorous Toy Story -esque conversation between the artworks inside the artist’s studio. In the personless space, two animated paintings express their hopes for their future, contemplating the beverage options at the exhibition opening at which they intend to be presented, while a third painting forgoes such superficial conversation to consider their significance and purpose in the context of the art institution and the public’s perception. Interrupting their conversation, the artworks become the backdrop for an in-studio interview with the artist and a film crew.

I Can Only Dance to One Song
© » KADIST

Arash Fayez

Film & Video (Film & Video)

The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing. The video begins with a man contently sings along to a song while getting his hair cut at the barber shop; a woman dances emotively to another song in an empty room full of desks, maybe a school or place of religious study; in a food market, a cashier nods his head to music while tallying customers’ orders and then later moves through the aisles of his store passionately dancing and mouthing the lyrics as if he were in a music video. Expanding on the music video aesthetic, the film then cuts to a group of young men perched in front of a graffitied wall, cheerfully dancing and rapping along with the song playing from their stereo.

Tell me everything you saw, and what you think it means
© » KADIST

Sin Wai Kin

Film & Video (Film & Video)

The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Pendulum
© » KADIST

Maya Watanabe

Film & Video (Film & Video)

Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera. They individually deliver sacred lines from the Torah, New Testament, and Qur’an in their representative languages: Old Hebrew, Greek, and Old Arabic. As the camera slowly rotates around the trio, the men begin to perform traditional manifestations of each religious cult: Torah Cantillations, Gregorian Chants, and tilawat of Al-Qur’an.

Jackie and Chloe
© » KADIST

Carolyn Drake

Photography (Photography)

Jackie and Chloe by Carolyn Drake is from a series of works titled Knit Club . For this project, Drake collaborated with an enigmatic group of women in Mississippi who loosely call themselves “Knit Club”. There is a strangeness to this photograph; details of facial identity are withheld.

Bimba y Delfin
© » KADIST

Pierre Gonnord

Photography (Photography)

Bimba y Delfin is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.

Deluminator
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

It's Not Easy Being Seen 2
© » KADIST

Farah Al Qasimi

Photography (Photography)

Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography. It’s Not Easy Being Seen 2 is from a series of photographs depicting women who are otherwise unnoticed by the public. In this work, her subject is obscured by a bright, green fabric (also referred to as a morph suit) that uses the concept of green screen technology to conceal identity.

Takasago
© » KADIST

Chia-Wei Hsu

Film & Video (Film & Video)

The word Takasago alludes to several things at once. Takasago is the name of a multi-billion dollar Japanese corporation, previously situated in Taiwan pre-World War II. It is also a famous Japanese Noh play, the oldest extant form of performance in Japan, combining dance, costuming/masks, acting, and operatic chants.

Slow Sex
© » KADIST

Wong Ping

Drawing & Print (Drawing & Print)

This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.

The Calling
© » KADIST

Angelica Mesiti

Film & Video (Film & Video)

Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world. The three-channel work focuses on traditional whistling languages and shows the communities of the village of Kuskoy in Northern Turkey, the island of La Gomera in the Canary Islands, and the island of Evia, Greece, where such languages are all still in use. For these communities, whistling languages are in a process of transformation from their traditional use as tools for communication across vast lands into tourist attractions and cultural artifacts and are being taught to local school children.

Head in Hands
© » KADIST

Joe Biel

Drawing & Print (Drawing & Print)

Head in Hands by Joe Biel is part of a larger series of drawings made in connection with the book of short stories Navigating Ghosts by Annie Buckley. Biel’s small-scale black and white drawing features a torso holding their own head in their hands, though the expression on the bodiless face maintains a serene sensibility. The edges of the drawing around the figure’s neck and torso are softened so that the figure appears ghostly, as if the character is an illusion or dream.

Oil
© » KADIST

Sam Contis

Photography (Photography)

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Brine Lake (A New Body)
© » KADIST

Shen Xin

Film & Video (Film & Video)

Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.

Untitled
© » KADIST

Alicia Henry

Textile (Textile)

Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships. The artist probes societal differences and how these variations affect individual and group responses to themes of beauty, the body, and broader issues of identity. Untitled explores these themes and addresses the processes through which women navigate such issues.

Fauna
© » KADIST

Auriea Harvey

Sculpture (Sculpture)

Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical. Making use of old and new technologies, the work is a self-portrait. The sculpture features a soft and gentle human face made of 3D printed composite, sprouting from a clutter of clay and other materials.

3FACE #3449
© » KADIST

Ian Cheng

NFT (NFT)

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function. 3FACE positions the process of minting a generative NFT as a metaphor for personality development. While part of a series, because of the responsive coding, each NFT is unique and is informed by the contents of the owner’s wallet.

Doggy Love
© » KADIST

Wong Ping

Drawing & Print (Drawing & Print)

This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.

The Orbit
© » KADIST

Bo Wang

Film & Video (Film & Video)

The Orbit by Bo Wang is based on the story of Hu Na, a former professional tennis player who was known for defecting from the People’s Republic of China. While on tour in California for the 1982 Federation Cup with the China Federation Cup team, Hu Na fled her hotel room and sought refuge at a friend’s home on her second day in the United States. In April 1983, she requested political asylum on the basis that she had a well-founded fear of persecution because of repeatedly refusing to join the Communist Party of China’s tennis team.

Nakayama
© » KADIST

Pierre Gonnord

Photography (Photography)

Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.

The Fourth Notebook
© » KADIST

Sriwhana Spong

Film & Video (Film & Video)

The Fourth Notebook features a solo choreography by dancer Benjamin Ord. In an empty dance studio, Ord begins seated on his knees on the floor. He moves subtly with gentle strokes to the rhythm of a woman’s voice speaking short phrases in French.

Fig. 33. 9 Your Love is a King
© » KADIST

Yeni Mao

Sculpture (Sculpture)

Fig. 33. 9 Your Love is a King by Yeni Mao is a sculpture made of blackened steel, brass, glazed ceramic, and leather.

Wong Ping

Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works...

Karam Natour

Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Ian Cheng

The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Pierre Gonnord

Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Matthew Angelo Harrison

Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...

Lubaina Himid

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Karla Kaplun

Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...

Brian Tripp

Brian D...

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Baseera Khan

Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

Shen Xin

Shen Xin’s practice examines how emotion, judgment, and ethics are produced and articulated through individual and collective subjects...

Malik Nejmi

The practice of the French-Moroccan artist Malik Nejmi (b...

Michelle and Noel Keserwany

Michelle and Noël Keserwany compose and perform their own songs, as well as contribute to the illustrations and animations featured in the videos they produced...

Dindga McCannon

Among the many roles she identifies with, Dindga McCannon is a multimedia visual artist, teacher, author and writer/illustrator...

Sriwhana Spong

Indonesian-New Zealand artist Sriwhana Spong’s practice invests in notions of transition, memory, translation, and the relationship between public and private space, the intuitive and the cerebral, and the body and its surroundings...

Maryam Hoseini

Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...

Awol Erizku

A contemporary response to the historical motif of the still-life, Awol Erizku’s studio photography is brimming with color and symbolism...

Eduardo Navarro

Eduardo Navarro explores possible points of convergence between art and science, allocating special attention to the possibility of dialogue between natural forces and species...

Sinzo Aanza

Sinzo Aanza is a visual artist, poet, and playwright...

Sahana Ramakrishnan

Sahana Ramakrishnan creates images that are complicated, dissonant, and abject in ways that open the heart and mind...

Maya Watanabe

Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...

Shaun Leonardo

For the past decade Shaun Leonardo’s practice has been fully engaged in the politics of race, identity and pervasive male violence in sports...

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about 56 months ago (09/25/2019)

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about 69 months ago (09/08/2018)

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about 72 months ago (06/16/2018)

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about 87 months ago (03/01/2017)

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about 99 months ago (03/26/2016)

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about 99 months ago (03/11/2016)

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about 100 months ago (02/27/2016)

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about 107 months ago (07/11/2015)

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about 111 months ago (03/18/2015)

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about 116 months ago (10/21/2014)

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about 123 months ago (04/05/2014)

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about 130 months ago (09/03/2013)

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about 135 months ago (03/20/2013)

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about 136 months ago (03/06/2013)

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about 150 months ago (01/14/2012)

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about 160 months ago (03/07/2011)

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about 199 months ago (12/20/2007)

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about 223 months ago (01/10/2006)