Glaze (Savana)

2005

47.42H inches

Alexandre da Cunha

location: London, United Kingdom
year born: 1969
gender: male
nationality: Brazilian
home town: Rio de Janeiro, Brazil

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.


Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.


Colors:



Related works featuring themes of: » Brazil, » Concrete, » Political, » Assemblage, » Political Minimalism, » Abstract, » Abstract Sculpture, » Brazilian

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

2010

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...

Periquitos (Parakeets)
© » KADIST

Marepe

2007

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

Never Leave Home Without It
© » KADIST

Aaron Young

2007

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Untitled
© » KADIST

Fernanda Gomes

2013

For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Eu preciso estar seguro de você 1 (I need to be sure of you 1)
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

Iron Sorrows
© » KADIST

Alexis Smith

1990

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

Sirens
© » KADIST

Paul Kos

1977

Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey...

Untitled
© » KADIST

John McCracken

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Back to mother
© » KADIST

Zai Kuning

2014

Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...

De sino à sina (From Bell to Fate)
© » KADIST

Carla Zaccagnini

2018

De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...

Re: definition of architectural project 2
© » KADIST

Marcelo Cidade

2006

Marcelo Cidade interrogates the city, architecture and urban planning...

Higher Horse
© » KADIST

Kate Gilmore

2008

In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

Open Mind
© » KADIST

Yoan Capote

2007

Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...