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Third Realm Venice Series #2
© » KADIST

Jompet Kuswidananto

Installation (Installation)

Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there. Kuswidananto describes the nation as perpetually in an “in-between” state of transition. Thus he has developed the concept of a third reality, third space, or third body—an identity specifically for Indonesia that reflects its spatial realities and national character.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Glaze (Savana)
© » KADIST

Alexandre da Cunha

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

Painting (Painting)

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Los Mutantes
© » KADIST

Pedro Reyes

Installation (Installation)

Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.

Study for a Recycling Device
© » KADIST

Pedro Reyes

In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other.

Page 3085, The New World Political Map
© » KADIST

Hong Hao

Drawing & Print (Drawing & Print)

Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s. The series includes 37 prints to date, each of which resemble pages of an ancient open cartography book. In this series, the artist reflects on the authoritative influence of ancient books that shape dominant understandings of the world.

Extra Curriculum Political Science Class 7/1972
© » KADIST

Võ An Khánh

Photography (Photography)

In Extra Curriculum Political Science Class 7/1972 , a group of women walk bare-foot and single file towards Dat Mui Mangrove in Ca Mau Province to attend ‘political science class’. These women wear headdress to protect their identities because they are spies placed strategically in the South by the Viet Cong. These classes of the ‘National Liberation Front for Southern Vietnam’ took place in the mangrove swamp in makeshift wooden huts where they would learn more of the political points of view of their forces and the changes in military situations across the country.

Letters I Never Wrote: The Political Murders
© » KADIST

Jinoos Taghizadeh

Drawing & Print (Drawing & Print)

Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

Photography (Photography)

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.

2016 in Museums, Moneys, and Politics
© » KADIST

Andrea Fraser

Drawing & Print (Drawing & Print)

The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor. With this database as well as other types of information, the 900-page book presents a material representation of the scale of the cross over between cultural philanthropy and the financing of political campaigns in America. It also provides an unprecedented resource for discovering the political leaning of the museum sector.

Myth of Modernity
© » KADIST

Chulayarnnon Siriphol

Film & Video (Film & Video)

The single-channel video Myth of Modernity opens on historical representations of the universe in Thai Buddhist places of worship –pagodas, palaces and spirit houses. Denoting three cosmological worlds, the colored religious illustrations and ornate monuments are slowly replaced by images of anti-Yingluck protesters during the 2013-2014 Thai political crisis. Over the masses, a flying neon pyramid –the light sculpture Myth of Modernity – echoes the popular simplification of worship architecture into geometrical shapes.

Art, Property of Politics III, Closes Architecture
© » KADIST

Jonas Staal

Installation (Installation)

Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”. The paper, written by the second most important person of Geert Wilderds’ Freedom Party, concerns an ambitious model for a new prison that focuses on the reconditioning of prisoners by means of four phases. Staal’s work is developed through a book, a plan and a 3d virtual tour in the social imagery of a current minister of the State of the Netherlands.

Documentary o ritmo do n’gola ritmos (Rhythm of N’gola Rhythms)
© » KADIST

Antonio Ole

Film & Video (Film & Video)

Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence. It looks at the role of popular culture and labor strikes through the 40s and 50s following the band Ngola Ritmos who embarked upon a consciousness-raising mission with their pro-independence political music. Through both their clandestine activities and their music, the band is credited with aiding political mobilization take off in Angola.

And so it is 3,200.00
© » KADIST

Michael Armitage

Painting (Painting)

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message. The viewer is faced with the familiar image of political power seen in our homes on the television, yet this time located in a whimsical abstract landscape. The speaker appears as a shadow in front of a crowd that is responding to him by holding bubbles containing images of animals and plants.

Sound of Ice Melting
© » KADIST

Paul Kos

Installation (Installation)

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.

The American War
© » KADIST

Harrell Fletcher

Photography (Photography)

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.

Out of the Shadows II
© » KADIST

Willie Doherty

Photography (Photography)

“I focused on how the political and physical merged” analyzes Willie Doherty. Out of the Shadows II plunges us into a dark night lit by a few street lights in a deserted street where a car is parked in the Irish city of Derry. What is at stake is yet to be unearthed.

Character Witness
© » KADIST

Nicoline van Harskamp

Installation (Installation)

The work is a speech composed of excerpts from autobiographies of well-known political characters. From each book an excerpts that describes a childhood event and one that describes a political event or statement was selected. The former, in most cases, functions as an alibi or explanation of the latter.

Hummingbird
© » KADIST

Brian Tripp

Sculpture (Sculpture)

For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

Photography (Photography)

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city. This images reflect on a dystopian future of the country, perhaps drawing parallel with the political changes in Malaysia.

30 Proposals of Flag
© » KADIST

Jao Chia-En

Installation (Installation)

30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations. The artwork consists of 30 flags layered together and hanging from the ceiling. Each flag is illustrated with Jao’s rendition of a possible coat of arms derived from Taiwan’s economic and political history.

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

Drawing & Print (Drawing & Print)

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.

Dance Sticks
© » KADIST

Brian Tripp

Sculpture (Sculpture)

For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.

Family Portrait
© » KADIST

Akiq AW

Photography (Photography)

In the Family Portrait series, Akiq AW documents reliefs and statues in Jogja, Indonesia that present an image of the ideological nuclear family. Following Indonesia’s communal and political conflicts, and its economic collapse and social breakdown of the late 1950s to the mid-1960s, the second Indonesian President Suharto established the “New Order” regime. During this period, there were efforts to control the national birth rate through a programme called Keluarga Berencana (Family Planning).

Palabrarma (obreros palabreando)
© » KADIST

Cecilia Vicuña

Drawing & Print (Drawing & Print)

Palabrarma (obreros palabreando) by Cecilia Vicuña is a series of works in which the artist blends poetry, political commentary and graphic design. The title itself is a portmanteau that unites the words palabra (word) and arma (weapon) that speaks literally of the power of words through their poetic potential. A poet herself, Vicuña developed a long series of palabrarmas on diverse media that were often used as slogans in political demonstrations.

Akram Zaatari

Lim Sokchanlina

Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...

Marion Scemama, David Wojnarowicz

Marion Scemama is a French photographer and filmmaker...

Pedro Reyes

Alexandre da Cunha

Eric Baudelaire

Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...

Shilpa Gupta

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Agnieszka Kurant

Brian Tripp

Brian D...

Andrea Bowers

Nikita Kadan

Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...

Humberto Diaz

Context is everything when it comes to the work of Humberto Diaz...

Tina Modotti

Adrian Villar Rojas

Hong Hao

Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...

Chen Chieh-Jen

Runo Lagomarsino

Gao Mingyan

Gao Mingyan produces video based-works that examine the political and epistemological violence of our contemporary moment...

Jinoos Taghizadeh

Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran....

Yael Bartana

Mounira Al Solh

Mounira Al Solh’s art practice embraces inter alia drawing, painting, embroidery, performative gestures, video and video installations...

Carlos Motta

Carlos Motta’s is a multi-disciplinary artist whose work seeks to document the social conditions and political struggles of sexual, gender, and ethnic minority communities through a variety of variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia...

Andrea Fraser

Shahab Fotouhi

Shahab Fotouhi uses sculpture, video and photography to present moments of suspension, merging the playful and the serious...

Liu Ding

Liu Ding is an artist and a curator whose artistic and curatorial practice focuses on multiple viewpoints and modes of description, exploring a trajectory of discursive thoughts that connect the historical and the contemporary...

Clarisse Hahn

Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body...

Charwei Tsai

Heba Amin

Heba Amin is a multimedia artist who works with political themes and archival history, using film, photography, archival material, lecture performance and installation...

© » ANOTHER

about 8 months ago (02/12/2024)

Rudolf Nureyev: Rarely Seen Portraits of Ballet’s Original Enfant Terrible | AnOther Following Kim Jones’s Dior Autumn/Winter 2024 show, which drew inspiration from the exquisite style of Rudolf Nureyev, we take a closer look at Colin Jones’s photographs of the infamous ballet dancer February 08, 2024 Text Miss Rosen After getting his first taste of freedom in Paris while on tour with the Kirov Ballet in June 1961, 23-year-old Rudolph Nureyev faced down KGB operatives at Le Bourget Airport...

© » APERTURE

about 8 months ago (02/09/2024)

Following a brutal and ongoing coup in 2021, artists from the country attempt to make sense of a troubling new political reality....

© » ART21

about 9 months ago (01/25/2024)

Press Release: Art21 to Release First Film of 2024: “Lawrence Abu Hamdan: Politics of Listening” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

© » HYPERALLERGIC

about 10 months ago (12/17/2023)

Anselm’s Sweeping Vision Obscures the Political Skip to content Anselm , dir...

© » DAZED DIGITAL

about 10 months ago (12/12/2023)

The year in LGBTQ+ politics: is transphobia in its flop era? | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Life & Culture Dazed Review 2023 After a series of defeats and frustrations for the anti-trans movement, there’s hope that it may finally be running out of steam Text James Greig 12 December 2023 Trans Pride in London 2023 40 For the most part, 2023 has been a terrible year for anti-LGBTQ+ politics...

© » THEARTNEWSPER

about 10 months ago (12/09/2023)

Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...

© » FAD MAGAZINE

about 11 months ago (12/01/2023)

'Hold Me Now" explores the urgency of care-politics, healing and togetherness...

© » TWOCOATSOFPAINT

about 11 months ago (11/29/2023)

Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...

© » APERTURE

about 11 months ago (11/16/2023)

An expansive archive illustrates the role of women in shaping over a century of the country's political and public life....

© » ARTS EQUATOR

about 14 months ago (09/05/2023)

Artistic Freedom Report Thailand: Expansive and Politically Contentious | ArtsEquator Skip to content The key findings and analysis of artistic freedom in Thailand from the Southeast Asian Arts Censorship Database Project, 2010-2022...

© » FRANCE24

about 15 months ago (07/26/2023)

Pantsula, a South African dance, emerged in townships as a form of political repression - France 24 Skip to main content Pantsula, a South African dance, emerged in townships as a form of political repression Issued on: 26/07/2023 - 19:17 Modified: 01/08/2023 - 11:42 01:29 Video by: Camille NEDELEC Dance company Via Katlehong is keeping South Africa's pantsula heritage alive...

© » ARTS EQUATOR

about 23 months ago (11/28/2022)

Criticism and Tears: The Emotional is Political in the Marcos State | ArtsEquator Skip to content When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative...

© » ARTS EQUATOR

about 32 months ago (03/03/2022)

Witnessing is political: Picking off new shoots will not stop the spring | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 3, 2022 By Chu May Paing (1,532 words, 6-minute read) Witness (noun) 1 : attestation of a fact or event : testimony 2 : one that gives evidence specifically : one who testifies in a cause or before a judicial tribunal 3 : one asked to be present at a transaction so as to be able to testify to its having taken place 4 : one who has personal knowledge of something 5 : something serving as evidence or proof – Merriam-Webster Dictionary When I think about the word “witness” in English, I feel a sense of passivity: one being interpellated into seeing or being in the presence of an event unfolding in proximity of their own body (or mind)...

© » ARTS EQUATOR

about 32 months ago (03/01/2022)

Witnessing is political: Picking off new shoots will not stop the spring | ArtsEquator Skip to content A new collection of poems and essays bears witness to the bravery of ordinary citizens since the brutal military coupe of Feb 2021 in Myanmar...

© » ARTS EQUATOR

about 39 months ago (07/29/2021)

The frenemy’s handshake: The Singapore Trilogy as political theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Second Breakfast Company July 29, 2021 By Clarissa Oon (2,650 words, 8-minute read) My phone vibrated one night, with a notification that Singapore political party Workers’ Party (WP) was premiering a live video on Instagram...

© » ARTS EQUATOR

about 52 months ago (07/15/2020)

Weekly Southeast Asia Radar: Thai artists talk politics; The horror animation artist | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Hoang An / Tuoi Tre July 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 52 months ago (06/25/2020)

Weekly Southeast Asian Radar: Malaysia reopens theatres; playwright Alfian Sa'at dragged into politics | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar DPAC June 25, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 59 months ago (12/22/2019)

Everything In Its Right Place: The Body Politic and the Body | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nabilah Said December 22, 2019 By Nabilah Said (1,400 words, 7-minute read) “You’re a guest, you’re a guest, you’re a guest.” This anodyne version of the Beauty and The Beast song played in my head as I walked through the exhibition The Body Politic and the Body , currently on at ILHAM Gallery in Kuala Lumpur...

© » HIGH FRUCTOSE

about 59 months ago (12/20/2019)

The remixed and altered porcelain sculptures of ceramicist Penny Byrne often have a political edge...

© » RANDIAN ART MARKET

about 62 months ago (09/03/2019)

by Chris Moore The China art market faces its most difficult period since 2008...

© » ARTS EQUATOR

about 65 months ago (06/04/2019)

“Invisible Habitudes”: The Personal Goes Political Goes Global | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng June 4, 2019 By Nabilah Said (621 words, three-minute read) On a Monday afternoon in Goodman Arts Centre, I am watching a group of dancers working...

© » RANDIAN ZH

about 68 months ago (03/08/2019)

台北市立美术馆正式宣告,2020年第12届台北双年展将由法国知名社会学家、哲学家布鲁诺.拉图(Bruno Latour)与学者马汀.圭纳德林(Martin Guinard-Terrin)共同担任策展人。两位接棒的策展人表示,将于第11届的策展对话基础之上,进一步讨论「地理政治」(Geo-political)以及「地理历史」(Geo-historical)命题...

© » ARTS EQUATOR

about 74 months ago (09/25/2018)

Cartoonist Zunar on his sedition charges & fight for political reform (via Star2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 25, 2018 It’s a Saturday afternoon at a major bookstore in the Gardens Mall in Kuala Lumpur...

© » ARTS EQUATOR

about 75 months ago (08/30/2018)

"Pratthana: A Portrait of Possession": Of Politics and Desire Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tananop Kanjanawutisit August 30, 2018 By Amitha Amranand (1225 words, six-minute read) Everyone is always watching and being watched in Pratthana: A Portrait of Possession , the latest play by Japanese director Toshiki Okada...

© » KADIST

about 67 months ago (04/12/2019)

© » KADIST

about 69 months ago (02/26/2019)

© » KADIST

about 114 months ago (06/10/2015)

© » KADIST

about 125 months ago (07/23/2014)

© » KADIST

about 134 months ago (10/22/2013)

© » KADIST

about 146 months ago (10/17/2012)

© » KADIST

about 150 months ago (06/19/2012)

© » KADIST

about 154 months ago (02/18/2012)

© » KADIST

about 154 months ago (02/17/2012)

© » KADIST

about 171 months ago (10/11/2010)

© » KADIST

about 203 months ago (02/17/2008)

© » KADIST

about 204 months ago (01/01/2008)