27H x 25.5W x 2 inches
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots. She thereby recalls and reclaims something important and elemental—indeed, a material that is integral to the physical fabric of culture and society, one that we associate with incorruptibility and malleability simultaneously.
At a moment when Minimalism and Conceptual Art collided, Southern California-based Alexis Smith began working with discarded street signs, matchbooks, movie posters, and other detritus to become one of the pioneers of conceptual assemblage. Her cryptic comments on the cloudy morality of American culture are derived from pop cultural references including political figures like Richard Nixon, Hollywood films, and pop musicians. This borrowing of literally recycled material and recycled cultural tropes is also seen in the work of Smith’s peers Mike Kelley, Chris Burden, and Vija Celmins.
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
'Homoerotic, sexualised' Jesus poster sparks outrage in Spain - In the press Skip to main content 'Homoerotic, sexualised' Jesus poster sparks outrage in Spain Issued on: 30/01/2024 - 11:19 07:56 IN THE PRESS © FRANCE 24 By: Dheepthika LAURENT IN THE PRESS – Tuesday, January 30: We take a look at the French and European papers after French farmers blockade the majors roads leading to Paris in a protest over their working conditions and pay...
The work is a speech composed of excerpts from autobiographies of well-known political characters...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...