His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton. Scores of young people in the impoverished city had discovered that they could make a decent living by fabricating and circulating stories online. Originally presented as a book, Bendiksen’s haunting images show the city of Veles and its inhabitants.
Part-skyscraper, part-pyramid, part-citadel, this unfinished and ragged twelve-story building stands, incongruously, among the industrial environment of Limete. Towering above this desultory landscape and defying gravitational laws and urban zoning rules, this uncommon architectural proposition forms one of the strangest and most enigmatic landmarks of the city. A giant question mark, it begs for profound reflection on the nature of the city, the heritage of its colonial modernist architecture, the dystopian nature of its infrastructure, and the capacity for utopian urban dreams and lines of flight that it nonetheless continues to generate.
In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency. Thick as it is, a rocking chair becomes imponent and can no longer rock. The growth of vegetation has been hampered by concrete and could be mistaken for rocks.
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site. The cut shape mirrors the precise shape of the Kadist gallery floor, where the concrete was relocated as part of his residency exhibition entitled Somewhere, Elsewhere, Anywhere, Nowhere. Through this concrete graft, Cidade inextricably links the city with artwork.
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes. They stand vertically in space in a precarious stance. Heavy by the density of the concrete, they are also airy and floating.
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it.
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word. This was precisely one of the questions raised while producing the photographs that compose Poema , one of de Barros’s first and most iconic visual poems. The work consists of a sequence of six black and white photographs where language acts in a performative movement with the typewriter, forging a connection between word and image.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.
Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor. The bright pink object central to the painting is based on a photograph, and the artist’s personal memory, of a Bontoc ancestral tomb, commonly located at close proximity to a family home. The painting is covered by a net material simulating a fence, creating a certain bodily distance from the viewer’s perspective.
From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor. The image in the painting is based on a photograph, and the artist’s personal memory, of a Bontoc ancestral tomb, commonly located at close proximity to a family home. The painting is covered by a net material simulating a fence, creating a certain bodily distance from the viewer’s perspective.
Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted. Although, they hang on the wall they possess a strong sculptural quality as the fringes float away from the wall. This is part of a series of works that refer to Brazilian concrete and neo-concrete art as well as Arte Povera in a playful manner while demonstrating a strong identity of its own.
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment. Made out of foam, paper, glue, and paint, these miniaturized buildings (a bank, a bar, a Laundromat, and the Rite Aid building where Buffon shops) impart a tenderness and a nostalgia that outsizes their diminutive scale. Like works by other artists who recreate objects or elements from their everyday life, Buffon’s storefronts are perfectly imperfect, the wobbled lines reiterating their handmade quality.
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent. The parrot in both the Garden of Eden and the harems are associated with the symbol of purity and innocence. These symbols are found in Renaissance painting, especially in the Annunciations or the Virgins and child and later in Flemish portraits.
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite. The video is shot in arid, mountainous locations in Mexico (his adopted country) and Argentina (his home country). Over several months, Ríos scouted locations for natural-worn tributaries where he eventually allowed these balls to then thunder down the mountain.
Anointed by Kathy Jetnil-Kijiner and Dan Lin is a poem recital/video that addresses the American nuclear testing legacy in the Marshall Islands that occurred between 1946 to 1958 in Bikini and Enewetak Atolls. The artist’s words of resilience and healing are uttered as she travels across the northeastern atolls of her vast island nation. The climax of the short film takes place when the artist, holding white coral stones (a Marshallese funeral ritual) stands on top of the massive concrete dome erected on Runit Island in Enewetak Atoll to contain 73,000 square meters of radioactive waste—only a small fraction of the debris generated by the nuclear tests, the rest of which was never cleaned up.
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region. It’s a typical Soviet sculptural composition, thousands of which were casted in the USSR during this period. Many can still be found all over post-Soviet territories, leading to regular debates on the destiny of this visual heritage in Ukraine.
In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day. Interested in this phenomenon, Adrian Melis asked the workers of a construction company to reproduce the sounds and noises characteristic of their work. The making of forty rectangular pieces for a floor construction is the recording of a “work performance” during a day from eight in the morning to five in the afternoon.
Marcelo Cidade interrogates the city, architecture and urban planning. This architectonic drawing proposes modular possibilities, adaptable variations based on the form of the concrete block (a material which is often actually integrated in his practice). The “re-definition” announced in the title is in construction, in process, under development, in flux.
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.
YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Artist and filmmaker Pascual Sisto is known for creating works that reimagine the mundane as captivating alternate realities...
The work of Daniel Boccato deals with the relationships between form and language, abstraction and figuration, and forces the viewer to try to name, categorize and differentiate...
Christiane Baumgartner’s practice is related to her origins...
Working in sculpture, Leelee Chan’s visual vocabulary reflects her subjective experience of the extreme urbanization in Hong Kong by proposing a dialogue between concrete materiality, found in heavy industry, and poetics found in ceramics, and its cultural archaeology in millinery Chinese history...
Joe Scanlan became known in the 1990s due to his very particular appropriation of Conceptual art, exploiting two main registers: display on one hand, designating the artwork as a consumable product, DIY on the other, advocating the mobility and adaptability of objects, even their reversibility depending on contexts and usages...
Euan Macdonald’s videos, drawings and sculptures are informed by a wide array of philosophical, musical, and literary references, but return repeatedly to the quotidian occurrence, the everyday as subject...
Since the mid-2000s, Nagendra Gurung has practiced photography in parallel to his life as a migrant worker in Dubai and Saudi Arabia...
American artist Josh Faught uses weaving, knitting, and crochet as means to making in his textured and evocative sculptures...
Multidisciplinary Brazilian artist Laura Lima’s work attempts to excavate a set of self-defined concepts that she uses to describe her practice, indicative of her overall attempt to unsettle extant conceptual frameworks in favor of more productive re-territorializations...
Brazilian artist Renata Lucas is interested in the social, behavioral, and aesthetic implications of special constructions...
The work of Taysir Batniji, a Palestinian artist born in Gaza shortly before the 1967 war and the Israeli occupation, is tainted with manifestations of impermanence and itinerancy, belonging and uprooting, personal memories and historical events...
Newell Harry’s practice traces an intimate web of connections and histories linking Pacific island cultures (especially those of the Vanuatu archipelago)–via Australia, where he lives, and the Malay world–to South Africa’s Western Cape Province, the home of his extended family...
Visual artist and performer, Otobong Nkanga’s (b...
‘They ask only not to be forgotten’: Barry Lewis’s heartbreaking portraits of the Soviet Union’s gulag survivors | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Bread and soup for prison lunch at Camp AW261/4, Uptar...
UK Public Art Database Will Record More Than 5,000 Murals Skip to main content By Karen K...
Following football fans on the streets of Bamako - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Émile-Samory Fofana Émile-Samory Fofana’s Champions League Koulikoro traces the influence of European clubs on African fans – and their own aspirations beyond the pitch In 2018, French-Malian photographer Émile-Samory Fofana could be found on a roof in Bamako, camera in hand...
Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...
Abstractions: Studies of the National Theatre | Londonist Concrete Beauty Of The National Theatre Captured In This Abstract Exhibition By Will Noble Will Noble Concrete Beauty Of The National Theatre Captured In This Abstract Exhibition "A lot of one’s reaction to concrete is prejudice," said the National Theatre's architect, Denys Lasdun...
Blending In While Standing Out: The Duplex, By Atelier ST - IGNANT Name Atelier ST Project Duplex House Images Clemens Poloczek Words Marie-Louise Schmidlin The German word Geborgenheit describes an emotional experience that encapsulates a sense of security, warmth, comfort, and being cared for...
Art Talent Show review – witty interrogation of art students asks the big questions | Movies | The Guardian Skip to main content Skip to navigation Skip to navigation Abstract thoughts … Art Talent Show...
Toshio Shibata Day For Night – AMERICAN SUBURB X Skip to content The work of Toshio Shibata is not easy to categorize by genre...
Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...
Sidcup library and cinema review – William Morris meets the multiplex | Architecture | The Guardian Skip to main content Skip to navigation Skip to navigation Sidcup library and cinema, which ‘occupies its long thin site like a ship’...
Artist Rodrigo Valenzuela’s Futuristic Ruins Unveiled in LA Skip to content Rodrigo Valenzuela, "The Underpinning" (2023) (photo Matt Stromberg/ Hyperallergic ) LOS ANGELES — On Saturday afternoon, a crowd gathered at Los Angeles State Historic Park on the edge of Chinatown for the opening of Rodrigo Valenzuela’s new public artwork, commissioned by the local nonprofit Clockshop...
Penn Township artist decorates yard with concrete sculptures | TribLIVE.com Art & Museums Penn Township artist decorates yard with concrete sculptures Quincey Reese Sunday, Dec...
In pictures: Design Miami makes a stand Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: Design Miami makes a stand Furniture clad in shingles, a tiger with a ceramic coat and a chair made of chains are some of the highlights of Design Miami 2023 Carlie Porterfield 9 December 2023 Share Visitors to Design Miami at one of the 50-plus stands at this year's edition Photo: Liliana Mora The 19th iteration of Design Miami, the city’s leading design fair, kicked off on Tuesday with more than 50 stands dedicated to furniture, homewares, ceramics and more...
Wim Wenders will release 3D documentary “Anselm” on artist Anselm Kiefer...
Artist Jesse Darling Wins Tate Britain's Turner Prize Skip to content Jesse Darling at the Turner Prize 2023 award ceremony at Towner Eastbourne (photo by Victor Frankowski/Hello Content; all images courtesy Tate) Jesse Darling has won this year’s Turner Prize , given annually to a British visual artist by the Tate museums...
Opinion | How shoddy building construction prompted Hong Kong’s love of glazed ceramic tiles | South China Morning Post Advertisement Advertisement A worker cleans the dust-pink glazed ceramic tiles on the Hong Kong Cultural Centre in Tsim Sha Tsui...
Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...
Furthering FORMA: Vanessa Heepen’s Exclusive Editorial Collaboration Blurs The Art-Design Divide - IGNANT Name FORMA Gallery Images Clemens Poloczek Words Anna Dorothea Ker To spatial designer and creative director Vanessa Heepen , design is inherently discursive...
Theodore Psychoyos: Working With Matter - IGNANT Name Theodore Psychoyos Images Clemens Poloczek Words Marie-Louise Schmidlin The practice of Athens-based artist Theodore Psychoyos revolves in its essence around matter...
© 2023 All rights reserved - The Eye of Photography Laurence Biaggi, 27-(4°72_S,37°29_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 1-(25°10_N, 80°42_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 28-(40°28_N, 17°85_E) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 24-(5°09_S, 36°27_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 6-(2°86_S, 40°65_O) © Laurence Biaggi / Galerie Mondapart, 2023 “Instantly, the images take us to an elsewhere, at first geographical, then, with time, transformed into an inner elsewhere...
Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap | TribLIVE.com Art & Museums Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap Julia Maruca Monday, Oct...
Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Caroline Bachmann — Le Matin Exhibition Drawing, installation, painting Closing Caroline Bachmann, Le Matin, 2022 Detail...
France fast-tracks Jewish claims on artwork stolen during WWII Skip to main content France fast-tracks Jewish claims on artwork stolen during WWII France on Thursday passed a law making it easier to return the works of art seized by Nazi Germany which ended up in French museums to their Jewish owners...
Architecture | The Independent Architecture Architecture Student ‘Town House’ wins Stirling Prize for best new building News Cara Delevingne’s house has a vagina tunnel and a David Bowie bathroom Architecture Frank Gehry: ‘I see all the things I should have done differently’ Architecture Bamboo hostel and Apple store named among best buildings of 2021 Architecture Paris set to turn Champs-Élysées into ‘extraordinary garden’ News Andrea Valentino Should architects plan for wildfires? Architecture Best buildings of 2020 announced Architecture Architecture awards open for nominations from the public Americas IM Pei death: World-renowned architect who redesigned the Louvre dies Middle East This massive new mosque can be seen from all over Turkey's Istanbul Architecture Best buildings of 2019 announced Architecture Hong Kong's house prices are pushing millennials to illegal lengths Architecture The Taj Mahal is turning yellow – and time's ticking to restore it Architecture What medieval know-how can tell us about reviving England’s cathedrals News This Cuban design project has transformed a community Long Reads When Italian musicians retire, this is where they go Architecture To clean the grime off the Taj Mahal, India is turning to mud Long Reads People in glass buildings shouldn't be allowed: these structures a Architecture Hastings Pier crowned UK's best new building in RIBA Stirling Prize Long Reads Don't say 'so long' to Frank Lloyd Wright just yet Architecture Seven of Zaha Hadid's most dazzling creations Architecture Who was Zaha Hadid? What was her architectural philosophy?...
Capturing The Imagination: Art Installations at The Arts House | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Grace Baey January 21, 2022 Text and Photos by Grace Baey Amidst the line-up of events at Singapore Art Week 2022, The Arts House is currently a site for three new installation works by artists Speak Cryptic, Jason Wee and WY-TO, and the National Library Board...
the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda | Exhibition | IMA ONLINE the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda 2 September 2019 - 30 September 2019 IMA gallery TAGS Ryudai Takano Nao Tsuda IMA gallery Share 12.02.27.#36bw, Photo-Graph, 2012 © Ryudai Takano, Courtesy of Yumiko Chiba Associates On exhibit are two bodies of work by Ryudai Takano...
Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 Museum of Modern Art, New York Open July 15 From Sarajevo, head south on the M20 motorway until the road signs change from Roman to Cyrillic...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...
Damien Hirst's hero refuses to be a brand | The Independent | The Independent Sign up to our free IndyArts newsletter for all the latest entertainment news and reviews Sign up to our free IndyArts newsletter Please enter a valid email address Please enter a valid email address SIGN UP I would like to be emailed about offers, events and updates from The Independent...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Drawing & Print
Palabrarma (obreros palabreando) by Cecilia Vicuña is a series of works in which the artist blends poetry, political commentary and graphic design...
Drawing & Print
All Kovanda’s artistic practice poses the question of visibility...
Drawing & Print
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Drawing & Print
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
This photograph seems to be awaiting meaning, it more or less evokes known elements without really identifying with them completely: a motorway interchange, a bridge, an electric pylon… In fact this is the end of the tracks of the Aérotrain, a wheelless monorail invented by Jean Bertin in the 1970s, which acts like ‘a fossil of movement on landscape scale’, as explained by the artist...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
Rosier’s body of films, gleam with that indeterminate in-between glow of twilight...
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
Drawing & Print
Baumgartner’s own excursion into war imagery is the diptych Formation ...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007...
In Algeria, Djidjiga Meffre has woven a fabric with a string, a length equal to the distance from the earth to troposphere...
Drawing & Print
Head in Hands by Joe Biel is part of a larger series of drawings made in connection with the book of short stories Navigating Ghosts by Annie Buckley...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day...
Raphaël Zarka discovered the scientific manuscripts of Abraham Sharp while in Oxford...
Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...
Katia Kameli’s film The Storyteller explores the cultural role of deep-rooted artistic tradition in Morocco...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Pacific Limn weaves together three narratives that comment on hyper-capitalism pan-Pacific cities that San Francisco exemplifies...
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite...
Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Minutos de odio contra sí mismo (Minutes of hate against itself) is a simple and powerful work about the political situation in Venezuela, replacing the stars on the flag with bullet holes...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
Anointed by Kathy Jetnil-Kijiner and Dan Lin is a poem recital/video that addresses the American nuclear testing legacy in the Marshall Islands that occurred between 1946 to 1958 in Bikini and Enewetak Atolls...
Blindfold Receptor (caterpillar-yellow) by Leelee Chan is inspired by the camouflaging nature of the peppered-moth caterpillar...
In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency...
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
O (for various skies) by Jesse Chun is a two-channel video sculpture that decentralizes American colonial narratives about the moon through “unlanguaging”—a methodology that the artist has conceptualized for unfixing language...
Drawing & Print
Throughout his career, Marwan Rechmaoui has maintained a drawing practice...
Drawing & Print
Throughout his career, Marwan Rechmaoui has maintained a drawing practice...
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...