Fading Fields 7

2014 - Sculpture (Sculpture)

187 x 143 x 40 cm

Elena Damiani

location: Copenhagen, Denmark
location: Lima, Peru
year born: 1972
gender: female
nationality: Peruvian
home town: Peru

In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work. As apparitions or ghosts, the images portrayed appear or vanish in the space as faded recollections of a distant landscape. These impressions appear as oscillatory surfaces that fluctuate between presence and absence; they are contingent objects that shift as a result of their environment. The totality of the image continuously fuses with the space and background. As a result, Fading Fields 7 functions as a constant reminder that it is only through the eyes of the present that we can catch a glimpse of the past and that both the virtual and physical realms merge constantly in the act of remembrance.


Transforming found materials into collages, sculptures, videos, and installations, Elena Damiani critically addresses our understanding of the present by harnessing the potential of images from the past. She is interested in revising subjects such as geology, archaeology, and cartography. By reworking materials such as books, photographs, video footage, and public records, Damiani stages fictions where multiple topographies and times unfold, hovering between an indeterminate past and present. She aims to explore the ways in which specific materials can be presented as incomplete and ambiguous when extracted from their contexts, then recomposed into artworks that emphasize the mutability of cultural objects and information, thereby forming new memory paths and connections.


Colors:



Related artist(s) to: Elena Damiani » Amalia Pica, » Fernando Bryce, » Latin America, » Voluspa Jarpa, » Adán Vallecillo, » Albert Chong, » Alfredo Jaar, » Annalee Davis, » Antiguo Arsenal, » Carlos Amorales

Memorial for intersection #2
© » KADIST

Amalia Pica

2013

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Fantasmática Latinoamericana
© » KADIST

Voluspa Jarpa

2014

In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents...

Minimal Secret
© » KADIST

Voluspa Jarpa

2012

To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Why fear the future?
© » KADIST

Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

From Useless Wonder 04
© » KADIST

Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

El hombre que hizo todas las cosas prohibidas
© » KADIST

Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...