Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis. The artist eliminates human presence, miscellaneous details, and all color from the images, then “rebuilds” them into quiet, achromatic models with thin white paper. Once complete, the models are photographed in a nearly identical composition as the original image. Terrorist attack International University Islamabad, Pakistan (2010) depicts the aftermath of the 2009 International Islamic University suicide bombing in Islamabad. Here the color white symbolizes lost memory of the sympathy and the covering of the fear. Artificially transformed, the casted buildings and scene appear dreamy, fixed in time, and aesthetically attractive. The Palestine Wall depicts the structure separating Israel from the West Bank, a barrier that restricts the movement of people and goods to the other side. The visual and semantic distinctions surrounding its meaning and dimensionality are stark, pointing to the power that pictures and their linguistic counterparts have to both inform and elude.
Ha Tae-Bum (b. 1974, lives in South Korea) was trained as a sculptor in South Korea and Germany. His practice spans photography, sculpture, performance, installation, and animation. Ha’s work often reflects on the force of social conceptions such as discrimination and shame.
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
Ukraine is under tension due to the politics of President lanoukovitch since 2010...
This dyptich installation is coming from a research/ installation Sa koša ke lerole (2016 – ongoing) started during the Montreal biennale (curated by Philippe Pirotte), then recently exhibited at Grahamstown National Arts Festival...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...
Morvarid K — This too Shall Pass — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Morvarid K — This too Shall Pass Exhibition Photography Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
Press Release: Art21 to Release New Film: “Hannah Levy’s Adaptive Structures” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...