12:48 minutes
Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change. The question “Why can’t we view Europe from a chair?” periodically punctuates the video, suggesting that a similar personal transformation could occur by experiencing a place through the Internet and staying in the same place. Few episodes appear, each being a transformation process in itself, either by correlation, juxtaposition, combinations of specific matters such as iconography, texts, landscapes, events. Drawing a parallel between how identity transforms and how weather evolves over time, the video possibly hints to an escape from current political and geopolitical issues, and expressly on in the context of the refugee crisis and terrorism in Europe.
Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another. Her practice addresses ideas of permanence, transformations, and perception Since the beginning of her practice, she began collecting material from various sources including YouTube, DVDs, home video libraries and other footage archives in addition to producing her own original content. Her sculptures often reference forms of the old—mimicking relic-like characteristics and totemic shapes—juxtaposed within a contemporary configuration. For example, The Documentary: Geocentric Puncture (2012) positioned fake artifacts against professional photography studio sets. In a similar way with her videos, Guan initiates a rereading of existing material by presenting a new visual language that is stripped of context and resists pre-conceived associations. Conceding equal importance to objects, people and phenomena, Guan Xiao’s videos often explore how our experience of browsing the Internet shapes our vision of the world and our own – always in transformation – identities.
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 27, 2018 An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...
Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Frequencies of Tradition at Incheon Art Platform, Curated by Hyunjin Kim With works by Sooryeon Choe, Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia Wei Hsu, siren eun young jung, Jane Jin Kaisen, Alexander Keefe + Ashoke Chatterjee & Liz Phillips, Tomoko Kikuchi, Ayoung Kim, Gala Porras-Kim, Seulgi Lee, Young Min Moon, Hwayeon Nam, Part-time Suite, Ko Sakai & Ryusuke Hamaguchi, Lieko Shiga, Simon Soon + Roger Nelson & Stella, Stephanie Spray & Pacho Velez, Erika Tan, Fiona Tan, Evelyn Taocheong Wang, Wang Tuo, Ming Wong, Yo Daham, and Zheng Guogu Frequencies of Tradition departs from an understanding of tradition as a space of contestation, where one can critically reflect on Asian modernization and pluralize our comprehension of the regional modern...
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...