Diameter: 56.5cm
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube? Monk gives us some clues. The O is an initial, the letter contains the first letter of Owen. The O is also a sign, the letter contains the restaurant sign Owen. The O of Untitled (rolled up) is thought of as an encrypted letter. The work, while it appears as a joke (?), plays upon everything. Monk questions the meaning of a work through non-conventional logic.
Jonathan Monk re-fashions and re-examines seminal works of Conceptual and Minimal art through witty, ingenious, and irreverent means. Through wall paintings, monochromes, ephemeral sculpture, and photography, Monk reflects on the tendency of contemporary art to canabilize references, while paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner. Monk’s art practice does not follow any specific style; it doesn’t contain any common characteristic to identify his work at first glance. The amount and variety of his works poses questions about what supports them. Demystifying the creative process, Monk often employs appropriation, humor, irony, and anecdote in his work. To enter an exhibition of works by Jonathan Monk is like taking part in a treasure hunt, made up of digressions and space-time manipulations.
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Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Natasha Harth for QAGOMA untitled (giran) (2018), Jonathan Jones in collaboration with Dr Uncle Stan Grant Snr AM January 10, 2019 By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
Damsel Elysium Wonders, "If a Tree's Voice was Something We Could Understand, What Would it Say?" - Something Curated Copy Features Interviews Profiles Guides Jobs Interviews - 26 Jan 2024 - Share London based multi-instrumentalist, composer, experimental sound and visual artist, Damsel Elysium utilises double bass, violin, piano and original field recordings to explore intangible connections between humans and the natural world...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
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