Untitled

Black Ocean by Liu Yujia portrays a desert landscape in a state of both destruction and construction, revealing the desert’s simultaneous fragility and indestructibility...

Let’s get digital: 12 online efforts by Southeast Asian artists and creatives | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 22, 2020 1...

Luxelakes • A4 Art Museum and KADIST are pleased to announce the launch of a partnership that aims to facilitate access to video works by international contemporary artists for research, education, and enjoyment...

The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...

December 9, 2023 – February 11, 2024...

Aktionsplan is a map of the field by Kyevy Gorky...

In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...

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Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...

Cluster Illusion examines the brain’s tendency to recognize a pattern as something abstract...

Weekly Southeast Asia Radar: Vietnam's post-war writers; Burmese voices in book | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar BACC October 8, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...

Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...

Cet article est à lire dans Society #222, disponible en kiosque du 18 au 31 janvier ....

Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest...

For this exhibition Cidade has excavated the top layer of existing concrete from 450 Hayes Street, a past section of the Central freeway, current parking lot, and future condominium development site...

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

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