Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors. Inspired by underground creative cultures, his paintings have the slipshod spontaneity of graffiti and other types of street art. His figurative work, however, suggests a deeper sense of anxiety and discomfort, and his subjects seem projected out of a Surrealist nightmare of melting bodies. Ticket is ultimately a work about fluctuation and an exemplary model of how painting (at its most expressive) can visualize complex psychic states of being.
Kaoru Arima experiments with painting in order to discover new expressive forms. His free use of color and shape references Expressionism and Surrealism, and his figurative work utilizes fluctuating forms to suggest the inherent tension between outward appearance and internal conflict. At the same time, his style exhibits an earnest spontaneity that generates an almost gleeful “sense of time and play,” as noted in a 2015 statement from Arima’s Tokyo-based galley Misako & Rosen. In 2003, his work was shown at the Walker Arts Center as part of a group show “How Latitudes Become Forms.” His work has also been exhibited at the Fondazione Sandretto Re Rebaubengo Per L Arte, Turin, the Museo De Arte Contemporaneo De Monterrey, Mexico, and the Carnegie Museum of Art, Pittsburgh.
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest...
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works...
Recovered Van Gogh Masterpiece Takes the Spotlight Again - Artcentron Home » Recovered Van Gogh Masterpiece Takes the Spotlight Again ART Feb 10, 2024 Ξ Leave a comment Recovered Van Gogh Masterpiece Takes the Spotlight Again posted by ARTCENTRON Vincent van Gogh, The Parsonage Garden at Nuenen in Spring (1884)...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...
Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia...
Weekly Picks: Singapore (25 June - 1 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 25, 2018 Chinatown Crossings by Drama Box 22 June – 18 August 2018 Experience Chinatown through an Indian man named Kumalan who grew up in Chinatown’s shophouse during the 1960s and 1970s...
With Martha Araújo, Milena Bonilla, Angelica Mesiti, Shitamichi Motoyuki and Emilija Škarnulyte Curated by Marie Martraire, director of KADIST, San Francisco Reflecting on the relationship between History and memory, the group exhibition Moving Stones focuses on the body as a site of engagement to address our collective past embodied in public monuments...
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich...
The working processes of artists: .gif | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles August 2, 2019 In this video, indie-electronic duo .gif, made up of Nurudin Sadali and Chew Wei Shan or Weish, are interviewed by LASALLE students Narrel Wisaksono and Aqid Aiman...