152.4 x 152.4 cm
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality. For the artist, the color red alludes to the ongoing violence and conflict occurring in Pakistan and around the world. The delicately illustrated flowers signify the unwavering hope that people sustain, despite hardship and adversity. Navigating a series of dualities—life and death, beauty and horror, order and chaos, violence and peace—the work articulates that contradiction is inherent to daily life, especially in a country experiencing conflict on a massive scale. Striking a balance between these opposing yet inextricably linked forces, Qureshi’s work employs traditional techniques and symbols to critically reflect on what it means to live in present-day Pakistan.
Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting. Qureshi’s work merges traditional motifs, symbols, and techniques with the visual language of abstraction to consider contemporary socio-political events affecting Pakistan and the world more broadly. Combining gestural abstraction with refined ornamental details, his practice shifts between figurative and abstract works on paper, monumental paintings, videos, and site-specific installations. Qureshi’s hybrid methodology often features gold-leaf and the color red as signature elements of his work, signaling the relationship between the celestial plane (immortality) and the human body (mortality).
National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Hello Guest | Login National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Monday, July 18, 2022 Americans for the Arts and its partners— New Jersey State Council on the Arts , Metro Arts: Nashville Office of Arts and Culture , Community Foundation of Sarasota County , Arts Connect International , and United Arts Council of Raleigh and Wake County —are thrilled to announce the interns selected for the 30th year of the Diversity in Arts Leadership (DIAL) program...
Sophie Blet — Pas tout à fait vides, peut-être juste impossibles — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Sophie Blet — Pas tout à fait vides, peut-être juste impossibles — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Sophie Blet — Pas tout à fait vides, peut-être juste impossibles Exhibition Drawing, installation, photography, video Upcoming Sophie Blet, dissoudre — coaguler (détail), 2021 © Sophie Blet / Adagp, Paris, 2023 Sophie Blet Pas tout à fait vides, peut-être juste impossibles In 5 months: April 27 → May 18, 2024 commissariat : Diane Der Markarian vernissage le 27.04.24, 17h-21h exposition du 27.04 → 18.05.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de soutenir et de présenter le projet de recherche et d’exposition réunissant la commissaire d’exposition et critique d’art Diane Der Markarian et l’artiste Sophie Blet : Pas tout à fait vides, peut-être juste impossibles...
Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Cuban American artist Edel Rodriguez, labelled a “worm” for fleeing Cold War Cuba in 1980, tells story of his progress from impoverished boyhood to creating alarming covers for Time magazine David D'Arcy 9 February 2024 Share The front cover of Worm © 2023 Edel Rodriguez On the cover of the graphic memoir Worm: A Cuban American Odyssey , which follows the artist and illustrator Edel Rodriguez from 1970s Cuba to the US, the author draws himself as a boy wearing the red scarf of the José Martí Pioneer Organization and a beret with a star high on his head—the attribute of no less than Ernesto “Che” Guevara...
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
‘All my films deal with how to live’: Wim Wenders on Herzog, spirituality and shooting a movie in 16 days | Wim Wenders | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Fast is a gift, fast is unleashed creativity’: Wim Wenders photographed in his Berlin office by Malte Jaeger for the Observer New Review...
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New exclusive Marie Lenclos Paintings available – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next I’m pleased to present new and exclusive work by London artist Marie Lenclos who has created a series of 6 new works for us...