The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution. The lecture looks at the central role that the photographs taken with these devices played in informing and mobilizing people during the revolutionary events, due to their ability to be shared and spread through virtual and viral communication platforms.
Rabih Mroué is an actor, director, playwright and visual artist as well as contributing editor for The Drama Review (TDR) and the quarterly Kalamon. Employing both fiction and in-depth analysis as tools for engaging with his immediate reality, Mroué explores the responsibilities of the artist in communicating with an audience in given political and cultural contexts. His works deal with issues that have been swept under the rug in the current political climate of Lebanon, connected to the enduring marks left by the Lebanese Civil War as well as more recent political events.
Weekly Picks: Indonesia (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 9, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta and Jakarta from 9 – 15 July 2018 Titian Art Space in Bali presents the exhibition Mokoh for the house of Mondo ...
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint - The New York Times Arts | Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint https://www.nytimes.com/2024/02/12/arts/chagall-moma-return-over-vitebsk.html Share full article 25 Advertisement SKIP ADVERTISEMENT For years, “Over Vitebsk” occupied a central place in the collection of the Museum of Modern Art, which spoke of Marc Chagall’s painting of his hometown in the Russian empire as an important part of its holdings...
Rage or Loss: Women in Photography 2019 | Remedy For Rage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 7, 2019 By Elaine Chiew (1,050 words, 6-minute read) Now in its fifth edition, Objectifs returns with its annual showcase in the Women in Film and Photography series...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...
« On ne démocratise pas le rapport à la musique, à la danse en les réduisant à un “éveil musical ou dansant” » Offrir Le Monde F in octobre tombait une nouvelle pour le moins sidérante : le directeur académique des services de l’éducation nationale en Indre-et-Loire annonçait le démantèlement des classes à horaires aménagés musique et danse ( CHAM et CHAD ), de la 6 e à la 3 e , du lycée Paul-Louis-Courier, de Tours, au nom de la mixité sociale et scolaire...
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
Weekly Southeast Asia Radar: Why I sing in English; how Cambodian art can survive | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Nyein Su Wai Kyaw Soe | Frontier March 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...