7:59 minutes
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident. Participants in the workshop made masks from local newspaper cuttings, included in the installation as well as videos showing these different persons wearing their masks, pointing in the direction of their hometowns, where they can no longer return. Over There portrays those displaced from Fukushima due to the 2011 nuclear disaster, underlining the subjectivity of each person in opposition to the way they are usually considered within the Japanese society or by the media, calling them “victims from the disaster.”
Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life. Given by the artist friend Sachiko Kazama, this name refers to an important manga artist and anarchist Bontaro Saikawa. By employing wide-ranging methodologies and approaches including political activism, installation or video, Dokuyama investigates forgotten memories of the past, places, issues and phenomena that have become hard to see in contemporary society. His artworks underline how in our unpredictable modern world, anyone could become a victim at any time. Facing the past and investigating what has been left behind, as well as what has disappeared, Dokuyama reveals the memories and emotions of people who have fallen through the cracks of history. He questions our conformity and dependency on a given social mechanism, and seeks to uncover the complexity of the reality which is often hidden from our sight.
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...
Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest...
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Le Droit à l’oubli — Musée Transitoire #3 Exposition Techniques mixtes Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Encore environ 2 mois : 26 janvier → 30 mars 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...