Office Work
2018 - Sculpture (Sculpture)
Dimensions variable
Walead Beshty
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole. Despite its dismantled form, the screen still functions, a simple, mountain-range desktop background clearly visible with no distortion. As with much of Beshty’s work, Office Work thematizes its own construction, in this case, through a clearly deconstructive action that preserves the technological ontology present through the monitor. Rather than engage in outright destruction, Beshty carefully articulates the inner workings of the monitor outwards, alluding to the near violence of his action through the screen’s stark impalement. The work exists uneasily between display and destruction, disputing singularly positivist notions of constructing art.
Artist and writer Walead Beshty examines the processes of his own multidisciplinary (though primarily photographic) work’s production, linking these processes to global issues including human migration,displacement, and technology. His works, oftentimes visually abstracted, argue for their own production as a process of transformation, emphasizing an expansive array of actions and methods through which art can be structurally transformed or produced. In this way, by examining the matrix of production surrounding his individual artworks, Beshty’s introspection also expands outward onto a complex field of vectors connecting actions, subjects, structures, and forms. Beshty explores the limitations and possibilities of his mediums, which include photography, light, metal, glass, cardboard, and, often, distance. Often striking in their visual presence, his work reflects the movement of images and objects, both in a literal sense and in terms of the way that ideas and materials are circulated and exchanged. They also convey another narrative: the history and the processes that construct both the world and his art.
Colors:
Related works sharing similar palette
© » LENS CULTURE
Sanctuary and Abjuration: Sentinels of the Ghostwood - Photographs by Anne Eder | Exhibition review by Liz Sales | LensCulture Feature Sanctuary and Abjuration: Sentinels of the Ghostwood In an imaginative exhibition on view in Philadelphia, Anne Eder invites visitors into an uncanny, sensorial world of images, sculptures and smells, crafted from her forages in local woodlands...
© » KADIST
Tobias Fike & Matthew Harris
2013Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter...
© » KADIST
Cameron Rowland
2014Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
© » FRANCE24
French movie stars pay final farewell to British-born actor and singer Jane Birkin Skip to main content French movie stars pay final farewell to British-born actor and singer Jane Birkin Stars of the French screen on Monday turned out to bid a final farewell to the British-born actor and singer Jane Birkin who died earlier this month after charming France for decades with her style and panache...