Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope. These are then reflected down to a mirror at the bottom of the telescope and from there to a mirror on the ceiling. From the ceiling the images bounce down to a mirror at floor level which projects the images through an open window to the world outside. The function of the telescope has been inverted and transformed from a receiver to a broadcaster of light. The images it projects are selected from the ‘Golden Record’ produced for the Voyager 1 and Voyager 2 missions. These were intended to inform any extraterrestrials of life and culture on earth. Described by Ann Druyan, author and science media producer, as ‘a classic message in a bottle’ there was never any knowing whether, if viewed by an extraterrestrial, they would be able to decode the visual signals or not. The projection of these images by the Voyager spacecraft was at once an informative and a futile gesture. Ed Stone, Voyager’s project scientist, stated that “In a sense it is a unifying message. It’s a message from Earth. It contains greetings in many languages, music from many cultures and images that portray our home planet.”
Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application. They are interventions into reality as well as inventions. Keller is fascinated by previous scientific undertakings such as Wilhelm Reich’s Cloudbuster project that Keller re-enacted from the roof of PS1 in an attempt to make rain over New York in the Spring and Summer of 2003 using orgone and nuclear energy. Keller’s stance is at once social political and artistic. He is engaged in debates around existence and the human condition. His project Helioflex is an attempt, using mirrors, to ‘bypass the social gradient of access to sunlight in urban habitations’, in other words to bring sunlight to areas normally in shadow at an affordable price. According to Keller the density of building generates a social gradient of sunlight in urban areas. The top floors bathe in light that is missing in the bottom floors. The device bypasses this gradient and creates a connection to the outside world by reflecting natural light to spaces that have never seen the sun before.’ Keller’s political engagement is in the tradition of Josef Beuys, who taught at the Free University in Berlin where Keller began to study physics in 1988. Christoph Keller is a German artist who studied math, physics and hydrology before studying liberal arts in Berlin. Christoph Keller was born in Fribourg, Germany, in 1967. He lives and works in Berlin.
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
TeamLab Borderless, Tokyo interactive digital art museum, makes a comeback with boundary-breaking installations | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more TeamLab co-founder Toshiyuki Inoko stands inside the “Bubble Universe” installation at the new teamLab Borderless, an interactive digital art museum in Tokyo’s Azabudai Hills development in Japan...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
Review into British Museum thefts calls for fundamental reforms Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search British Museum thefts news Review into British Museum thefts calls for fundamental reforms The Independent Collection Security Review urges the museum to take urgent action, including fully recording the collection and tough management changes Martin Bailey 13 December 2023 Share The report has been heavily criticised by Ittai Gradel, the Danish gems specialist who privately warned the British Museum about the theft in 2020 Photo: Jeff Whyte The independent review into thefts at the British Museum reveals serious problems with the institution’s governance...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Aesthetica Magazine - Curator Interview: 130 Years of Native Photography Curator Interview: 130 Years of Native Photography In Our Hands: Native Photography, 1890 to Now is a major exhibition at the Minneapolis Institute of Art, spanning 130 years of work by First Nations, Métis, Inuit, and Native American photographers...