50 x 63 inches
The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years. While in Hydroforce we see the artist pregnant, Lowrider Builder and Child features the artist’s newborn by her side. In the image, the positioning of Cohen’s body, together with the tranquil, idyllic nature of the site in which she reclines to breastfeed her baby — with the gentle light gleaming as it bounces off the hood of her car — is a nod to classical reclining nude paintings, which invariably portray female subjects. Beyond the image’s beautiful composition, the work interrogates different layers of meaning, engaging with the politics of the body, motherhood, the female identity, subcultural aesthetics and the ways in which they are all represented.
Liz Cohen is a photographer and performance artist best known for her project Bodywork , in which she transformed a German car into a lowrider while simultaneously transforming her own body, with the help of a fitness instructor, to become a bikini model at lowrider shows. Critical of a consumer based society and its use of the female body in advertisements and music videos, Bodywork was an avenue for Cohen to explore her own femininity and create dialogue around issues relating to immigration, nonconformity, and resistance. Some of her earlier works, consisting of black-and-white photographs and a series of performances, focused on similar issues, which she explored through documenting sex workers from the Panama Canal, as well as producing various portraits of an ostracised poet.
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Masterpieces from the Barbier-Mueller African and Oceanic Art collection to be sold at Christie's in Paris Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search African art news Masterpieces from the Barbier-Mueller African and Oceanic Art collection to be sold at Christie's in Paris The auction next month will include 100 pieces acquired by Josef Müller and his family Vincent Noce 6 February 2024 Share Twin Baulé mask (Nda), Côte d'ivoire Image: Christie's Ltd One hundred pieces from the prestigious Barbier-Mueller African and Oceanic Art Collection will be auctioned at Christie’s in Paris on 6 March...
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
Maude Arsenault – Resurfacing – AMERICAN SUBURB X Skip to content Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries...
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
The Traditional Body, The Contemporary Mind and The (Dancing) Mother | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sivarajah Natarajan September 27, 2019 By January Low (1,693 words, 7-minute read) A little over a year ago, I was invited to be a part of MI(X)G , Festival Tokyo’s 2018 opening production, and the cherry on the sundae was to work together with legendary Thai contemporary dance artist Pichet Klunchun for five weeks spread out over four months...
Afro-Ecuadoreans Maintain Identity Through Spiritual Practices - The New York Times Lens | Afro-Ecuadoreans Maintain Identity Through Spiritual Practices https://www.nytimes.com/2019/05/31/lens/afro-ecuadoreans-identity-spiritual-practices.html Give this article Share Advertisement Continue reading the main story As a teenager growing up in Ecuador, Johis Alarcón was mesmerized by hip-hop culture...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
American Second World War museum uses AI to tell veterans’ stories Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artificial intelligence news American Second World War museum uses AI to tell veterans’ stories As the generation that served in the war ages, an experiential museum in New Orleans seeks to keep their voices alive Allison C...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...