First Born
2019 - Sculpture (Sculpture)
33 x 22.9 x 22.9 cm
Rachel Rose
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth. Alchemical literature, such as the Chymical Wedding of Christian Rosenkreutz (1616) by the German author Johannes Valentinus Andreae informed the artist’s choice of hybridizing elemental substances from the earth. Though the separate elements of this work may appear texturally and aesthetically discrete in their material composition, this sculpture is actually made from a single material—sand—in two different physical and temporal states. Both glass and rock are made of sand; the former is liquid sand and the latter is sand that has been compressed over thousands of years. The temporal relationship between materials in this series of sculptures positions the egg as an analogy for conception; a vessel from which creation derives.
Rachel Rose is a visual artist known for her video installations that merge moving images and sound within nuanced environments connecting them to broader subjects. Her work investigates subjects as diverse as cryogenics, the American Revolutionary War, modernist architecture, and the sensory experience of walking in outer space. For Rose, the current moment is one of shifting terrain: as technology advances, the world changes beneath and around us, leaving us struggling to keep up. Rose is interested in the rapidly changing conditions we live in, and the ways that language, technology, and images mediate the out-of-sync realities of organic life. Originally trained as a painter, Rose now works in several media, with film being her primary outlet. Her film works are remarkable for their fusion of images and sound, her dense filmic tapestries reflecting the deep, multivalent explorations that drive her.
Colors:
Related works sharing similar palette
© » KADIST
Adelita Husni-Bey
2011Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
© » ARTS EQUATOR
The working processes of artists: Lim Ai Hooi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 25, 2020 Choral conductor Lim Ai Hooi deconstructs the visible and less visible aspects of her work, from how to read notations on a score to the gestures she uses, and how this can reach the hearts of the audience...
© » ARTS EQUATOR
Austrian singer collaborates with ‘angklung’ musicians at Indonesian Cultural Night in Vienna (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 10, 2018 Angklung musicians featuring Austrian soprano Maria Theresia Gruber staged the song Bengawan Solo at the Indonesian Cultural Night event held at Vienna’s Weltmuseum on Tuesday evening...
© » KADIST
Reyes Santiago Rojas
2015The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits...
© » ARTS EQUATOR
Cakap-Cakap: Interview with Jo Kukathas for Air Con | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 23, 2021 We cakap-cakap (chit-chat) with Jo Kukathas about The Instant Café Theatre Company’s upcoming screening of Air Con , an award-winning 2008 play written by Shanon Shah...
© » KADIST
Jazmín López
2008Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
© » KQED
Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Bangkok Art Biennale; Singapore creatives forced home | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Dansoung Sungvoraveshapan, via Bangkok Post September 17, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...