El mar y sus múltiples afluentes

2018 - Painting (Painting)

45.72 x 599.44 cm

Adriana Bustos


El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade. The piece represents an apocryphal river and illustrates the routes of the slave trade between the coasts of Africa, Europe, and South America, departing from the Congo River (once called Zaira), and arriving at Río de la Plata, the main river in Buenos Aires that divides Argentina from Uruguay. The work collapses time and space, placing the coasts of colonial empires across the colonies where slaves were taken.


Adriana Bustos creates a narrative discourse through installation, video, photography and drawing, in which her reflections on prevailing social, political or religious oppression appear in non-linear interpretations of history. The investigative and documentary nature of her work challenges so-called historical facts by drawing from ideas taken up in areas of anthropology, science, popular culture, fiction, biographical writings and history itself, and juxtaposing them within representational systems.


Colors:



Related works sharing similar palette

Weekly Picks: Singapore (6 – 12 August 2018)
© » ARTS EQUATOR

Weekly Picks: Singapore (6 - 12 August 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore August 6, 2018 Premanadi by Temple of Fine Arts 11 – 12 August 2018 Premanadi – The River of Love is a dance-drama that follows the story of a family that goes on a journey while their boatmen and guide tell them of the myths and legends of the river that they pass...

Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth
© » ARTS EQUATOR

Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Liu Chen-hsiang April 8, 2019 By Stephanie Burridge (800 words, four-minute read) Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world...

From Elina Chauvet to Judy Chicado, the Maison’s new exhibition highlights women’s art and their ties with Dior.
© » WONDERLAND

From Elina Chauvet to Judy Chicado, the Maison’s new exhibition highlights women’s art and their ties with Dior....

Now That You Leave, When Will You Return?
© » KADIST

Young Min Moon

2022

Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...

Arthur Tress Sought the Shadow Side of Photography
© » HYPERALLERGIC

Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...

The Invaders
© » KADIST

Ghita Skali

2021

The Invaders by Ghita Skali is a tale that bites you...

Fairy #2
© » KADIST

Masaya Chiba

2011

Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...

InventEd by Lynn Schmeidler
© » BOMB

BOMB Magazine | InventEd Necessary (Required) Cookies that the site cannot function properly without...

Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle
© » LE MONDE

Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...

Untitled
© » KADIST

Kitty Kraus

This work emphasises Kitty Kraus’s involvement with process, with alchemical transformations associated with Post-Minimalist aesthetics, Arte Povera, Joseph Beuys and Robert Smithson...

Singapore: Chia-Wei Hsu, commission for the Singapore Biennale 2019
© » KADIST

The second commission for Frequency of Tradition , Chia-Wei Hsu’s dual-channel video installation Stones & Elephants (2019) premieres at the Singapore Biennale 2019...

Dakis Joannou Turned a Remote Greek Island into an Art Mecca - via Artsy
© » LARRY'S LIST

Every summer, the art world cognoscenti descend on the tiny island of Hydra to celebrate the new show at Dakis Joannou’s local project space....

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

The Antique Gem
© » KADIST

Jess

1986

The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist...

Static Field I
© » KADIST

Kamau Amu Patton

2011

Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...

The Garden
© » KADIST

Maaike Schoorel

2009

This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...

Living With Art, Exhibiting At Home — VASTO Gallery
© » IGNANT

Living With Art, Exhibiting At Home — VASTO Gallery - IGNANT Name VASTO Gallery Images Monika Mroz Words Monika Mróz Founded two years ago as an online art gallery, VASTO has garnered international attention after unveiling its physical location in Barcelona...

Don’t Miss: The Intense Stillness of Celia Paul’s ‘Life Painting’
© » OBSERVER

Review: Celia Paul’s ‘Life Painting’ at Vielmetter Los Angeles | Observer ‘Painter Seated in her Studio, 72″ x 58″...