45.72 x 599.44 cm
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade. The piece represents an apocryphal river and illustrates the routes of the slave trade between the coasts of Africa, Europe, and South America, departing from the Congo River (once called Zaira), and arriving at Río de la Plata, the main river in Buenos Aires that divides Argentina from Uruguay. The work collapses time and space, placing the coasts of colonial empires across the colonies where slaves were taken.
Adriana Bustos creates a narrative discourse through installation, video, photography and drawing, in which her reflections on prevailing social, political or religious oppression appear in non-linear interpretations of history. The investigative and documentary nature of her work challenges so-called historical facts by drawing from ideas taken up in areas of anthropology, science, popular culture, fiction, biographical writings and history itself, and juxtaposing them within representational systems.
Weekly Picks: Singapore (6 - 12 August 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore August 6, 2018 Premanadi by Temple of Fine Arts 11 – 12 August 2018 Premanadi – The River of Love is a dance-drama that follows the story of a family that goes on a journey while their boatmen and guide tell them of the myths and legends of the river that they pass...
Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Liu Chen-hsiang April 8, 2019 By Stephanie Burridge (800 words, four-minute read) Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world...
Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...
This work emphasises Kitty Kraus’s involvement with process, with alchemical transformations associated with Post-Minimalist aesthetics, Arte Povera, Joseph Beuys and Robert Smithson...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...