Die
2014 - Film & Video (Film & Video)
03:55 minutes
Yang Song
Yang Song’s Die features a clay mask of the artist himself slowly dissolving into water. Clay returns to clay. Clay originates from and returns to earth, becoming a metaphor for life. Here influenced by the traditions of temples and Chinese burial customs, the simple gesture of creation-destruction explores questions of transformation to provide a vision of life cycle as nonlinear but continuous. The choice of materials echoes a fundamental divergence between Western and Eastern classical traditions of sculpture: if classical Western sculpture preferred materials like stone and bronze for their relative inflexibility while discarding clay for its malleability and fragility, classical Eastern sculpture commonly used clay as a primary material.
Yang Song was trained as a sculptor in both Western and Eastern traditions, which continue to influence his practice today. Yang’s sculptures often follow traditional methods, evoking ancient Buddhist status and the terracotta warriors of Xi’an yet leaving them unfired so they would crack and eventually crumble to dust. Similarly, Yang Song conceptually treats his videos and drawings as sculptures, specifically in their presentations. For him, a sense of permanence is intrinsic to sculpture beyond the sole materials that may span centuries. Yet, for the artist, inflexibility is not what gives sculptures a sense of eternity, but rather its fragility and transience inherent to our eternity and human condition.
Colors:
Related works sharing similar palette
© » KADIST
Martin Creed
2003This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
© » KADIST
Pascual Sisto
2013All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » KADIST
Angelica Mesiti
2013Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
© » ARTS EQUATOR
Cakap-Cakap: Interview with Charlinda Pereira and Rebekah Sangeetha Dorai for subTITLED 1.0 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 16, 2021 ArtsEquator chats with producer and production stage manager, Charlinda Pereira and actress, Rebekah Sangeetha Dorai about their upcoming work subTITLED 1.0 by Bridging The Gap (BTG)...
© » ARTS EQUATOR
Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...
© » KADIST
Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » KADIST
Laure Prouvost
2018Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
