The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction. The use of different contradictory light sources in the same picture is symptomatic of his staging of reality. In Napoli 1996 a man walking down the street in broad daylight is fictionalized by the flash of the camera. Related to the world of cinema in the case of “Hollywood” (1990-1992), fashion in the series “W” (1997-2000), and advertising, the photographer questions the representation of reality, between the utopia of transparency and necessary construction. “I try to criticize the beast I work with. This monster of whom I share my bed with is about me,” the artist says. His photographs are a space alien in the world of the viewer because of the absorbance of characters. In “Mario” (1978), a man leaning in front of a refrigerator is estranged to the outside world, far from the viewer, denying his/her presence. Immobility is also a constant in the artist’s work. Psychological tension and dramatical equilibrium structure his photographs like enigmas or like “moments suspended in narratives that unfold,” as critic Peter Galassi suggests. Phillip-Lorca diCorcia was born in 1951 in Hartford, Connecticut, USA.
Reconstructing the Virtual in “Frogman” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 14, 2019 By Shawn Chua (1,088 words, 6-minute read) Having securely fastened the headgear, I am submerged into the virtual world of Frogman...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
The Personal, the Humour and the Horror: Interview with Irwan Ahmett | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 7, 2019 By Patricia Tobin (1,140 words, 6-minute read) The concluding production of TPAM 2019 was Constellation of Violence , a lecture-performance by artist Irwan Ahmett, which focused on the culmination of the Cold War in Indonesia in 1965, from its lead-up to its aftermath...
Images is a two channel video work addressing the relationship between art and ritual...
Eva Papadaki—A Storage Full Of Memories - IGNANT Name Eva Papadaki Images Clemens Poloczek Words Marie-Louise Schmidlin For those with a keen eye for thoughtfully designed interiors and spaces, it’s nearly impossible to oversee Eva Papadaki and her 10AM projects when zooming in on the creative landscape of Athens...
Weekly Southeast Asia Radar: Malaysia mulls on Jawi calligraphy; racism in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles File photo: Bernama August 8, 2019 ArtsEquator Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...