A.P. (no.1)
2012 - Photography (Photography)
Erin Shirreff
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines. Shirreff then photographs each object against a similarly monochromatic backdrop in her studio, printing each image in rich and high-contrast greyscale. Next, she folds each print in half vertically so that the objects depicted in the image appear to be bisected. Finally, she adjoins the two folded prints at the edge of the fold, creating a new pictorial form from the two bisected images. The hybridized forms depicted in her prints resemble a jarring juxtaposition of geometric sturdiness and malleable plasticity, a cross between Tony Smith’s monolithic minimalism and Alexander Calder’s surreal wiriness. Shirreff uses photography here to imagine sculptural forms that do not exist in real life, and her work employs an illusionistic quality indebted to artistic traditions of trompe l’oeil. But Shirreff also reveals the artifice behind these images, suggesting that all pictorial representations are constructed and, in effect, can never fully document or replicate the experience of encountering an object in “real” perceptual space.
Erin Shirreff creates composite images that interrogate presumed boundaries between artifice and documentary. Originally trained as a sculptor, she works in the expanded field of photography, video, and sculpture, and her practice frequently employs multiple fine arts disciplines at once. Her work reconsiders the limits of sculptural practice by showing how image-based media can effectively be used to render hybridized shapes that do not (and arguably cannot) exist in real life. At the same time, she also reveals how these images are always deliberately constructed, leaving fold lines exposed and obvious discontinuities and aberrances in her composites. In leaving these artificial traces behind, Shirreff’s reminds us that images are always fabricated on some level and that representation itself is an artifice at its core.
Colors:
Related works sharing similar palette
© » KADIST
Nazgol Ansarinia
2013In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
© » DAZED DIGITAL
Another Man is relaunching for a new era of men’s fashion | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion News The cult menswear magazine will return next spring, with editor-in-chief Ellie Grace Cumming at the helm 12 December 2023 Text Dazed Digital AnOther Man Starring Robert Pattinson 6 Another Man is officially back...
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
© » ARTNEWS RETROSPECTIVE
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
© » KADIST
Natasha Wheat
2011Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
© » SLASH PARIS
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac ! — Gunaikeîon Exhibition Mixed media Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Ends in 2 months: October 15, 2023 → February 24, 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » KADIST
John Wood and Paul Harrison
1996One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
© » LENS CULTURE
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » HYPERALLERGIC
Hiroshi Sugimoto’s Time-Traveling Lens Skip to content Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer Hiroshi Sugimoto is a pair of upright apes walking through a volcanic landscape...
© » DIANE PERNET
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
