As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations. Wall encourages the viewer to engage with the scenario to imagine the before and the after of the moment. Compared to his earlier work, Wall’s photographs appear to be straight-up snapshots, exhibiting less manipulative details. The fictional details are not conveyed through obvious arrangements but due to the very nature of photographs: What they record is always an incomplete view of the world.
Internationally renowned photoconceptualist Jeff Wall is famous for his large-format lightboxes whose subject matter ranges from figurative portraiture to urban environment to mundane objects to elaborately constructed scenes. Hovering between documentary realism and fictional storytelling, and between photographs and films, Wall’s works are experienced rather than looked at.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Zanele Muholi’s Potent Portrait of South Africa’s Queer Community | AnOther As their new exhibition opens in San Francisco, Zanele Muholi talks about their powerful photos of queer survivors of hate crimes, couples in everyday moments, and self-portraits referencing history February 02, 2024 Text Emily Steer Zanele Muholi creates potent portraits...
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...