Ink Diary
2006 - Film & Video (Film & Video)
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
Chen Shaoxiong, was a founding member—along with Lin Yilin and Liang Juhui (and later Xu Tan)—of the well-known artist collective “Big Tail Elephant” which arose in response to the rapid urbanization od Guangzhou in the early 1990s. The group created a large body of multimedia work including performance, photography, video, installation, and paintings. In his solo work, Chen focuses his efforts on the new forms of perception of urban visions and life imposed by the age of information and global travel. Using both new media, like photography and video, and more traditional forms like painting, he produces ironic and uncanny images of a new reality and its constant negotiation between reality and fiction, memory and imagination, past, present and future.
Colors:
Other related works, blended automatically
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Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
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Pak Sheung Chuen
2017The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
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Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
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Will Rogan
2010MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
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Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
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Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
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Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
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Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
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Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
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Lin Yilin
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
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Will Rogan
2014Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
