Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death. As a voiceover unsuccessfully labors to match and explain each scene, the relationship between the text and the images becomes uncertain. Wang explains: “Reality is often inappropriate.”
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam. She creates layered narrative artworks in painting, drawing, video, film, and installation. She studied Chinese traditional art in China and continued her education at the Stadelschule in Frankfurt (2012) and De Ateliers (2014) in Amsterdam.
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...