Mickey Mouse

2010 - Drawing & Print (Drawing & Print)

Paul McCarthy

location: Los Angeles, California
year born: 1945
gender: male
nationality: American
home town: Salt Lake City, Utah

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle. Robbed of his context, the character becomes the sole focus of the image, a subject of unusual scrutiny. Under this close examination, his torso and legs begin to seem strange—too human for his extremities—and his friendly wave starts to look less like that of a childhood hero and more like that of a politician. With McCarthy’s intervention, the famous mouse is upstaged by his own artificiality.


Known for his transgressive performance art pieces that often challenge social conventions, Paul McCarthy is undoubtedly one of the main figures in the West Coast contemporary art scene. Using different forms from pop culture as source material, McCarthy casts a critical look at American society and consumerism. With a particularly poignant sense humor, his works also investigate the intricacies of human psychology.


Colors:



Related works featuring themes of: » Americana, » Architecture in Art, » Color Photography, » Comic/Cartoon, » American, » Abject Art, » Body Art, » Performance Art

Forest Gathering N.2
© » KADIST

Gregory Crewdson

2005

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Untitled
© » KADIST

Trisha Donnelly

2007

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...

Anti-Happening
© » KADIST

Julius Koller

Anti-Happening refers to Koller’s 1965 manifesto, ‘Anti-Happening (System of Subjective Objectivity)’...

Monologika - Yoyo 1.,2. (U.F.O.)
© » KADIST

Julius Koller

1982

The photograph Monologic – Yo-Yo 1, 2 (U...

I Want to be Gentleman
© » KADIST

Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

Slowed-down Journey
© » KADIST

Roman Ondak

2003

As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...

Its Always Fun to Live in This Country
© » KADIST

Eko Nugroho

2009

Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Untitled (Joseph T. Robinson Standing at a Podium in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

8 Ball Surfboard
© » KADIST

Alexis Smith

1995

In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...

Untitled (Governor of Ohio Judson Harmon), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

I am Human, Abstract Foil, No Humans IV
© » KADIST

Chris Johanson

2004

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Universal Futurological Question Mark (U.F.O)
© » KADIST

Julius Koller

1978

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...

Paper Tigers…from a whisper to a scream
© » KADIST

Juan Capistran

2012

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...

Martin Creed | The Dick Institute
© » TATE EXHIBITIONS

Martin Creed

Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...

Sickhands
© » KADIST

Petra Cortright

2011

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

UFO-Expedition (U.F.O.)
© » KADIST

Julius Koller

1982

Wordplay was a central focus of Koller’s work, in particular the acronym U...

White Minority
© » KADIST

Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...